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Reciprocal: a term for form, symmetry, balance — and beyond

Monday, August 13th, 2018

[ by Charles Cameron — weaving a web of mirrors, echos, neurons and mimetics ]
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Magic: the Gathering — the game designers know this pattern well!

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The Far Right And Reciprocal Radicalisation

Could fragmentation within the Far-Right contribute to increasingly extreme responses to Islamist terrorism? There is increasing evidence of instrumental responses from some of the most extreme groups, which seek to encourage the strategic use of violence.

Reciprocal radicalisation, or cumulative extremism, is a concept that suggests extremist groups become more extreme in response to each other’s activity. This means a group may frame violence as justified or necessary because they perceive an opposing group as extreme. Identifying how to respond to such a dynamic has become increasingly important, as terrorist threats from both Far-Right and Islamist groups increase, alongside increased hate crime and group membership.

The nature of siloing would encourage a focus on ISIS violence alone, a terrorism subset of natsec foreign policy, or on alt-right violence alone, a terrorism subset of natsec interior policy, thus remaining blind to the possibility that the two comprise a whole system, with systemic interactions between the two. The UK Centre for Research and Evidence on Security Threats report whose header and intro paragraph I’m quoting here is dealing with a pattern in that system, huzzah.

Such patterns — true reciprocity, which is a form of mirroring, and the kind of escalating reciprocity described here, which is more like an echo chamber with built-in feedback loop, are significant both because they cross-pollinate silos, in a system-friendly way, but also because they offer hints of a pattern language of forms that can be watched for and cataloged.

**

Wilder speculation:

Speaking of mirroring — other readings of mine recently have brought to my attention the intersection of two “hot” fields of study — mirror neurons as a biological substrate for much in human behavior, including our propensity of violence, and Rene Girard’s mimetics as a psychological substrate for much in human nature, including our propensity of violence..

The conjunction of the two, which I intuited, is explored in Vittorio Gallese, The Two Sides of Mimesis: Girards Mimetic Theory, Embodied Simulation and Social Identification.

Again, we have a creative leap, again we have silo-crossing, and again mirroring is the form that lies behind the analogical possibility that creates the possibility of the leap.

Metaphors, more iv, featuring Oliver Roeder & Chris Cillizza

Wednesday, August 1st, 2018

[ by Charles Cameron — others besides david ronfeldt who find game & sports metaphors valuable — or should that be invaluable? ]
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I’m making this post a “special” because Ron Hale-Evans pointed me to a trove of articles variously about or touching on game metaphors for politics, geo or otherwise.

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This was the start:

What game is President Trump playing? By that I mean what actual game is he playing?

Trump’s political performance, in seriousness and in jest, has often been likened to chess. Even to three-, four-, eight-, 10- and 12-dimensional chess. His proponents argue he’s a grandmaster,1 and his detractors argue he’s a patzer. CNN’s Chris Cillizza has written two different articles accusing Trump of playing “zero-dimensional chess,” whatever that means. Even Garry Kasparov, probably the greatest actual chess player of all time, has weighed in, inveighing against the use of this gaming cliche via Politico.

In my job here at FiveThirtyEight, I spend a lot of time thinking about games — board games, video games, chess tournaments, math puzzles, the game theory of international affairs. So I understand that “playing chess” is easy shorthand for “doing strategy” or “being smart” or whatever. But I think we can do better. I humbly propose to you that Trump is not playing chess (of any dimension), but rather something called “ultimate tic-tac-toe.” It’s time to update your tropes.

It’s a good day when I find an entire article dedicated to game or sports metaphors for politics, but this one had some great links..

Instances:

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The second thing this Corker episode makes clear is that, strategically speaking, Trump is playing zero-dimensional chess. As in, the only strategy is that there is no strategy.

In the wake of Trump’s absolutely stunning 2016 victory, the conventional wisdom — in political circles — was that Trump was a strategic genius, always seeing five moves ahead. He was playing three-dimensional chess while the media was still trying to figure out which way pawns could move. The reason no one thought Trump could win was because “we” didn’t see the whole board the way he did. No one else saw it that way. Trump was a genius. An unconventional genius but a genius nonetheless.

There, incidentally, is the definition of zero-dimensional chess:

Trump is playing zero-dimensional chess. As in, the only strategy is that there is no strategy.

And:

**

The key part is when he concludes Flake will be a “no” on the tax reform package in the Senate because, well, his political career is “toast” — or something.

I submit this as yet another piece of evidence that Trump is playing zero-dimensional chess.

What do I mean? Simply this: When Trump won the White House — against all odds — the working assumption was that he had executed a plan so brilliant and so complex that only he (and the few advisers he let in on the plan) could see it. He was playing three-dimensional chess while the media, the Clinton campaign and virtually everyone else was still playing checkers.

But as his first year in the White House has progressed, there’s mounting evidence that Trump may not be playing three-dimensional chess. In fact, he might just be playing zero-dimensional chess. As in, the only strategy Trump is pursuing is no strategy at all.

From a game-policy metaphor angle, this doesn’t take us much further, although you can read the whole post for details of the Trump-Flake business..

And..

**

Chess? That’s not what Garry Kasparov sees Donald Trump or Vladimir Putin playing—three-dimensional or any other kind. But if they did sit down for a game, the former grandmaster believes the Russian president would obviously win.

“Both of them despise playing by the rules, so it’s who will cheat first,” Kasparov told me in an interview for POLITICO’s Off Message podcast. “But in any game of wits, I would bet on Putin, unfortunately.”

Kasparov gets into some interesting details, not entirely uncritical of Obama, and even GW Bush, but flicking Trump off the board with a flick of his cultivated fingernail..

I think I’vetheis referenced the Kasparov article once before, but hey, this is a rich harvest..

Next:

**

Shall we play a game?

Imagine that a crisp $100 bill lies on a table between us. We both want it, of course, but there’s no chance of splitting it — our wallets are empty. So we vie for it according to a few simple rules. We’ll each write down a secret number — between 0 and 100 — and stick that number in an envelope. When we’re both done, we’ll open the envelopes. Whichever of us wrote down the higher number pockets the $100. But here’s the catch: There’s a percentage chance that we’ll each have to burn $10,000 of our own money, and that chance is equal to the lower of the two numbers.

So, for example, if you wrote down 10 and I wrote down 20, I’d win the $100 … but then we’d both run a 10 percent risk of losing $10,000. This is a competition in which, no matter what, we both end up paying a price — the risk of disaster.

What number would you write down?

In the 538 post, the game’s available for interactive play.. And later in the same piece, too..

Now imagine that you’re playing the same game, but for much more than $100. You’re a head of state facing off against another, and the risk you run is a small chance of nuclear war

That was instructive, I think, though my mind is artificially dimmed at present..

And finally:

**

This one revolved around a tweet in which Trump had said

:When a country (USA) is losing many billions of dollars on trade with virtually every country it does business with, trade wars are good, and easy to win. Example, when we are down $100 billion with a certain country and they get cute, don’t trade anymore-we win big. It’s easy!

How easy? was this post’s response:

But how easy? And how exactly do you win them? (Also, what’s a trade war?)

Let’s find out. You (Yes, you!) have just been elected president of your very own country. Congratulations! Now it’s time to get to work. There is another country out there that has goods you can buy, and you have goods it may want to buy. Your job is to choose your foreign economic policy — which you’ll do in the little game we’ve prepared for you below.

The rules go like this: You can cooperate with the other country, allowing the free flow of its goods into your country. Or you can defect, imposing tariffs on the foreign goods. And because you will trade with the same country over and over again, you have to decide whether to stick with a single strategy no matter what or whether to change course in response to your opponent. The other country faces the same choice, but you can’t know in advance what plan they’ve chosen. Free trade helps both countries, generating big windfalls for both sides. But it’s possible for a single country to improve its own situation at the other’s expense — you both have a selfish incentive to defect, taxing the imports from the other country and helping only yourself. However, if you both defect, you both wind up isolated, cutting yourselves off from the market and reducing earnings on both sides.

Again, the game is available for interactive play.

We’ve simplified trade dramatically: You’re engaging in 100 rounds of trade with a randomly chosen FiveThirtyEight reader. In each round, you and your trade partner can either cooperate (allow free trade) or defect (impose a tariff). Your goal is to pick a strategy that earns you as much as possible.

The game mechanics here were interesting (and “gave the game away” where the game is game theory a la Prisoners Dilemma):

Well..

Was there a trade war? Was it good? Did you win it?

Tariffs are the weapons of a trade war

The game you just played took a little game theory — the formal, mathematical study of strategy — and retrofitted it to the world of international relations. (Of course, our simulation is extremely simplified, and it runs in a very controlled little world that ignores alliances, trade deals, political histories, other countries, and hundreds of other factors.)

**

Memory slippage — lest we forget, there was one last game ref today:

It’s the NYorker‘s film criticism of the latest impossible Mission, and the game sentence in the piece itself reads:

Despite the deft coherence of the plot’s mirror games of alliance and betrayal, which provide the illusion of a developed drama, the movie almost totally deprives its characters of inner life or complex motives.

Mirroring’s one of the patterns I love to collect, and game thinking here might note the Kierkegaardian note:

In his 1846 essay “The Present Age,” Søren Kierkegaard decried the widespread tendency of the time -— which he summed up as an age “without passion” —- to “transform daring and enthusiasm into a feat of skill.”

The continuum from “daring and enthusiasm to “feat of skill” is an interesting one for game designers to place their games on — before and after design, and when player feedback is in.

A rich day indeed.

**

Sources:

  • FiveThirtyEight, Trump Isn’t Playing 3D Chess
  • CNN Politics, Donald Trump is playing zero-dimensional chess
  • CNN POlitics, Donald Trump is playing zero-dimensional chess (again)
  • Politico, Garry Kasparov Would Like You to Stop Saying ‘Trump Is Playing 4-D Chess’
  • FiveThirtyEight, How To Win A Nuclear Standoff
  • FiveThirtyEight, How To Win A Trade War
  • Trump on Twitter, trade wars are good, and easy to win
  • New Yorker, Mission: Impossible -— Fallout
  • **

    Some other posts in this series

    And I emphasize Some, previous posts in the game & sports metaphor series, as somewhat randomly collected, and Likelky not in sequential order:

  • ZP post, http://zenpundit.com/?p=57435
  • ZP post, http://zenpundit.com/?p=59988
  • ZP post, http://zenpundit.com/?p=59082
  • ZP post, http://zenpundit.com/?p=58644
  • ZP post, http://zenpundit.com/?p=57908
  • ZP post, http://zenpundit.com/?p=59678
  • ZP post, http://zenpundit.com/?p=57493
  • ZP post, http://zenpundit.com/?p=59496
  • ZP post, http://zenpundit.com/?p=60193
  • With any luck, some of these will have links to yet others in the series..

    **

    And dammit, pwned by another one before my head hit the pillow..

    Pawn, yes. Pwn?

    The soccer cup, the wrestling belt

    Wednesday, July 11th, 2018

    [ by Charles Cameron — London Bridge terror attack and Tham Luang Cave complex rescue, Chiang Rai, Thailand ]
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    Here’s a DoubleTweet. I’m presenting you with two previously unconnected tweets, because I feel their juxtaposition highlights somethung of interest — in this case, trinutes paid by sporting entities to people who’ve gone through exceptionally difficult circimstance in a manner that testifies to their fortitude and courage:

    The heroic cop is presented with a WWE championship belt — his t-shirt on the day of the London Bridge attack had featured WWE wrestler Sami Zayn, so there’s a ouroboros there for bonus points, eh?

    Guenigault was released from hospital last Friday and received a surprise visit from the 14-time WWE World Champion who praised his immense bravery.

    “To run in the direction of a scary situation that can’t even be described in words, to help others, for that to be your instinct to help others – that is a hero,” said Triple H as he presented Guenigault with the belt.

    “People say a lot of times that they watch WWE because these guys are like real-life superheroes. Well, Charlie is a real hero.”

    **

    Okay, and:

    The team in the cave had expressed interest in the World Cup, and the head of FIFA — which needs some good PR at this point anyway — invited them, health permitting, to come to Moscow for the finals, but it wasn’t to be, health didn’t permit.

    The suggestion that they should receive the Cup was a nice one..

    **

    Parallelism, with a side of ourob. Enough said?

    My scope, first draft

    Monday, July 2nd, 2018

    [ by Charles Cameron — footprints on earth and moon — introducing callum flack — mapping the mississippi ]
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    Here’s a neat illustration of the extent of my interests, at least along one of my continua —

    The upper footprint above is that of Buddha. I have tweaked the image a bit, rotating, flipping it and resizing it to fit my DoubleQuotes format, and you can take thgat as analogous to the way we tweak the Buddha’s teachings to fit our expectations — and the lower footprint, a bootprint actually, is man’s mark on the moon, courtesy of NASA, whose comment is:

    These footprints on the moon will last forever, but the nature of who can be an astronaut is changing

    So, the oppositions:

  • ancient and modern
  • spiritual and technical
  • earth and moon
  • barefoot and booted
  • eternal and eternal
  • What have I missed?

    **

    So: why do I title this post My scope, first draft?

    Scope, to honor Callum Flack, friend of Cath Styles and Sembl, whose blog-post today, THE BRIEF, THE SCOPE AND THE DANCE I read, as I now read anytbing Callum writes.

    Callum and I have strongly overlapping interests, and The Brief, the Scope and the Dance is, amongst other things, a paean to flexibility in the context of planning a business website — flexibility and mutuality in planning. And in pursuit of that flexibility in both brief and scope, Callum uses one of my own favorite illustrations

    :

    — along with these comments:

    Objectives defined in the brief are quantifiable. But constraints, which are defined in the scope, are not. Constraints change, and opportunities are created when that happens.

    and:

    We logically understand that the least surprising thing about scope is that what is documented as The Scope is not what will actually happen. Like a map, scope is a proxy for reality. The scope is like a river, and as the map of the Mississippi above shows, rivers change.. Anytime a project doesn’t expect the scope to change, it is unrealistic.

    And first draft, to honor that flexibikity in the riverine nature of things.

    **

    My idea and use of scope naturally differs from Callum’s, if for no other reason then because he’s thinking of the scope of a projected commercially effective web-page, while I’m taking the same word (Witty Wittgenstein, I’m saving this space for your chuckle here) to refer to the height, depth, breadth and other parameters of my life as it is currently taking its shape..

    No matter, Callum’s post prodded me, and I wanted to give Zenpundit readers a brief into to Callum’s work anyway — and his blog-post today as both an excellent introduction to and example of that work.

    And when Callum writes,”Objectives defined in the brief are quantifiable. But constraints, which are defined in the scope, are not” he’s showing his own scope (in my sense of the term) to reach across that (to me) all-important divide between quantity and quality, a divide that has at its heart a koan — the imponderable way in which a world can contain both qualit and quant, leaving us to ponder (!!) how to “value” one (quality) in terms of the other, and how to maximize that more elusive of the pair in a world seemingly dedicated to the more obvious and blatant (quantity) of the two.

    **

    Sources

  • Wikipedia, Buddha footprint
  • Washington Post, The unsung astronauts
  • **

    That Mississippi map, also, is a footprint.

    Puppetry cascades, or “art is theft”

    Friday, June 22nd, 2018

    [ by Charles Cameron — and if you experience vertigo reading any of these cascades, feel free to hang in there vertiginously — or let go ]
    .

    Alright, here’s a DoubleQuote in images:

    I don’t believe there’s a direct borrowing (aka plagiarism, theft) here, but both images rely on a shared puppet cascades convention.

    **

    It’s been a bit of a yawn to say art is theft — at least since a few borrowings past Picasso, and maybe before him — what makes this pair of puppet cascades interesting is:

    First, that each depicts a portion of a cascade of puppets — in the earlier, My Fair Lady version, Bernard Shaw puppeting Henry Higgins puppeting Eliza Dolittle, while the recent New Yorker graphic might as well be X (unshown) puppeting Steve Bannon puppeting Trump with Jeff Sessions and Scott Pruitt, maybe.

    Second, note the X (Bernard Shaw) in the later version, and then ponder the idea that cascades may have a source, or may continue backwards ad infinitum, but Someone or Thing implicitly or explicitly needs to fill that X space. In the earlier version, Bernard Shaw does it, but that only begs the question, is Something puppeting Bernard Shaw? Deity, perhaps, or Muse?

    And in the contemmporary version, where the upper puppeteer is cut off from vision, They‘s a good guess for the X Who‘s puppeting the Bannon figure, because Bannon, They, and Puppetry are all widely associated with conspiracy theory. Oh, and think, X-Files!

    Hey, in reality Lerner and Lowe were making musical out of Shaw‘s theatrical Pygmalion out of Gilbert and Sullivan — and the cascade theft goes on and on, back into the mists and myths of antiquity..

    The actual figures in the New Yorker cascade are X, Lord Bell (representing Bell Pottinger, the PR firm), and, below, the brothers Atul, Ajay, and Tony Gupta. The article itself, The Reputation-Laundering Firm That Ruined Its Own Reputation, is well worth a read. And look at the illustrations careful documentation of the ownership-lineages it’s pilfering from:

    Illustration by Ben Jones; photographs by (clockwise from top): David M. Benett / Getty; Martin Rhodes / Gallo Images / Business Day / Getty; Foto24 / Gallo Images / Getty; David M. Benett / Bell Pottinger / Getty

    **

    Property is theft, now — that’s Proudhon.


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