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Sunday surprise — Li Bai and the Song of Songs

Sunday, March 11th, 2018

[ by Charles Cameron — it’s all about a scarlet thread and some corks in a current ]

I have plenty of idle time between naps, and was binge watching The Churchmen on Netflix. Plus it’s a Sunday..


As you know, I track “twins” in events and quotations, mainly for sheer aesthetic pleasure, but also partly as an analytic tool — believing as I do that “two is the first number” and often a leading-edge clue to pattern, meaning, significance.

I’m used to finding others who have noted these twins or “DoubleQuotes” as I call them — “DoubleQuotes in the Wild” — but I’m not sure I’ve ever run across a clear description of someone else noting them, let alone in a scholarly manner that bridges the secular west and spiritual east — but lookee here!


Amazing indeed! And what a line! Your lips are like a thread of scarlet! worthy of Li Po, worthy indeed of the Song of Songs!

I’d have been very chuffed if I’d run across the same doublet between Li Bai – better known to me as Li Po — and the Song of Songs — which, by the way, is Solomon’s.


Li Po, who, drunk and out in a shallow boat, saw the moon reflected in the Yellow River, leaned over to kiss it, and drowned..

Solomon — but you know the story — seated in judgement, ordered a child be cut in two when two women claimed to be its mother — then commanded it be given to the one whose shocked pure love begged him to deliver it to the other.. wisdom as the test of love!


The discoverer of the binary “Your lips are like a thread of scarlet!” is a brilliant, generous-hearted, flawed founder and leader of a seminary in France who displeases ambitious Vaticanisti, is offered a choice of disgrace (on account off his flaws) or (as an “out”) a posting to an obscure but copacetic position in Shanghai..

A conversation ensues, in which he discusses his options with the nun who serves as his assistant:

The nun ancourages him to consider the Shanghai option..

That option has a certain seductive charm — following that scarlet thread.. but it represents being “bought off” rather than sticking by one’s guns come what may, and somehow weathering the consequences.


Our nun reflects:

And that’s an interesting idea.

At first glace it seems fatalistic — but that current moving the corks — the seminarians, the nun herself, the priest she serves, an ambitious president of the Franch bishops, various monsignori and a pope – maybe Christ, too? — has its own flows and undertows — a priest’s flaws included. It’s a complex system.

The corks are afloat in a complex system. A scarlet thread traces its curve in the complex system, from contemporary France to eighth- century China.


And when you’re afloat in a complex system — as we all are — “go with the flow” may be sound advice. That’s why the “corks in a current” idea seems so interesting to me. Sunday surprise!

This I must watch on Netflix

Monday, August 28th, 2017

[ by Charles Cameron — continuing in the pesky socratic tradition ]


Here’s the possible parallelism, d’you dare say it’s a moral equivalence, are the scales even close to equal, or isn’t that the moral point anyway?

Just a few years after the destruction of European Jewry, the soldier wonders, have we now become oppressors? Have the Arabs now been sent into exile?

Here’s the whole paragraph:

In 1949, Yizhar Smilansky, a young Israeli veteran, national legislator, and novelist writing under the pen name S. Yizhar, published “Khirbet Khizeh,” a novella about the destruction of a lightly fictionalized Palestinian village near Ashkelon, some thirty miles south of Tel Aviv. Writing from the point of view of a disillusioned Israeli soldier, Yizhar describes the Army’s capture of the village and the expulsion of its remaining inhabitants. The time is 1948, the moment of Israel’s independence and its subsequent victory over five invading Arab armies that had hoped to erase the fledgling Jewish state from the map. It would be forty years before the New Historians—Benny Morris, Avi Shlaim, and Simha Flapan among them—marshalled the nerve and the documentary evidence required to shatter the myth that hundreds of thousands of Palestinian Arabs had all voluntarily “abandoned” their cities and villages. Yizhar was there to bear witness in real time. He wrote from personal experience; he had been an intelligence officer in the war. In “Khirbet Khizeh,” Yizhar’s protagonist is sickened as he comes across an Arab woman who watches as her home is levelled: “She had suddenly understood, it seemed, that it wasn’t just about waiting under the sycamore tree to hear what the Jews wanted and then to go home, but that her home and her world had come to a full stop, and everything had turned dark and was collapsing; suddenly she had grasped something inconceivable, terrible, incredible, standing directly before her, real and cruel, body to body, and there was no going back.” Just a few years after the destruction of European Jewry, the soldier wonders, have we now become oppressors? Have the Arabs now been sent into exile? And why can’t I bring myself to protest? “Khirbet Khizeh” eventually became part of the Israeli public-school curriculum.


Source & resource:

  • David Remnick, How Do You Make a TV Show Set in the West Bank?
  • Netflix, Fauda
  • **

    With any luck, I’ll report back at some point. It seems to me that a love of the individual Palestinian should nest within a love of the State of Israel as the circles in the tai chih symbol rest within the swirls of the opposite colors. But what a charged topic!

    A koan!

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