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Greed can do it as easily as Religion — or Time Itself

Sunday, July 22nd, 2018

[ by Charles Cameron — the passing of time is theft is the passing of all things ]
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Here’s a quick stop-motion movie of the Temple of Bel, Palmyra, in four powerful frames.

The Temple was originally gloriously decorated..

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That’s Palmyra’s divine triad: Baalshamin, with the Moon god Aglibol on his right and the Sun-god Yarhibol at left, discovered at Bir Wereb, near Palmyra, 60 cm high (Louvre, Paris) (photo: Emmanuel PIERRE, CC BY-SA 3.0)

The Temple was, in fact, until recently, an impressive ruin..

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That’s the Temple of Bel, Palmyra, Syria, in a photo by Bernard Gagnon, GNU license.

But then ISIS used explosives for a sacred demolition..

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Credit for this and the final image goes to Reuters

…and now there’s not much remaining of the glory..

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End of film, end of story — setup for the point I want to make.

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Stuff gets made or born, stuff lives or exists.. stuff dies, fades, crumbles, evaporates.. sometimes stuff is reboorn, salvaged, gets a second life..

Consider the great temple of Angkor Wat, buit by Khmer artists, partly destroyed by centuries of weather and overgrowth, pock-marked by the bullets of insurgents & army.. now given a second life as a tourist destination.. Consider Tibetan mandalas, chalked out in detail, painstakingly painted in sand, then swept away, proof of impermancence..

Well?

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The establishment of monotheism in Egypt was accompanied by royal command with the destruction of what we might now call religious and cultural works —

In rebellion against the old religion and the powerful priests of Amun, Akhenaten ordered the eradication of all of Egypt’s traditional gods. He sent royal officials to chisel out and destroy every reference to Amun and the names of other deities on tombs, temple walls, and cartouches to instill in the people that the Aten was the one true god.

— in a manner that calls to mind some of ISIS excesses, their destruction of the Temple of Bel, for a recent and striking instance.

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Indeed, places of worship have not infrequently been torn down:

Lord what work was here! What clattering of glasses! What beating down of walls! What tearing up of monuments! What pulling down of seats! What wresting out of irons and brass from the windows! What defacing of arms! What demolishing of curious stonework! What tooting and piping upon organ pipes! And what a hideous triumph in the market-place before all the country, when all the mangled organ pipes, vestments, both copes and surplices, together with the leaden cross which had newly been sawn down from the Green-yard pulpit and the service-books and singing books that could be carried to the fire in the public market-place were heaped together.

That’s from England — which suffered under Cranmer (Reformation) and Cromwell (Civil War), both of them politically influential Puritans.. who between them made ruins of many British abbeys — think Glastonbury, Fountains, Walsingham..

Well, all that’s background, simply to establish that time’s river allows for the buildup by a wide variety of means and sweeping away of all manner of things animate and ootherwise, in a continual flux, a continual emergence, a continual impermanence..

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But my point, remember?


Photo credit: via Trib Live

My point is that the thief of Pittsburg’s unique and valuable book antiquities deprives us of treasures of the mind in much the same way that ISIS does with its explosives in Palmyra. In the latter case: impassioned religion; in the former: simple greed.

Appraisers discovered missing items and books that had been “cannibalized,” with entire portions removed, according to the affidavit.

and the alleged thief:

is charged with theft, receiving stolen property, dealing in proceeds of illegal activity, conspiracy, retail theft, theft by deception, forgery and deceptive business practices.

Items of high value and greed, idolatry and iconoclasm — the cutting up of books from the Carnegie Library of Pittsburgh including a copy of Newton’s Principia is nend ot in the too different from what ISIS’ Kata’ib Taswiyya batallion did to Palmyra.

Not too different, either, from the activities of Tibetan monks.. or, I suppose, wind, rain, and a thousand years..

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Percy Bysshe Shelley:

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”

Puppetry cascades, or “art is theft”

Friday, June 22nd, 2018

[ by Charles Cameron — and if you experience vertigo reading any of these cascades, feel free to hang in there vertiginously — or let go ]
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Alright, here’s a DoubleQuote in images:

I don’t believe there’s a direct borrowing (aka plagiarism, theft) here, but both images rely on a shared puppet cascades convention.

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It’s been a bit of a yawn to say art is theft — at least since a few borrowings past Picasso, and maybe before him — what makes this pair of puppet cascades interesting is:

First, that each depicts a portion of a cascade of puppets — in the earlier, My Fair Lady version, Bernard Shaw puppeting Henry Higgins puppeting Eliza Dolittle, while the recent New Yorker graphic might as well be X (unshown) puppeting Steve Bannon puppeting Trump with Jeff Sessions and Scott Pruitt, maybe.

Second, note the X (Bernard Shaw) in the later version, and then ponder the idea that cascades may have a source, or may continue backwards ad infinitum, but Someone or Thing implicitly or explicitly needs to fill that X space. In the earlier version, Bernard Shaw does it, but that only begs the question, is Something puppeting Bernard Shaw? Deity, perhaps, or Muse?

And in the contemmporary version, where the upper puppeteer is cut off from vision, They‘s a good guess for the X Who‘s puppeting the Bannon figure, because Bannon, They, and Puppetry are all widely associated with conspiracy theory. Oh, and think, X-Files!

Hey, in reality Lerner and Lowe were making musical out of Shaw‘s theatrical Pygmalion out of Gilbert and Sullivan — and the cascade theft goes on and on, back into the mists and myths of antiquity..

The actual figures in the New Yorker cascade are X, Lord Bell (representing Bell Pottinger, the PR firm), and, below, the brothers Atul, Ajay, and Tony Gupta. The article itself, The Reputation-Laundering Firm That Ruined Its Own Reputation, is well worth a read. And look at the illustrations careful documentation of the ownership-lineages it’s pilfering from:

Illustration by Ben Jones; photographs by (clockwise from top): David M. Benett / Getty; Martin Rhodes / Gallo Images / Business Day / Getty; Foto24 / Gallo Images / Getty; David M. Benett / Bell Pottinger / Getty

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Property is theft, now — that’s Proudhon.

The not very evenly distributed future

Saturday, March 3rd, 2018

[ by Charles Cameron — feeling a little more Bladerunner, are we? ]
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Here are a couple of tweeted news stories with relevant quotes below each of them, from one day’s mid-morning twitter feed — with thanks to fine scholars Stephen O’Leary, master of apocalyptic rhetoric, and Thomas Hegghammer, master of Jihadist culture and folkways:

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One: Nature

After Hurricane Maria, 300,000 Puerto Ricans fled to Florida, and disaster experts estimate that climate and weather events displaced more than 1 million Americans from their homes last year. These statistics don’t begin to capture the emotional and financial toll on survivors who have to dig through ashes and flooded debris to rebuild their lives. [ .. ]

Climate change is going to remap our world, changing not just how we live but where we live. As scientist Peter Gleick, co-founder of the Pacific Institute, puts it, “There is a shocking, unreported, fundamental change coming to the habitability of many parts of the planet, including the U.S.A.”

In the not-so-distant future, places like Phoenix and Tucson will become so hot that just walking across the street will be a life-threatening event.

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Two: Culture

In large cities, hospitals report armed confrontations in emergency rooms, and school administrators say threats and weapons have become commonplace. Last week two men from Uppsala, both in their 20s, were arrested on charges of throwing grenades at the home of a bank employee who investigates fraud cases. [ .. ]

Illegal weapons often enter Sweden over the Oresund Bridge, a 10-mile span that links the southern city of Malmo to Denmark. When it opened, in 2000, the bridge symbolized the unfurling of a vibrant, borderless Europe, but in recent years it has been more closely associated with smuggling, of people, weapons and drugs.

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Are these two tweets, taken together, the encerroaching wave-front of William Gibson‘s “future already here — just not very evenly distributed” beginning to distribute itself a little more evenly?

Let’s backtrack forty years, with benefit of hindsight:

MS-13 Murder or Blood Sacrifice? SWJ on 3rd Generation Gangs

Friday, January 12th, 2018

[Mark Safranski / “zen“]

 

John Sullivan and Dr. Robert Bunker have some analysis up at Small Wars Journal regarding a grisly, ritualistic, gang murder in Maryland by MS-13 which squares with the underground narco-cult atrocities detailed in Narcos over the Border and Blood Sacrifices: Violent Non-state Actors and Dark Magico-Religious Activities:

Third Generation Gangs Strategic Note No. 7: Suspect in Brutal Montgomery County, MD Beheading and Dismemberment Arrested—Suspected MS-13 Nexus

Police in the Washington, DC suburb of Montgomery County, MD have arrested a suspect in the brutal gang murder of a still unidentified man whose body was found in a pre-dug grave in a park in Wheaton.  The victim was stabbed over 100 times, beheaded, and his heart was cut out of his body.  The suspect is an alleged member of Mara Salvatrucha (MS-13) and was arrested during a US Marshals Service raid on MS-13 fugitives in North Carolina and extradited to Maryland where he was charged with first-degree murder. 

Key Information: Jack Moore, “Suspected MS-13 member charged with murder in grisly decapitation, dismemberment.” WTOP. 22 November 2017,  https://wtop.com/montgomery-county/2017/11/suspect-charged-stabbing-death-wheaton-park/:
WASHINGTON — Gory details are emerging in the gang killing of a man who was stabbed more than 100 times, decapitated and had his heart cut out of his chest before being dumped in a pre-dug grave in a Montgomery County park.
Police have still not identified the man whose body was discovered Sept. 5 in a wooded area of Wheaton Regional park. But one of the MS-13 gang members who’s suspected of taking part in the grisly slaying has now been charged with first-degree murder.
Miguel Lopez-Abrego, 19, appeared in Montgomery County District Court Wednesday and was ordered held without bond.
Lopez-Abrego, was one of 10 members of the violent street gang involved in the killing, according to a police informant identified in charging documents as a “ranking member” of a local MS-13 clique…

….The brutal murder of the unidentified suspect buried in a shallow grave in Wheaton Regional Park by alleged members of a local MS-13 ‘clique’ fits a pattern of recent brutal murders in the Washington, DC Metropolitan Area/National Capital Region.  In the attacks detailed above, a victim is lured to a desolate location, brutally beaten, stabbed, and in the case of the Wheaton Park murder, beheaded and dismembered.  These attacks are consistent with MS-13 ‘enforcement’ actions. It is likely the victim in this case crossed the gang in some still to be disclosed manner. The modus operandi employed is similar to other cases where the victim was viewed as a traitor or a ‘snitch’ against the clique in specific and MS-13 in general.  The victim’s dark blue shorts—which represent an MS-13 color—and certain personal characteristics may lead additional credence to such possibilities. 
Such attacks are essentially symbolic violence, utilized to show what happens to those that rat on the gang or disrespect its leaders. This attack lacks a specific ritual purpose beyond that of control—after all, the MS-13’s motto is ‘Mata, Controla, Viola’ (Kill, Control, Rape).[14]  It is unknown at this time how this murder is linked to the other three murders that occurred in recent months in Maryland, but it is possible an internal power struggle is involved. It is also unknown if this (or these) attack(s) are centrally directed or linked with MS-13 clicas (cliques) elsewhere.

Read the rest here.

MS-13 has mutated from a simple street gang thirty years ago to a decentralized transnational criminal organization that in turn will work for or join with the more powerful Mexican drug cartels, amplifying their influence and capabilities. For example, MS-13, which is heavily involved in human trafficking and contract killings for the Sinaloa Cartel, is considered by Texas authorities to be a ‘Tier 1″threat on par with much larger and more sophisticated gangs like the prison based Mexican Mafia, Tango Blast and the Texas Syndicate. MS-13 has also contributed to the renewed destabilization and erosion of democracy of El Salvador, which has unleashed its Army and death squads against the gangs, while the gangs have begun to infiltrate the Army.

What is also worrisome, which the case described by Sullivan and Bunker indicate, is the degree to which MS-13 has picked up and is internalizing the ISIS-like, narco-cult ritualistic violence of the Mexican Cartels with decapitations, torture murders and sacrificial removal of human organs and is now employing them north of the border, a stone’s throw from our nation’s capitol. If allowed to continue this kind of ultraviolence is likely to be mirrored by other street gangs.

 

Okay, Renaissance photography?

Wednesday, August 30th, 2017

[ by Charles Cameron — Caravaggio at Berkeley, maybe ]
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So, David Burge has tweeted that this photo looks “like a Renaissance painting of stupid”:

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First, let’s get Karl Popper out of the way: I don’t think that’s a fa;sifiable statement. But does it ring true for me?

I’d go with Caravaggio, maybe, a bit of a street-brawler himself, who can project himself into the brawl of the arrest of Christ —

— and notice whose hands, fingers interlaced, are calm amid the hurly-burly,

Caravaggion himself fled Rome to escape a death penalty for murder, perhaps that’s a pre-requisite for his tenebrist style of painting, perhaps not, who knows? And the photographer? Dare I ask? Apparently the photo credit goes to Marcus Yam/LA Times via Getty Images.

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The photo again, since it may have risen out of screen, out of mind.

The photographer certainly (my view) has an eye for framing, but that’s largely what photography is all about, isn’t it?

That slashing diagonal — powerful. Who’s the guy standing, left, a bit detached? Not a Buddhist, I think, in that balaclava. Is that individual. isolated, or the entirety of the clash, what Burge sees as painterly — forget the Renaissance for a while here — ?

Black-clad anarchists attack conservatives at Berkeley rally runs the headline in the South Chibna Morning Post, and they’d know, right? South China, Northern Cal..

I’m weary.

The brush strokes — there are no brushstrokes in photography. Unless you use an app to put them there. Is there a brish stro0kes equivalent? Chiaroscuro — light-dark contrast — arguably, the sun’s too bright for much of that in Berkeley, and the anarchists’ black will have to make up for it. Not so when Christ is arrested — that’s simply dark, and Caravaggion illuminates the players.

How much light-dark contrast does the headline’s reference to “black-clad anarchists” add to the viewer’s perception of the image? Is it the word “black” or the word “anarchist” that does it?

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Following the news is a complex affair.

But a lover affair in any case, if that’s your preference, as it is mine — it gets me from Berkeley and stupidity to Caravaggio and Chirst, okay?


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