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Warriors with and without Wagner

Thursday, December 18th, 2014

[ by Charles Cameron — pursuant to my continuing interest in haka and other arts of intimidation ]
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Air Cav:

Aztec:

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Just so you know, here’s a close-up of a jade Death Whistle (click image for more video):

close up of  a jade death whistle

Hat tip to Bryan Alexander of Infocult: Uncanny Incormatics

When the visuals don’t agree with the soundtrack

Tuesday, December 16th, 2014

[ by Charles Cameron — and Bach’s motto was Soli Deo Gloria, To God alone be Praise ]
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I have commented before on the curious blend of Bach and bin Laden to be found on one YouTube channel. It now seems the same kind of cognitive dissonance is being used to parody IS nasheed videos: my own favorite example being this one:

Whether such parodies actually dissuade anyone who would otherwise have done so from joining IS I don’t know; that they are entertaining for those of us who are wary and perhaps weary of the videos they parody may be as much as we can hope.

They do, however, raise the question, again, of what exactly the intention of someone posting silent videos of OBL speaking from his cave along with the entire Bach B Minor Mass might be?

Support for OBL? Delight in Bach? Allahu Akbar? Soli Deo Gloria?

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Getting away from jihad for a moment, the same YouTube account now features my nephew Daniel Harding‘s Don Giovanni from the Aix festival, with Disney‘s Frozen for visuals:

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Hat tip: Hayes Brown, Buzzfeed.

Creating a web-based format for debate and deliberation: discuss?

Friday, December 12th, 2014

[ by Charles Cameron — Talmud, hypertext, spider webs, Indra’s net, noosphere, rosaries, renga, the bead game, Xanadu, hooks-and-eyes, onward! ]
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Let me firmly anchor this post and its comments, which will no doubt shift and turn as the wind wishes, in discussion of the possibility of improving on current affordances for online deliberation.

Let’s begin here:

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There are a variety of precursor streams to this discussion: I have listed a few that appeal to me in the sub-head of this post and believe we will reach each and all of them in some form and forum if this discussion takes off. And I would like to offer the immediate hospitality of this Zenpundit post and comment section to make a beginning.

Greg’s tweet shows us a page of the Talmud, which is interesting to me for two reasons:

  • it presents many voices debating a central topic
  • it does so using an intricate graphical format
  • The script of a play or movie also records multiple voices in discourse, as does an orchestral score — but the format of the Talmudic score is more intricate, allowing the notation of counterpoint that extends across centuries, and provoking in turn centuries of further commentary and debate.

    What can we devise by way of a format, given the constraints of screen space and the affordances of software and interface design, that maximizes the possibility of debate with respect, on the highly charged topics of the day.

    We know from the Talmud that such an arrangement is possible in retrospect (when emotion can be recollected in tranquility): I am asking how we can come closest to it in real time. The topics are typically hotly contested, patience and tolerance may not always be in sufficient supply, and moderation by humans with powers of summary and editing should probably not be ruled out of our consdierations. But how do we create a platform that is truly polyphonic, that sustains the voices of all participants without one shouting down or crowding out another, that indeed may embody a practic of listening..?

    Carl Rogers has shown us that the ability to express one’s interlocutor’s ideas clearly enough that they acknowledge one has understood them is a significant skill in navigating conversational rapids.

    The Talmud should be an inspiration but not a constraint for us. The question is not how to build a Talmud, but how to build a format that can host civil discussion which refines itself as it grows — so that, to use a gardening metaphor, it is neither overgrown nor too harshly manicured, but manages a carefully curated profusion of insights and —

    actual interactions between the emotions and ideas in participating or observing individuals’ minds and hearts

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    Because polyphony is not many voices talking past one another, but together — sometimes discordant, but attempting to resolve those discords as they arrive, and with a figured bass of our common humanity underwriting the lot of them.

    And I have said it before: here JS Bach is the master. What he manages with a multitude of musical voices in counterpoint is, in my opinion, what we need in terms of verbal voices in debate.

    I am particularly hoping to hear from some of those who participated in tweeted comments arising from my previous post here titled Some thoughts for Marc Andreessen & Adam Elkus, including also Greg Loyd, Callum Flack, Belinda Barnet, Ken (chumulu) — Jon Lebkowsky if he’s around — and friends, and friends of friends.

    What say you?

    Taylor Swift online — from Bach to Infosec

    Sunday, November 30th, 2014

    [ by Charles Cameron — idle chit chat, I really shouldn’t ]
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    Since I recently provided evidence of Taylor Swift singing Bach‘s organ music the other day, I don’t think it’s too great a stretch to point out that she also posts on topics of interest to security geeks. Frankly, I’m a bit taken aback that Edward Snowden hasn’t been transparent about their relationship.

    Here are some of her recent tweets:

    Apocalyptic, see — you just can’t get away from it! I mean…

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    Come to think of it..

    That sounds good to me. Hey, and she’s self-deprecating, too:

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    Only Kim Kierkegaardashian is almost as clever —

    — though not half as sweet to look upon.

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    Don’t I have anything better to do?

    Yup, today’s the day we take son Emlyn back up to Oregon to continue his major in criminology. So I woke an hour early, and now I really should go.

    Taylor Swift keeps on truckin’

    Wednesday, November 26th, 2014

    [ by Charles Cameron — Swift, Bach, sharia, semi-trailers, and a quick look at Ferguson / St Louis ]
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    I offer you Ms Taylor Swift as captured in a very clever DoubleQuote in the wild which I discovered via a friend, Deborah Tobias:

    Taylor Swift DQ via Deborah Tobias FB

    By way of comparison, here — as seen in my earlier post Ms Swift, Sara Mingardo, JS Bach and a quiet WTF — is the remarkable Ms Swift’s mouthing of Bach‘s Chorale Prelude for organ BWV 732, Praise God, you Christians all together, as posted on YouTube by VoiceOfShariah:

    Quite how sharia comes into the picture I don’t claim to know…

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    You wanna nother DQ, nothing to do with Ms Swift this time? I took a fancy to this one:

    Those two images coduld be polarizing — or they could serve as bridges: that’s one of the interesting things about some, if not all, DoubleQuotes. There’s a good commentary from Erik Wemple blogging at WaPo.


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