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Donald Trump and his Trumpalike, The Denald

Saturday, June 25th, 2016

[ by Charles Cameron — reality imitates parody, a subset of life imitates art ]
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The Denald Trump account posted this fake trumpery as satire:

This tweet was quickly followed by an all-too-similar one from the real Donald:

— the only problem here being that the Scots voted to stay..

**

And now the coup de grace — Obama speechwriter Jon Favreau‘s eye catches the match between parody and reality in these two quotes — and tweets them in juxtaposition, DoubleTweet-style:

— with the added bonus of a playful sideswipe at the Bostrom / Musk simulation idea..

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It seems there really were Scots shouting at Trump to leave — he’s not well-liked over there — so was he the one who was being ultimately playful and ironic — deliberately misunderstanding them for the purpose of his tweet?

Brexit: gunpowder, treason and plot?

Saturday, June 25th, 2016

[ by Charles Cameron — conspiracies in the lead up to Jo Cox’s death and the Brexit referendum ]
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Amil Khan, aka Londonstani, is a London-based journalist and author of The Long Struggle: The Muslim Worlds Western Problem. If I recall correctly, he was roommate for a while with Andrew Exum, aka Abu Muqawama, and a frequent contributor to Exum’s Abu Muqawama blog.

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Here are three tweets I found that answer Londonstani‘s question — two conspiracy theories and a conspirator with motive:

and:

and by way of motive:

**

See also:

  • Washington Post, Pencil or pen? An unusual conspiracy theory grips Brexit vote.
  • Veterans Today, BREXIT victory shocks NWO – were “conspiracy theories” responsible?
  • Qur’an 8.30: And Allah is the best of plotters.

    Sunday surprise: three entangled faiths

    Monday, June 20th, 2016

    [ by Charles Cameron — two exhibits linking the Abrahamic faiths ]
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    For disciplinary as well as doctrinal purposes, the three Abrahamic faiths — Judaism, Christianity, Islam — are generally thought of separately — a separation which the two exhibitions this post revolves around are intended to bring into question.

    **

    One: Of gods and men: how Egypt was a crucible for multiple faiths

    For instance, there’s a “stele of Abraham” in the British Museum show from last autumn that is worth pondering:

    stele of Abraham

    The accompanying text tells us:

    On public display for the first time will be a gravestone, or stele, for a man called Abraham. “It commemorates someone with a Jewish name and yet it bears Christian symbols inside a classical frame next to the ankh symbol, the ancient Egyptian sign of life,” said O’Connell. “What is more, the engraving on it says he was ‘the perfected monk’ and is written in Coptic Egyptian.”

    More about the show:

    Curators at the London museum will use a series of items, many never put on public display before, to demonstrate the level of “entanglement” of religious symbols and rituals; with Egyptian emblems regularly appearing in classical Greek designs, depicting Jewish stories that were decorated with Christian crosses and Roman wreaths.

    “Over the last 10 or 15 years in scholarship, there has been growing interest across the disciplines in looking at the way religions interacted, rather than just in isolation,” said Elisabeth O’Connell, a keeper in the museum’s Department of Ancient Egypt and the Sudan and a co-curator of the exhibition. “It is becoming clear that a lot of religious history has been founded on our modern distinctions simply being projected back.”

    Note in the next paragraph the use of the terms ” troublesome” and subversive”:

    Two hundred of these troublesome objects, many deliberately ignored by scholars in the past, have been gathered together to challenge the conventions of religious history. From architectural fragments, jewellery, paintings, gravestones and toys, to the paraphernalia of religious worship, they are all subversive evidence that faiths were once amalgamated in a way that was accepted by the ordinary people of Egypt, regardless of their birth-race or family’s religion.

    Those are the Guardian writer’s words — Vanessa Thorpe‘s — not the words of the curators, but it seems the exhibit is intended to emphasize the “melting pot” side of Egyptian religion across the millennium after the fall of the Pharaohs rather than the separations:

    “If you only take the work we have from Dioscorus of Aphrodito, it blows apart these distinctions,” said O’Connell. “He was a lawyer and poet, who lived in Egypt and wrote in Greek, although he was a Christian Copt.

    “He is a great example of what was going on widely, because he used biblical sources and also wrote Homeric verse, one of them dedicated to a man with a Christian name, Matthew.”

    **

    Much the same impulse appears to have been behind a British Library exhibit in 2007:

    Two: Sacred texts that reveal a common heritage

    For the first time, the oldest and most precious surviving texts of the Jewish, Christian and Islamic faiths have gone on display side by side at the British Library. They include a tattered scrap of a Dead Sea Scroll and a Qur’an commissioned for a 14th-century Mongol ruler of modern Iran who was born a shaman, baptised a Christian, and converted first to Buddhism, then Sunni and finally Shia Islam.

    Here’s a two-page spread of that “Mosul Qur’an“:

    quran
    reduced image via the British Library

    The Guardian article continues:

    The exhibition also has some exotic private loans, including an embroidered 19th-century curtain which once covered the door of the Ka’bah, the shrine which is at the core of the hajj pilgrimage to Mecca, a hand embroidered Jewish bridal canopy – and a gold shalwar kameez worn by Jemima Goldsmith in 1995, when she married the former Pakistan cricket captain Imran Khan.

    Phew, pop-cultural enthusiasts will at least have had the shalwar kameez to give them comfort!

    More:

    Graham Shaw, the lead curator, said: “We were determined not to create faith zones, but to show these wonderful manuscripts side by side, and demonstrate how much we share – not least that these are three faiths founded on sacred texts, books of revelation.” Many exhibits are among the oldest of their kind, including a Qur’an made in Arabia within a century of Muhammad’s lifetime.

    The exhibition also shows how calligraphers and manuscript illuminators shared influences and styles. The microscopically detailed decorated capital letters of the Lindisfarne Gospels are echoed in Islamic and Jewish manuscripts, while Christian and Jewish texts borrowed Islamic-inspired decoration, so that a 14th century Qur’an and a translation of the gospels into Arabic are indistinguishable at a glance, and two 13th-century French texts, one Christian, one Jewish, use virtually identical images of King David.

    And this part tickled my fancy, and will surely find a place in my book on Coronation and Monarchy if it ever finds a publisher:

    A later psalter owned by Henry VIII outrageously uses his portrait as the great Jewish king – accompanied by Henry’s court jester, William Somer, beside a text which translates as “the fool says in his heart ‘there is no God'”.

    The wise fool Will Somer or Sommers wasn’t quite a member of Henry VIII’s Royal Family, but stands nearby, in the arch far right, in this detail from a family portrait of 1545 or thereabouts:

    detail Will Sommers Family_of_Henry_VIII_c_1545

    UKIP and NSDAP — curving in parallel?

    Friday, June 17th, 2016

    [ by Charles Cameron — immigration, Brexit, and the killing of MP Jo Cox ]
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    Two parties that don’t like immigration, and say so with similar propaganda images — but when the two images are juxtaposed, does the similarity between their two curving lines of unwanted immigrants, East German Jews in the aftermath of the first World War, largely Muslim Middle Eastern immigrants into Europe in the wake of the wars of our own time, make for fair comparison — or distorted propaganda?

    UKIP NSDAP

    The curves are indeed similar but that’s a graphical similarity, and there’s similarity in the dislike of immigrants too, in the meanings given to the two curves — but is the implicit comparison of Farrage with Hitler a fair one, or excessive?

    How do we read juxtapositions of this sort? How do we critique them? Is interpretation at the mercy of the “eye of the beholder”? What can this specific example teach us about DoubleQuotes in general, and their potential for use in revelation and / or deception?

    Source:

  • The Independent, People are calling out Ukip’s new anti-EU poster for resembling ‘outright Nazi propaganda’
  • **

    Jo Cox

    With the Brexit referendum about a week away, and with the widely admired British Labour MP Jo Cox murdered today by a killer with Neo-Nazi affiliation, the UK has its own terrorism, fury, divisions and grief to come to grips with.

    Source:

  • The Telegraph, My fearless friend Jo Cox, a five-foot bundle of Yorkshire grit
  • The Battle of the Thames, 2016

    Thursday, June 16th, 2016

    [ by Charles Cameron — in homage to Admiral Lord Nelson turning a blind eye ]
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    Foolish persons, having no understanding of Britain’s long and cherished history of naval warfare, nor of the contemporary relevance of the Monty Python mode of doing battle, have had the temerity to mock today’s splendid outings or innings on the Thames:

    Brexit Battle on Thames

    Foolish persons may be satisfied with the visual splendor depicted in the upper panel, but Zenpundit‘s core strategic following will also appreciate the order of battle below.

    Sources:

  • Evening Standard, Thames flotilla ‘battle’
  • Pádraig Belton, #Flotilla order of battle…
  • **

    In game theoretic terms, as between Nigel Farrage of UKIP and Brussels bureaucracy, I perceive my British fellows to be facing a lose-lose choice.

    Here by way of a suitable corrective is the first suite of Handel’s Water Music:


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