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On the Intelligence of the Artificial, thus far

Saturday, August 12th, 2017

[ by Charles Cameron — YouTube removing videos that document war crimes in the Middle East, Elgar ]
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YouTube removes video documenting Islamic State’s destruction of Nimrud artifacts (AFP)

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Here we are on the merry-go-round:

YouTube AI deletes war crimes evidence as ‘extremist material’

YouTube is facing criticism after a new artificial intelligence program monitoring “extremist” content began flagging and removing masses of videos and blocking channels that document war crimes in the Middle East.

Middle East Eye, the monitoring organisation Airwars and the open-source investigations site Bellingcat are among a number of sites that have had videos removed for breaching YouTube’s Community Guidelines.

The removals began days after Google, which owns YouTube, trumpeted the arrival of an artificial intelligence program that it said could spot and flag “extremist” videos without human involvement.

But since then vast tracts of footage, including evidence used in the Chelsea Manning court case and videos documenting the destruction of ancient artifacts by Islamic State, have been flagged as “extremist” and deleted from its archives.

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Without human involvement?

Humans were involved in the decision to let this AI proceed in real time “without human involvement”.

H Sap or AI? — who’s to trust?

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YouTube, Nimrod Barenboim conducts Elgar:


Compare “YouTube removes video documenting Islamic State’s destruction of Nimrud artifacts”, illustrated above

Sunday surprise — Go on

Sunday, July 23rd, 2017

[ by Charles Cameron — zen mind, beginner’s mind, math mind, game mind ]
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Pi:

A Beautiful Mind:

Mosul drone footage DoubleQuote

Sunday, May 7th, 2017

[ by Charles Cameron — grief and chills ]
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Horrific CNN drone footage of the destruction in Mosul:

Weaponized ISIS drone footage, source confirmed as ISIS propaganda footage by Joby Warwick here:

From maps to graphs and back, from life to death and eternity?

Wednesday, April 19th, 2017

[ by Charles Cameron — graphs and networks, life and death, quality and quantity of life, personal mortality, the (implictly immortal) trinity ].
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I was struck by these items, verbal and visual, in Numberphile‘s YouTube video, The Four Color Map Theorem. The speaker introduces a simple, four color map:

Then indicates:

I’ve turned that map into a network:

The question, can this map be colored using four colors, or better? is the same question as saying, can this network be colored using four colors, or better?

There are things we can learn now about maps, by studying networks instead. .. By studying networks, we can study all the different kind of maps. Now, all maps make networks, but not all networks make valid maps.

Given that my HipBone game boards are graphs — my games as played are conceptual graphs — I’m always on the lookout for easily digested gobbits of graph theory to see if they’re applicable to my games, or to put that another way, whether they can startle me into any new insights.

  • At least some HipBone games could be played on maps..
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    One could thus view maps of the various sectarian interests in play in the Levant / Shams — theologies onto geographic areas, Alevi, Twelver, Salafi, Salafi-jihadist, Yezidi, Druze, Christian etc — as conceptual maps analogous to conceptual graphs.

    And these conceptual maps are important in terms of strategy.

    Different graphs could be obtained by articulating the linkages between different sects and ethnicities, eg Turkomen with Turks, Alevi and Ismaili with Twelver Shiism, and Shia with Sunni vs (eg) Christian.. and switching back and forth between map and grapoh might then prove suggestive, instructive..

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    Once started on Numberphile’s math-curious videos it can be hard to stop.. Here’s a surprise from the third such video I chased thids afternoon, the one on The Feigenbaum Constant:

    Life and Death can be mathematized!

    I think that diagram — if it can be believed — answers the vexed issue of quality and quantity, and possibly also the hard problem in consciousness.

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    I naturally attempted to place myself on the implicit timeline between Life and Death on that diagram. I’m reasonably far along (minor stroke, check, triple bypass, check, on dialysis, check, etc), and, shall we say, somewhat aware of my mortality.

    Someone get me a slide-rule, I’d like to calculate the precise.. unh, on second thoughts, maybe not.

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    The only happily viable move from here — I believe — is to infinity, so let’s go.

    My games, I’d suggest, make a contribution to graph theory. Specifically, to that branch of graph theory in which Margaret Masterman was a pioneer, is the area of conceptual graphs, which I meantioned above. Indeed, the (theo)logical icon Masterman explored with her Benedictine Abbess friend as described in Theism as a Scientific Hypothesis (part 1), Theoria to Theory Vol 1, 3rd Quarter, April 1967, pp 240-46:

    visiting it in Boolean terms:

    is none other than the graph used as an exemplar of the map-graph correlation in the Numberphile video, second illustration at the top of this post.

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    In the Trinitarian version of this graph, however, two kinds of “edge” or linkage are required: for the links between individual Persons (“non est”) and the links between Persons and Godhead (“est”).

    And the same is true, interestingly enough, with even more types of linkage, in Oronce Fine‘s (entirely secular?) map of the elements:

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    And that’s enough thinking for one day, perhaps. We shall see..

    Sunday surprise — literal rainfall ancient and modern

    Sunday, March 19th, 2017

    [ by Charles Cameron — a DoubleQuote in the arts ]
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    Guillaume Apollinaire:

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    Il pleut

    Il pleut des voix de femmes comme si elles étaient mortes même dans le souvenir
    c’est vous aussi qu’il pleut merveilleuses rencontres de ma vie ô gouttelettes
    et ces nuages cabrés se prennent à hennir tout un univers de villes auriculaires
    écoute s’il pleut tandis que le regret et le dédain pleurent une ancienne musique
    écoute tomber les liens qui te retiennent en haut et en bas.

    Roger Shattuck, brilliant author of The Banquet Years: The Origins of the Avant-Garde in France) translates:

    It’s Raining

    It’s raining women’s voices as if they had died even in memory
    And it’s raining you as well marvellous encounters of my life O little drops
    Those rearing clouds begin to neigh a whole universe of auricular cities
    Listen if it rains while regret and disdain weep to an ancient music
    Listen to the bonds fall off which hold you above and below

    As Edward Hirsch comments at Poetry Foundation:

    The slanting lines of Apollinaire’s poem create the sensation of rain running downward across a windowpane. Graphic form and verbal music come together as each long vertical line becomes a rhythmic unit of meaning

    — which is itself a verbal / visual DoubleQuote!

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    Code running downward..

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    This was brought to mind by the magnificent title sequence of the Le Carré thriller The Night Manager:

    essentially completing a second DoubleQuote with those falling droplets. those rising bubbles — and there are several filmic equivalents of DoubleQuotes graphic matches aka match cuts — in the sequence itself: bomb cloud > martini, tea cups >machine gun, contrails > pearls..

    I’m always happy to see more Le Carré on film..


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