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Recommended Reading—Summer 2016

Monday, July 11th, 2016

[by J. Scott Shipman]

Storm of Creativity2017

wright-brothers-biographyserendipities

Paradisejssundertow

white horsewashington

 

The Storm of Creativity, by Kyna Leski

2017 War With Russia, by General Sir Richard Shirreff

The Wright Brothers, by David McCullough

Serendipities, Language and Lunacy, by Umberto Eco

Paradise, Dante Alighieri, translated by Mark Musa

Undertow, by Stanton S. Coerr

The White Horse Cometh, by Rich Parks

Washington The Indispensable Man, by John Thomas Flexner

This list starts the first week of May, so perhaps the title should be Spring/Summer. Most of these books are quick reads and all are recommended.

I picked up Ms. Leski’s book at an MIT bookshop on a business trip in early May and read on the train ride home. Books on creativity are ubiquitous, but Ms. Leski takes an interesting approach by describing the creative process using the metaphor of a storm. Several ZP readers will find of interest.

2017 was recommended by a friend. The author was the Deputy Supreme Allied Commander Europe and the book focuses on a Europe/NATO response to a Russian invasion of the Baltics. Written in a Tom Clancy-like style, the plot is fast-paced even though the good general provides sometimes provides detailed insights into the inner workings of NATA and the North Atlantic Council (this is one of the values of the book—bureaucracy writ-large).

David McCullough’s Wright Brothers delivers an approachable and human accounting of the first men of powered flight. Some reviews on Amazon complain McCullough lifts and uses too many quotes to tell the story. At times the quotes were distracting, but not enough to prevent the enjoyment of the story of two brothers who changed the world. This book was a gift otherwise I probably would not have read.

Serendipities is a short book, but was a long read for me. Eco explains how language and the pursuit of the perfect language has confounded thinkers since time immemorial. He refers to Marco Polo’s unicorn (also used in his Kant and the Platypus which is excellent) explaining how language is often twisted to meet a preconceived notion or idea. The first couple of chapters were quite good, chapters three and four did not hold my interest or were over my head. The closing chapter was good enough to convince me I’ll need to read this little book again. (My Eco anti-library has been growing of late.)

Eco’s book led me to reread Musa’s excellent translation of Paradise. My son gave me the deluxe edition with parallel Italian and English, plus commentary. Eco referenced Canto 26 and 27, and I enjoyed the break so much I read the whole thing!

Undertow is my good friend Stan Coerr’s second book of poetry.  His first book Rubicon was a moving collection of poetry of men at war. Undertow deals more with the heart and is quite good, too. You won’t be disappointed.

White Horse is also a book by an old friend, Rich Parks (we’ve known each other since the mid-80’s). White Horse is self-published and in places it shows, but the overall story is quite good for a first book (I’ve already told him his book would make an excellent screenplay.). The plot is quick and entertaining even if a bit unbelievable, but the story is fiction. Rich is following up with a sequel in August in 2016 and I’ll be reading it, too.

Mr. Flexner’s Washington was a gift, too. In this quick biography Washington is made approachable and human. And when I say “quick,” I mean quick…Trenton and Princeton took one chapter compared to David Hackett Fischer’s Washington’s Crossing which took up a standalone book. If someone were looking for a first Washington biography, this would be a good place to start.

This isn’t the conclusion of my summer reading, but a pretty good start.What are  you reading this summer?

Sunday surprise: three entangled faiths

Monday, June 20th, 2016

[ by Charles Cameron — two exhibits linking the Abrahamic faiths ]
.

For disciplinary as well as doctrinal purposes, the three Abrahamic faiths — Judaism, Christianity, Islam — are generally thought of separately — a separation which the two exhibitions this post revolves around are intended to bring into question.

**

One: Of gods and men: how Egypt was a crucible for multiple faiths

For instance, there’s a “stele of Abraham” in the British Museum show from last autumn that is worth pondering:

stele of Abraham

The accompanying text tells us:

On public display for the first time will be a gravestone, or stele, for a man called Abraham. “It commemorates someone with a Jewish name and yet it bears Christian symbols inside a classical frame next to the ankh symbol, the ancient Egyptian sign of life,” said O’Connell. “What is more, the engraving on it says he was ‘the perfected monk’ and is written in Coptic Egyptian.”

More about the show:

Curators at the London museum will use a series of items, many never put on public display before, to demonstrate the level of “entanglement” of religious symbols and rituals; with Egyptian emblems regularly appearing in classical Greek designs, depicting Jewish stories that were decorated with Christian crosses and Roman wreaths.

“Over the last 10 or 15 years in scholarship, there has been growing interest across the disciplines in looking at the way religions interacted, rather than just in isolation,” said Elisabeth O’Connell, a keeper in the museum’s Department of Ancient Egypt and the Sudan and a co-curator of the exhibition. “It is becoming clear that a lot of religious history has been founded on our modern distinctions simply being projected back.”

Note in the next paragraph the use of the terms ” troublesome” and subversive”:

Two hundred of these troublesome objects, many deliberately ignored by scholars in the past, have been gathered together to challenge the conventions of religious history. From architectural fragments, jewellery, paintings, gravestones and toys, to the paraphernalia of religious worship, they are all subversive evidence that faiths were once amalgamated in a way that was accepted by the ordinary people of Egypt, regardless of their birth-race or family’s religion.

Those are the Guardian writer’s words — Vanessa Thorpe‘s — not the words of the curators, but it seems the exhibit is intended to emphasize the “melting pot” side of Egyptian religion across the millennium after the fall of the Pharaohs rather than the separations:

“If you only take the work we have from Dioscorus of Aphrodito, it blows apart these distinctions,” said O’Connell. “He was a lawyer and poet, who lived in Egypt and wrote in Greek, although he was a Christian Copt.

“He is a great example of what was going on widely, because he used biblical sources and also wrote Homeric verse, one of them dedicated to a man with a Christian name, Matthew.”

**

Much the same impulse appears to have been behind a British Library exhibit in 2007:

Two: Sacred texts that reveal a common heritage

For the first time, the oldest and most precious surviving texts of the Jewish, Christian and Islamic faiths have gone on display side by side at the British Library. They include a tattered scrap of a Dead Sea Scroll and a Qur’an commissioned for a 14th-century Mongol ruler of modern Iran who was born a shaman, baptised a Christian, and converted first to Buddhism, then Sunni and finally Shia Islam.

Here’s a two-page spread of that “Mosul Qur’an“:

quran
reduced image via the British Library

The Guardian article continues:

The exhibition also has some exotic private loans, including an embroidered 19th-century curtain which once covered the door of the Ka’bah, the shrine which is at the core of the hajj pilgrimage to Mecca, a hand embroidered Jewish bridal canopy – and a gold shalwar kameez worn by Jemima Goldsmith in 1995, when she married the former Pakistan cricket captain Imran Khan.

Phew, pop-cultural enthusiasts will at least have had the shalwar kameez to give them comfort!

More:

Graham Shaw, the lead curator, said: “We were determined not to create faith zones, but to show these wonderful manuscripts side by side, and demonstrate how much we share – not least that these are three faiths founded on sacred texts, books of revelation.” Many exhibits are among the oldest of their kind, including a Qur’an made in Arabia within a century of Muhammad’s lifetime.

The exhibition also shows how calligraphers and manuscript illuminators shared influences and styles. The microscopically detailed decorated capital letters of the Lindisfarne Gospels are echoed in Islamic and Jewish manuscripts, while Christian and Jewish texts borrowed Islamic-inspired decoration, so that a 14th century Qur’an and a translation of the gospels into Arabic are indistinguishable at a glance, and two 13th-century French texts, one Christian, one Jewish, use virtually identical images of King David.

And this part tickled my fancy, and will surely find a place in my book on Coronation and Monarchy if it ever finds a publisher:

A later psalter owned by Henry VIII outrageously uses his portrait as the great Jewish king – accompanied by Henry’s court jester, William Somer, beside a text which translates as “the fool says in his heart ‘there is no God'”.

The wise fool Will Somer or Sommers wasn’t quite a member of Henry VIII’s Royal Family, but stands nearby, in the arch far right, in this detail from a family portrait of 1545 or thereabouts:

detail Will Sommers Family_of_Henry_VIII_c_1545

Sunday surprise — a memorandum

Sunday, May 29th, 2016

[ by Charles Cameron — on the angelic and poetical differences between Azaz’el, Azaz’iel and Azaz’il ]
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Beginning ignorant, and with failing memory besides, I find it difficult to keep these distinctions straight in my unaided mind. Grateful thanks, therefore, to Bartelby and Brewer, who provide me with these assists:

Azaz'el Azaz'iel and Azaz'il

Now that the matter has been clarified, my own affectionate preference goes to Azaz’iel, to be sure.

Blood Sacrifices, and a digital pilgrimage to Santa Muerte

Thursday, May 26th, 2016

[ by Charles Cameron — on the importance of Doc Bunker’s book, and noting one of its themes ]
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Okay.

Here’s a quick DoubleTweet on Blood Sacrifices, the book that Zen recently announced in which both he & I have chapters:

DQ Metcalfe on Bunker Blood Sacrifices

**


Meanwhile, here’s another DT — this one illustrated! — on the specific theme of Santa Muerte:

and:


Announcing ! BLOOD SACRIFICES

Wednesday, May 25th, 2016

[by Mark Safranski / “zen“]

Blood Sacrifices: Violent Non-State Actors and Dark Magico-Religious Activities edited by Robert J. Bunker

I’m very pleased to announce the publication of Blood Sacrifices, edited by Robert J. Bunker, to which Charles Cameron and I have both contributed chapters. Dr. Bunker has done a herculean job of shepherding this controversial book, where thirteen authors explore the dreadful and totemic cultural forces operating just beneath the surface of irregular warfare and religiously motivated extreme violence.

We are proud to have been included in such a select group of authors and I’m confident that many readers of ZP will find the book to their liking . If you study criminal insurgency, terrorism, hybrid warfare, 4GW, apocalyptic sects, irregular conflict or religious extremism, then the 334 pages of Blood Sacrifices has much in store for you.

Available for order at Amazon


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