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Pandora’s box, bottled by Klein

Sunday, June 7th, 2015

[ by Charles Cameron — a graphical analog to the inside outside koan ]
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Thinking one’s way inside that demmed box…

8-cell tesseract

What’s even “inside”?

Eppur si muove! Or not?

I suppose this can be today’s Sunday Surprise.

**

Source:

  • Wikipedia, Tesseract
  • Easier to take off the t-shirt than lose the tattoo IMO

    Sunday, May 31st, 2015

    [ by Charles Cameron — cognitive dissonance at the Draw-a-Prophet demo ]
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    Here’s a DoubleQuote in the Wild which takes the form of a single image — I’ve “separated” the two halves to illustrate its nature as a DQ:

    DQ in flags

    As the tweep from whom I took the image (whole, not separated) puts it:

    Cognitive Tools for Creative Thinking

    Friday, May 15th, 2015

    [by Mark Safranski, a.k.a “zen“]

    It has been some time since I have touched upon this topic. Recently though, I initiated a discussion at work on ways to enhance and stimulate creativity and  creative thinking and presented a suite of methods for generating and refining ideas. I didn’t get into the insight-based aspects of creativity, nor the high-level kinds of synthesis you see with people who have genuine mastery over a field or domain. My focus was more on developing people’s ability to think divergently, generate or recognize novel ideas and then refine or develop them.

    Therefore, many of these are active, intentional exercises or strategies. They tend to be productive but their creativity is not quite the same as what is produced, say, when a skilled musician is “jamming”, an inventor is tinkering or a painter or scientist is experimenting in the “flow“.  The following are also not an exhaustive list:

    Creative Problem Solving (CPS)

    Developed by Alex Osborn and Sidney Parnes, CPS seeks to harness Divergent and Convergent thinking in a holistic, multi-step, learning process. In essence, the students are sequentially alternating between Generating ideas and Focusing on refining, evaluating, applying them until the “problem” is solved. This is one of the older models of instilling creative thinking and has been widely used, particularly for well-defined or technical problems.

    Edward DeBono Lateral Thinking Exercises

    DeBono developed a system of forced choice and association exercises that are well suited to promoting critical and creative thinking at the same time as students address a concept or activity. Lateral Thinking exercises lend themselves naturally to being made into graphic organizers or as leading questions in class or group discussion. Some examples:

    PMI – “Plus, Minus, Interesting”                             OPV – “Other People’s Views    

    ADI – “Agreement, Disagreement, Irrelevant”  APC – “Alternatives, Possibilities, Choices”

    EBS – “Examine Both Sides”                                      CAF – “Consider All Factors”

    HVLV – “High Value, Low Value”                             AGO – “Aims, Goals, Objectives”

    TEC – “Target, Explore, Conclude”                          PISCO – “Purpose, Input, Solutions, Choice”

    Related to Lateral Thinking, but not the same, is Horizontal Thinking. While the former are concrete exercises, horizontal thinking is using a familiar area of knowledge to look for analogies and patterns in less or unfamiliar fields. Both Lateral and Horizontal thinking differ from the traditional model of analytical-reductionist Vertical Thinking associated with critical thinking done within a subject matter field. Vertical thinking and Lateral/Horizontal thinking complement one another

     

     

     

    Variations on “Brainstorming

    We all have used brainstorming. There are some ways to make brainstorming more productive.

    Ideational Pools – Ask a series of open-ended questions to a group that creates a much richer, single “pool” of ideas than simple brainstorming

    Uses, Instances, Similarities – this is usually about a physical object and the purpose is to generate as many alternatives as possible – i.e. “How many different uses can you think of for a piece of rope?”. It is both divergent and lateral thinking as an activity.

    Synectics – Extends brainstorming by taking the results and developing metaphors, similes, metonymy/synedoche that describe/explain them

    Group Roles (or stages)

    1. Generator: Comes up with ideas
    2. Conceptualizer: Organizes, categorizes, renames ideas
    3. Optimizer: Refines ideas with a view to action – the “How”
    4. Implementor Takes action

     

    Morphological Synthesis

    Morphological synthesis works through decomposition and forced association, There are several variations but it works best with well-defined problems. Examples.

    1. Define the problem or identify a thing. List all of the attributes.
    2. Combine and re-configure attributes in new ways

    or

    1. Divide problem into parts
    2. Develop a solution for each part
    3. Combine solutions

     

    Critical Question Mapping

    A system of fast learning, developed by friend of ZP Dr. Terry Barnhart, discovers the “what” of a situation by having everyone brainstorm all of the critical questions that must be answered to find a solution. No declarative statements may be made, only questions asked. After the group has exhausted the potential questions, the questions can be organized into clusters, a learning strategy, divided for research, etc.

     

    Scenario Exercises

    The use of imaginative but realistic premises for a thought experiment and discussion. Popular in the fields of futurism, alternative history and physics, they allow the students to explore reasons behind making decisions, constructing hypothetical, framing problems or as an allegorical experience before exploring the real situation or problem. Scenarios come in different forms and draw on both critical and creative thinking:

    Counterfactual: Ex- “What if the South won the Civil War?”

    Futurist: Ex- Imagine a world entering a new ice age – how would Illinois ecosystems be impacted by the climate change?”

    Physical: Ex- “Schrodinger’s Cat”

    Paradoxical: Ex – “Could a man travel through time and kill his own grandfather? Could you drown in the fountain of eternal life?”

     

    Doublequotes

    Juxtaposing opposing or incompatible authoritative views to encourage synthesis or reflective choice. This is a favorite technique of Charles Cameron in his Hipbone method of analysis that he employs regularly here at ZP.

     

     

    Moral Reasoning

    Like Scenarios, moral reasoning and ethical dilemmas push people to think both creatively and critically. Example:

    “A madman who has threatened to explode several bombs in crowded areas has been apprehended. Unfortunately, he has already planted the bombs and they are scheduled to go off in a short time. It is possible that hundreds of people may die. The authorities cannot make him divulge the location of the bombs by conventional methods. He refuses to say anything and requests a lawyer to protect his fifth amendment right against self-incrimination. In exasperation, some high level official suggests torture. This would be illegal, of course, but the official thinks that it is nevertheless the right thing to do in this desperate situation. Do you agree?”

    Many ethical dilemmas and student solutions can be analyzed according to Kohlberg’s Stages of Moral Development but the value for creative thinking is in creating the conditions of a forced choice requiring a resolution.

     

     

    What techniques do you use for creativity?

     

    Moore’s Law responsible for Shades of Grey

    Sunday, April 12th, 2015

    [ by Charles Cameron — confirmed: that as the power of computing increases, all color is drained from our lives.. ]
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    **

    Brought to you by DoubleQuotes in the Wild.

    Creating a web-based format for debate and deliberation: discuss?

    Friday, December 12th, 2014

    [ by Charles Cameron — Talmud, hypertext, spider webs, Indra’s net, noosphere, rosaries, renga, the bead game, Xanadu, hooks-and-eyes, onward! ]
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    Let me firmly anchor this post and its comments, which will no doubt shift and turn as the wind wishes, in discussion of the possibility of improving on current affordances for online deliberation.

    Let’s begin here:

    **

    There are a variety of precursor streams to this discussion: I have listed a few that appeal to me in the sub-head of this post and believe we will reach each and all of them in some form and forum if this discussion takes off. And I would like to offer the immediate hospitality of this Zenpundit post and comment section to make a beginning.

    Greg’s tweet shows us a page of the Talmud, which is interesting to me for two reasons:

  • it presents many voices debating a central topic
  • it does so using an intricate graphical format
  • The script of a play or movie also records multiple voices in discourse, as does an orchestral score — but the format of the Talmudic score is more intricate, allowing the notation of counterpoint that extends across centuries, and provoking in turn centuries of further commentary and debate.

    What can we devise by way of a format, given the constraints of screen space and the affordances of software and interface design, that maximizes the possibility of debate with respect, on the highly charged topics of the day.

    We know from the Talmud that such an arrangement is possible in retrospect (when emotion can be recollected in tranquility): I am asking how we can come closest to it in real time. The topics are typically hotly contested, patience and tolerance may not always be in sufficient supply, and moderation by humans with powers of summary and editing should probably not be ruled out of our consdierations. But how do we create a platform that is truly polyphonic, that sustains the voices of all participants without one shouting down or crowding out another, that indeed may embody a practic of listening..?

    Carl Rogers has shown us that the ability to express one’s interlocutor’s ideas clearly enough that they acknowledge one has understood them is a significant skill in navigating conversational rapids.

    The Talmud should be an inspiration but not a constraint for us. The question is not how to build a Talmud, but how to build a format that can host civil discussion which refines itself as it grows — so that, to use a gardening metaphor, it is neither overgrown nor too harshly manicured, but manages a carefully curated profusion of insights and —

    actual interactions between the emotions and ideas in participating or observing individuals’ minds and hearts

    **

    Because polyphony is not many voices talking past one another, but together — sometimes discordant, but attempting to resolve those discords as they arrive, and with a figured bass of our common humanity underwriting the lot of them.

    And I have said it before: here JS Bach is the master. What he manages with a multitude of musical voices in counterpoint is, in my opinion, what we need in terms of verbal voices in debate.

    I am particularly hoping to hear from some of those who participated in tweeted comments arising from my previous post here titled Some thoughts for Marc Andreessen & Adam Elkus, including also Greg Loyd, Callum Flack, Belinda Barnet, Ken (chumulu) — Jon Lebkowsky if he’s around — and friends, and friends of friends.

    What say you?


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