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Hipbone update & request for your vote!

Wednesday, June 17th, 2015

[ by Charles Cameron — 3 Quarks Daily, Boston Apocalyptic conference, LapidoMedia, World Religions and Spirituality Project, Bellingcat, Loopcast, Pragati, Sembl ]
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First, please vote!

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[ Note added: voting is now closed: my story received the fifth highest tally of votes out of 45 entries, and is now up for consideration by the 3QD editors in the next round — many, many thanks! ]

My story, War in Heaven, is in the running for the 3 Quarks Daily Arts & Literature Prize. 3 Quarks Daily is a great aggregator site, I’m honored to have made the cut so far, and would love to make it to the next level. My entry is #33 in the alphabetical list here, and votes can be cast at the bottom of the page. Networking for votes is all part of the game, so I’m hoping you’ll vote — & encourage your friends to go to that page & vote my entry up.

If you haven’t read it, here’s my story. It was a finalist in the Atlantic Council‘s Scowcroft Center Art of Future Warfare Project‘s space war challenge, in association with War on the Rocks.

There’s even a Google Hangout video in which Atlantic Council Non-Resident Senior Fellow August Cole, who directs the Art of Future Warfare project, interviews the contest’s winner and finalists, myself included. August’s book, Ghost Fleet: A Novel of the Next World War, is in the running for next great Tom Clancy like techno-thriller.

You’ll find plenty of other good entries at the 3QD contest page, and daily at 3QD as well — as I say, it’s excellent in its own right, and one of the richest contributors of varied and interesting posts on my RSS feed.

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Then, in no particular order — check ’em all out —

The Boston conference on Apocalyptic Hopes, Millennial Dreams and Global Jihad:

To my way of thinking, the critical thing to know about the Islamic State is its “apocalyptic, end-of-days strategic vision” as Martin Dempsey put it — and the implications of that statement, both in terms of strategy and of recruitment & morale. That’s what the Boston conference focused on, and that’s why I think it was no less significant for being sparsely attended. In a series of future blogs I hope to go over the videos of the various presentations and spell some of their implications out — Will McCants‘ book, The ISIS Apocalypse, is due out in September, and I’d like to have filled in some background by then.

Here, though, as I’m giving an update on my own doings, is my presentation — an attempt both to tie together some of the strands of the panel I was commenting on (but could barely hear, but that’s a tale or another day), and to express my sense of the importance of apoclyptic thinking, not merely as an intellectual exercise but as an emotional and indeed visceral relaity for those swept up in it:

The other speakers were Richard Landes, WIlliam McCants, Graeme Wood, Timothy Furnish, Cole Bunzel, Jeffrey Bale, David Cook, J.M. Berger, Itamar Marcus, Charles Jacobs, David Redles, Mia Bloom, Charles Strozier, Brenda Brasher and Paul Berman — quite a stellar crew.

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My two latest pieces for LapidoMedia, where I’m currently editor:

ANALYSIS: Understanding the jihadists through their poetry and piety
12th June 2015

YOU might not think that ‘what jihadis do in their spare time’ would be a topic of much interest, but it’s one that has been under-reported and is just now breaking into public awareness.

Much of the credit for this goes to Robyn Creswell and Bernard Haykel for their current New Yorker piece, Battle lines: Want to understand the jihadis? Read their poetry.

But behind Creswell and Haykel’s piece lurks a striking presentation given by the Norwegian terrorism analyst Thomas Hegghammer at St Andrews in April.

Hegghammer’s Wilkinson Memorial lecture was titled Why Terrorists Weep: The Socio-Cultural Practices of Jihadi Militants…

Read the rest

I’m still intending to do a longer and more detailed write-up for Zenpundit on Hegghammer’s highly significant lecture.

Today:

The Bamiyan Buddha lives again

A CHINESE couple, dismayed by the Taliban’s destruction of Bamiyan’s two Buddha statues, has brought the larger of the statues back to life.

Locals and visitors can once again see the Bamiyan Buddha through the use of laser technology – this time not in stone but in light.

Carved into the great cliff face towering over the fertile valley of Bamiyan in Afghanistan, two Buddha statues stood for centuries.

In 2001 the Taliban dynamited the statues, built in the Sixth century in the Gandhara style, the larger of them standing 55 metres tall.

It was not the first attack against them.Lapido aims to provide (mostly secular) journalists with insight into the religious & spiritual values behind current events.

Read the rest

I stood there, atop the Bamiyan Buddha: it’s personal.

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At the World Religions and Spirituality Project at Virginia Commonwealth University, I’m one of two Project Directors for the JIHADISM Project. We’re very much a work in progress, aiming to provide a resource for scholarship of religion as it relates to jihadism.

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Justin Seitz made a post titled Analyzing Bin Ladin’s Bookshelf on Bellingcat, to which I responded, and we had a back-and-forth of emails &c.

Justin then gave our discussion a shoutout at The Loopcast

— the immediate context starts around the 30 min mark, and runs to around 35 — and followed up with a second Bellingcat post, Analyzing Bin Ladin’s Bookshelf Part 2 — in which he quoted me again. Key here is his remark:

a human with domain expertise is always going to be in a better position to make judgement calls than any algorithm

Agreed — & many thanks, Justin!

Bellingcat — definitely an honor to get a shoutout there,

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Pragati: The Indian National Interest Review

My latest on Pragati was my review of JM berger & Jessica Stern’s ISIS: the State of Terror, which I’ve already noted & linked to here on ZP.

Up next, my review of Mustafa Hamid & Leah Farrall‘s The Arabs at War in Afghanistan

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And last but not by any means least…

Cath Styles’ new Sembl slideshow:

It’s a terrific feeling to see the next runner in a relay race take off from the handover… Cath is getting some high praise for her work on Sembl for the museum world, including the following:

Sembl incredibly succesfully mixes competitive and collaborative play, creativity and expression, and exploration and inspiration. It’s the sort of game you think about when you’re not playing it, and it’s the sort of game that helps you see the world in new ways.

Paul Callaghan
Writer, Game Developer, Lecturer at Unversity of East London

Meanwhile, I’m still quietly plugging away at some other aspects of the HipBone / Sembl project.

Class distinction: these games got played

Tuesday, April 14th, 2015

[ by Charles Cameron — who just realized the Lotto would be as hard for a machine to beat as his own HipBone Games ]
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SPEC lotto chess cheats

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A friend pointed me to the Washington Post’s story of a chess grandmaster caught cheating with help from an iPhone today, and the phrase “a simple cellphone can transform anybody into a grandmaster” struck home immediately. Not possible, I tweeted, with games of analogy, HipBone, Sembl &c, the human being, not the computer, is key — in games, intel analysis, etc. Big data crunches well, I continued, but the human mind digests!

Y’see, I’m somewhat proud of the fact that my HipBone Games would be more difficult than Chess — more difficult even than Go — for a computer like IBM’s Watson to play at grandmaster level.

And then my eye was caught by the parallel story of an IT specialist who goes up for trial on Monday on charges of “fixing” himself a winning Lotto ticket.

Lotto is way downmarket compared to Chess. no? And the prize for the winner of the 17th annual Dubai Open Chess Tournament was $12,000, whereas the lucky Lotto winner’s grab netted him $14.3 million. Go figure, and use your smartphone if you wish.

Could Watson beat the Lotto? I don’t believe it could. Does that make Lotto more upscale — more demanding, more difficult or an AI to fudge — than my HipBone Games? Maybe it does : (

Ah well.

In any case, human beats random number generator — score yet another win for the human mind!

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Sources:

  • Washington Post, Chess
  • International Business Times, Lotto
  • The Israeli election: in the balance

    Tuesday, March 17th, 2015

    [ by Charles Cameron — the election itself a one day affair, and may even be settled by the time you read this — but the impact lingers, and the complex balancing of forces in the region remains ]
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    Calder

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    Nothing is ever black-and-white, it seems to me — but there are moment of exceptional clarity, and with the Israeli election (as best I can tell from afar) still in the balance as I write this, two quotes from Herzog (upper panel, below) and Netanyahu (lower panel) strike me as encapsulating the koan facing the Israeli people:

    SPEC DQ Israeli elex koan

    **

    Still in the balance.

    I was discussing the Middle East earlier in the day, an the issue of balance came up. Cheryl Rofer had said, “The big issue with KSA and Israel is balance of power” and I commented that if you throw Iran into the mix, the issue becomes one of a “balance of balances of power” — which could then be extended on out to include other interested parties.

    This brought me to the idea of Alexander Calder mobiles, and the sense that they offer a kinetic equivalent to the static formalism of my own HipBone Games — their precarious balances and homeostases representing by analogy the tensions and resolutions between stakeholders and / or ideas, ideologies, approaches, in a way that features both “equilibrium and its discontents”. Fascinating.

    To which Cheryl responded with gnomic accuracy:

    Multibody problems are hard.

    Ain’t that the truth!

    **

    Sources:

  • NYT, Netanyahu Says Never to a State for Palestinians
  • Fathom, We must divide the land: an interview with Isaac Herzog

  • Mobile, Alexander Calder in Gemeentemuseum Den Haag
  • In Brief: Azzam illustrates Levi-Strauss on Mythologiques

    Friday, March 6th, 2015

    [ by Charles Cameron — the geometry of two miracle stories from Abdullah Azzam ]
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    SPEC DQ Azzam honey & vinegar

    These two tales are taken from Abdullah Azzam, Signs of ar-Rahman in the Jihad of Afghanistan.

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    Binary oppositions seem to be basic to the human thought process, and this simple, elegant observation has in turn given rise to a number of interesting philosopphical explorations, some of which are expressed perhaps most powerully in diagrams. I am thinking here of the medieval square of opposition — as in this diagram taken from Georg Reisch, Margarita Phylosophica tractans de omni genere scibili, Basel 1517:

    square_of_opposition SEMBL

    Algirdas Greimas developed his semiotic square from this medieval diagram —

    greimas_semiotic_square

    — and defines his square as the “visual representation of the logical articulation of any category”. In his “Towards a Theory of Modalities”, Greimas writes:

    the terms manifestation vs. immanence .. can be compared profitably with the categories surface vs. deep in linguistics, manifest vs. latent in psychoanalysis, phenomenal vs. noumenal in philosophy, etc.

    Then there’s Levi-Strauss and his triangle, essentially a variant on the same idea, applied by LS in his magnificent 4-volume Mythologiques to a wide range of myths — here’s the basic triangle for the first volume, The Raw and the Cooked:

    LS culinary_triangle

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    What Reisch, Greimas and Levi-Strauss are all doing lies in its own distinct area of “visual thinking” at the confluence of logic, algebra, geometry and conceptual graphs — the same area my own DoubleQuotes and the HipBone and Sembl games are found in.

    When people think about narrative — and it is or should be as hot a topic in strategy and counterterrorism as it is in myth, story-telling, film and their various related forms of criticism — they tend to think linearly, from beginning to end, noting the emotional expansions and contractions, the narrative shifts, the crescendos before the climax and its resolution.

    My own style of thinking leans more to the atemporal or synchronic, which in turn is closer to the logical-algebraic-geometric-graphical mode of visual expression. Thus, for me, the “myth of Narcissus” is not a story-line but a geometry, a narrative formulation of the concept of reflection, or “bouncing back”. To adapt the Levi-Strauss triangle to the Narcissus narrative, then, we have:

    Reflection triangle

    while the two Azzam miracle tales in my DoubleQuote at the top of this post give us:

    Azzam triangle

    This in turn can become a square if we allow the four coordinates to be wine (intoxicant, bad), water (sobriety, good), vinegar (sour, bad) and honey (sweet, good). We notice here that water (sobriety, good) is the fourth which hovers unmentioned over the twin tales, just as Jung argued the dogma of the Assumption of the Virgin into heaven was the “fourth” which “completed” — nb, this is from a psychological perspective — the celestial Trinity of Father, Son, and Holy Spirit.

    It remains for Jalaluddin Rumi to transcend the duality of the halal (sobriety) and the haram (intoxication) in his praise of his master, Shams of Tabriz:

    In Shams al-Din-i Tabrizi you will discover a heart which is at once intoxicated and very sober.

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    In what sense or senses are Azzam’s two tales two, and in what sense are they one and the same?

    Sources & suggested further readings include:

  • The Raw and the Cooked: Mythologiques, Volume 1
  • Anthropology for Beginners
  • Structure, Sign, and Play in the Discourse of the Human Sciences
  • The Dual and the Real
  • Semiotics for Beginners
  • Semiotics and Language
  • Visual Memory (handbags!)
  • Punctualization: Law and Greimas
  • Square of Opposition
  • Visualizing knowledge
  • Signs of Ar-Rahman
  • Mystical Poems of Rumi
  • Sunday second surprise: Ferdinando Buscema

    Sunday, January 25th, 2015

    [ by Charles Cameron — from Tesla to St Augustine is a short creative leap ]
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    I recently received a LinkedIn invite from one Ferdinando Buscema, who described himself to me as a Glasperlenspieler, a player of the Glass Bead Game. I must say that pleased me, there’s a quiet humility there that calling oneself Magister Ludi or Master of the Game would lack. He’s a player, I’m a player, let’s play.

    Here’s the BoingBoing video he sent me when I accepted his invite:

    Not for nothing does Ferdinando call himself a Magic Experience Designer.

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    As you’ll see, in the video Ferdinando very warmly recommends Erik Davis‘ book TechGnosis: Myth, Magic & Mysticism in the Age of Information — which has also been highly praised by the likes of Howard Rheingold, Hakim Bey, Mark Dery, Bruce Sterling, Terence Mckenna, and Mark Pesce, to which intriguing list you may add myself.

    Erik and I began a never-completed HipBone game many years ago — it was around the topics of Hanibal Lecter, his recreational collection of church collapses, and the origins of the Memory Palace in Simonides‘ encounter with the gods Castor and Pollux — and Erik mentions the HipBone Games briefly in his book. At the moment, I owe him an update on the games, which I’ll post here at Zenpundit in due course.

    It was a particular delight for me, then, to see Ferdinando’s obvious and full-throated praise of Erik’s stunning book in his video, followed up by equal praise of Ramon Llul — one of those writers in the Hermetic tradition whose work precedes not just the Bead Game but much of today’s science, from digital computers via genetics to genetic algorithms and cryptography.

    **

    Ferdinando’s third treasure turned out to be Nikola Tesla, and in particular the remark he made about his mode of creativity. I hadn’t come across this remark before, but it cried out for DoubleQuotation with a remark of St Augustine’s, which I have carried with me since I first read of it in Dom Cuthbert Butler‘s book, Western Mysticism, back in my teens better than half a century ago.

    Here, then, are the two luminous / numinous quotes, from Tesla and Augustine, DoubleQuoted by me for Ferdinando as an offering on first meeting:

    SPEC DQ Tesla Augustine

    **

    It doesn’t hurt, of course, that the word “ictus” which Augustine uses also features in the context of Gregorian Chant, where it indicates the almost simmultaneous touchdown of a bird on a branch and its takeoff on a new curve of flight. I had the honor to learn the word from Dom Joseph Gajard, choirmaster at the Abbey of St Pierre de Solesmes — then and I suspect now the center of the world’s musical paleography and liturgical perormance of the chant, and in my teens my favorite vacation and retreat — under whose cheironomic hand I had the good fortune, once, albeit without much skill, to sing..

    And so the beads are dropped into the lake: we watch as their ripples ripple out and intersect..


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