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Second Civil War? It’s snowing metaphoric chyrons 10

Saturday, February 23rd, 2019

[ by Charles Cameron — more noise by far than reality, but still enough reality to be troubling — your opinions sought! ]
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Here’s the promised special chyron issue on the concept of a Second Civil War

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I’m featuring this quote from Nicolle Wallace first, because it suggests that Trump has already engendered a war — whereas the other materials I offer here will suggest that the war arises in response to Democratic actions against Trump — a difference in emphasis worth noting:

It’s a war. He permitted, he green-lit a war in this country around rce. And if you think about the most dangerous things he’s done, that might be it..

**

Chyrons:

Rush Limbaugh:

You might even get away with saying that we are on the cusp of a second Civil War. Some of you might say that we are already into it, that it is already begun, however you characterize it though, we are under attack from within.

Chyrons again:

**

That’s a whole lot of very-very-right and Trump-circle-right messaging about a Civil War, and that quote, I vote, and I buy guns, is chilling, with the example of Lt Hasson and his arsenal driving the point home. Another point about Hasson is that he stated his intention to have five such stashes of weaponry…

Fair enough, there are extremists putting together weapons stashes, some of them using them in infrequent but deadly terror operations. Fair enough, by no means everyone on the right, and by no means everyone who supports Second Amendment gun rights, is liable to join in any attempt at a civil war. But fair enough too, on the whole those on the right may well be better armed than those on the left

Fair enough again, many of those on the left have their grievances sharpened, much as many on the right do.. and grievances may in the end turn out to be the most significant of weapons, since they provide the motivation for mayhem, whether verbal or martial. And it should be admitted that threats and physical violence are intimately connected, and rhetoric can indeed incite to harm.

That’s my poor, off-the-cuff attempt to get some of the nuances of the situation stated, and no doubt some “on one side” would put their emphasis in some places and de-emphasize or deny others, and vice versa.. but my overall point would be something along these lines:

there’s enough rage simmering in the American body politic — and possibly in many other nations — for sporadic outbursts of violence and attempted civil war to occur — but at least in the States we are far from the full-blown CW2 that Rush Limbaugh seems to relish — and although I’ve heard the opinion expressed that Berkeley should be nuked, on the whole we don’t have the same sort of battle lines as were available (I think, being a Brit and no historian) in the North / South divide of CW!.

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Zen tweeted today:

That fits with my impression. And Zen is a (or an) historian.

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As an Oxford man, though, I was impressed with the fact that the street named North Parade runs south of the street named South Parade in that city, and the explanation that during the English civil war, the Roundheads gathered at South Parade while the Royalists faced them at North Parade — a pleasant fantasy, according to Wiki and its footnotes.

But that was a lo-o-ong while ago..

**

Opinions?

Jackass and catfish, catfish and gourd

Friday, February 1st, 2019

[ by Charles Cameron — an almost-Darwin-Award-worthy foolishness, coupled with a masterpiece of Zen art — just the sort of post I’d love to post, for my own sake, even if no-one else is listening ]
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Unbelievable!

That’s a serious journal article about a seriously un-serious drunking game.. And if you can’t read the fine print, not to worry — the two top articles below will brief you nicely..

Readings:

  • Atlantic, This Is What Happens When You Drunkenly Swallow a Live Catfish
  • LiveScience, A Drunk Man Swallowed a Live, Venomous, Spiny Catfish.

  • Acta Oto-Laryngologica Case Reports, A Jackass and a Catfish
  • **

    By way of contrast:

    Here’s what the book’s about:

    Zen art poses a conundrum. On the one hand, Zen Buddhism emphasizes the concept of emptiness, which among other things asserts that form is empty, that all phenomena in the world are illusory. On the other hand, a prodigious amount of artwork has been created in association with Zen thought and practice. A wide range of media, genres, expressive modes, and strategies of representation have been embraced to convey the idea of emptiness. Form has been used to express the essence of formlessness, and in Japan, this gave rise to a remarkable, highly diverse array of artworks and a tradition of self-negating art.

    In this volume, Yukio Lippit explores the painting The Gourd and the Catfish (ca. 1413), widely considered one of the most iconic works of Japanese Zen art today. Its subject matter appears straightforward enough: a man standing on a bank holds a gourd in both hands, attempting to capture or pin down the catfish swimming in the stream below. This is an impossible task, a nonsensical act underscored by the awkwardness with which the figure struggles even to hold his gourd. But this impossibility is precisely the point.

    Read or view:

  • Getty Research, Japanese Zen Buddhism and the Impossible Painting
  • Getty YouTube lecture, Japanese Zen Buddhism and the Impossible Painting
  • **

    On the zen of swallowing, or not:

    In Zen work, an existential contradiction, Mumon’s “red hot coal,” sticks in the student’s throat; the inability “to swallow it or spit it out” precipitates a crisis to be resolved through an insight that is simultaneously an existential gesture. “If I am whole and complete as I am, why do I feel ignorant and incomplete?” might be one formulation of the conundrum, though encoded in a ritual question like “What is the sound of one hand?” The greater the contradiction, the greater the tension — ”doubt mass” — and the greater the breakthrough, according to Zen tradition.

    Source:

  • Tricycle, Fruitful Contradictions: The Zen of mathematics
  • The remaking of angels, their rank and sweep

    Wednesday, January 16th, 2019

    [ by Charles Cameron — on, i suppose, the uphill slog or seduction of genius — or a very different take on complexity? ]
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    Paul Klee‘s Angelus Novus — described by the Verso writer Stuart Jeffries as “this goofy, eternally hovering angel with hair that looks like paper scrolls, aerodynamically hopeless wings and googly if rather melancholy eyes”:

    was admired and bought for a thousand marks by Walter Benjamin, and moved with him from one lodging to the next until her fled Germany and the onrushing Nazis. It is also:

    Benjamin’s most famous image, in the 1940 “Theses on the Philosophy of History”: the “angel of history” who is blown backward into the future by the storm of progress.

    or to quote Benjamin himself:

    A Klee painting named Angelus Novus shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.

    **

    At a time after Darwin, Marx and Freud have dissolved the basics of fundamentalism, and before the likes of Sam Harris, Richard Dawkins, Daniel Dennett and the brilliant Christopher Hitchens proclaimed “the new atheism” in an easily-won contest with that same low, popular religiosity — all but ignoring the retreat of angels from Renaissance tryptich to Hallmark Card — we might do well to carry the God-NoBoDaddy debate up an octave, and consider the possibility that once angels have been more or less erased from modern western consciousness, they may, as in a palimpsest, reappear in new-old guises..

    **

    Principally, I think here of Rilke‘s angels in the Duino Elegies:

    Who, if I cried out, would hear me among the angels’ hierarchies?
    and even if one of them pressed me suddenly against his heart:
    I would be consumed in that overwhelming existence.
    For beauty is nothing but the beginning of terror, which we are still just able to endure,
    and we are so awed because it serenely disdains to annihilate us.
    Every angel is terrifying.

    Ah!

    Rilke told one of his translators that she should not make the mistake of understanding the angel referred to in the elegies as a Christian angel. To the contrary, this angel was quite distinctly drawn from an Islamic tradition. Rilke writes that in the months before his trip to Duino, he had traveled in Spain and had been consumed with reading the Qu’ran and a book on the life of the Prophet Mohammed. It seems fairly clear that this occurred under the influence of his friend Lou Andreas-Salomé, whose husband, Friedrich Carl Andreas, was a leading scholar of Islamic culture in the Russian Empire, particularly including Naqshibandiyya.

    **

    Let Rilke have traveled next to India or China, the apsarases and gandharvas of Hinduism and Buddhism might have affected him, with their sensuality, their song, their dance..

    **

    But while gandharvas and apsarases capture us by their powers of seduction — in some ways like the houris of Islamic paradise — with Rilke’s angels, drawing no less on the Old Testament than on the Qur’an, our surrender is to elemental force:

    I mean the Angel who appeared
    to the wrestlers of the Old Testament:
    when the wrestlers’ sinews
    grew long like metal strings,
    he felt them under his fingers
    like chords of deep music.

    Whoever was beaten by this Angel
    (who often simply declined the fight)
    went away proud and strengthened
    and great from that harsh hand,
    that kneaded him as if to change his shape.
    Winning does not tempt that man.
    This is how he grows: by being defeated, decisively,
    by constantly greater beings.

    **

    Constantly greater beings, with which we may if we are spiritually fortunate, wrestle — these are Rilke‘s angels, and they fill the gap in the once-dominant Great Chain of Being paradigm, on a rung above human usualness, demanding, promising, skirmishing, delivering…

    To be carried in the arms of an apsara, to be swept by the gale-force storm of an angel, these are human experiences of the transhuman kind, and we need words for them, both forgetful of any surrounding dogma and delighting in their strength as imagery — gandharvas and angels named as such, and constantly revivified by the poetic imagination.

    Klee, Benjamin, Rilke, but also Jacob wrestling with — who? a man, angel, God? — and becoming IsraelGiotto, Fra Angelico, Michelangelo who wrestled form from Carrera marble, Dogen Zenji for whom mountains were the sages into whom, living among them, he blended.. Kalidasa with his yakshas in Cloud Messenger and perhaps supremely in the gandharva marriage in his Shakuntala..

    Isaac becoming Israel, Shakuntala the mother of Bharata.. Of such are sacred nations born.

    **

    Yet this world is wide and deep, the beings above us multitudinous, and the humans touched by them more than a single mind can comprehend. And:

    The problem of god is a problem in ballistics, Icarus discovered this,
    that to shoot for the sun is to fall short of it, those who shoot
    for beauty achieve prettiness, there is a gravity in aesthetics as there is
    in physics, and theology too has its fall, the problem of god being
    that the mind falls short of what is huge enough to conceive it, give
    conception whatever relevant definition you choose, too vast
    to think of, give birth to it — no, no, mind has sheer cliffs of fall, and
    to shoot for a conception of god is full speed ahead to fall, fail ..

    I bow, salute, prostrate, pranam, bow gassho.

    Of Note: Tim Furnish, & Trump’s National CT Strategy

    Wednesday, October 17th, 2018

    [ by Charles Cameron — and a few ppl whose views on trump’s strategy document I’d also like to read ]
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  • Tim Furnish, Trump’s New Counter-terrorism Strategy: The One-Eyed Man is Still King
  • Trump, 2018, National Strategy for Counterterrorism
  • Obama, 2011, National Strategy for Counterterrorism
  • Tim Furnish, Sectsploitation: How to Win Hearts and Minds in the Islamic World
  • **

    I wanted to draw your attention to our blog-friend and sometime contributor Tim Furnish‘s post, which offers a lucid introduction to the Trump administration’s National CT Strategy paper, situating it in contrast to the Obama admin’s version, and linking it to a very helpful breakdown of what we might call (remembering William James, but in mostly lower case) the varieties of Islamic experience.

    Let me just say that from my POV:

    1) Tim Furnish has a way superior understanding of the said varieties than John Bolton ever will have — plus he has a taste for pop culture asides!

    2) that the key issue to be further explored could be expressed in terms of the overlaps, Venn diagram-wise, between “literalist”, “mainstream” and “authentic” Islams.

    That’s a project I’ve been circling for more than a decade, and the closer I get, the more subtleties arise to be considered. Still circling in..

    Thomas Hegghammer, JM Berger, Leah Farrall, Adam Elkus, Will McCants and John Horgan are others whose varied voices and opinions regaarding the new CT Strategy text I’ll be watching for.

    **

    Tim’s essay and associated matters: Warmly recommended.

    Zen — pray chime in.

    Duel and duet? I dunno.

    Wednesday, June 27th, 2018

    [ by Charles Cameron — includes a rationale for my recurring arts orbits on Zenpundit, a strategy site ]
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    Conflict:

    Stop, Do Not Go On, from The Gospel At Colonus.

    Oedipus — played here by Clarence Fountain and the Blind Boys from Alabama — although accursed, has been promised an eventual resting place to which he will bring blessings, and is accordingly attempting to enter Colonus — resisted by the good people there — represented by Sam Butler and the Soul Stirrers — on the grounds that he is Oedipus, who killed his father and slept with his mother, a man accursed..

    **

    Love in union and separation:

    So very different from the battle of the bands above, yet such a close twin..

    Etta James & Dr.John (Dr John the Night Tripper) sing and enact I’d Rather Go Blind — a love song of great beauty and cruelty.. (he’ll never leave, he’s walking away)..

    There, that’s the music.

    **

    Now, strategy and conflict:

    Strategy has to do with the navigation of conflict, and since this blog is concerned with strategy, and our lives for that matter with the navigation of conflict, I try to remember strategy and conflict even during my flights (or fugues) into glass bead games, music and poetry — so that I may stray far from our central theme, but as with certain comets, always return on an elliptical orbit, no matter how extended.

    My sense that forms such as parallelism (rhyme, fugue or canon) and the ouroboros serpent (infinity symbol, paradox) are markers (when found in analytic materials) of likely analytical significance is also tied in with OSINT work — although the patterns themselves extend across the cultural, anthropological, psychological, historical, religious and artistic realms. It is in this spirit, which I seldom spell out, but which guides my writings here, that I offer the above pairing of musical events, each of them theatrical, dealing with human relations in conflict and in love respectively, one with an overt clash over territory, the other with love in its two phases of union and separation.

    It seems, in any case, that some at least of Zenpundit‘s original hard core strategists, as well as those whose interest was equally or more in creativity, which we at ZP “minor” in — and which is relevant as per Adm. Stavridis, Safranski and others to keeping strategic thinking cutting edge — have been kind enough to follow along with some or all of my eccentric orbiting, and I thank them / you.

    **

    Enjoy, Fcamer, but also ponder.. Or should I say, Ponder, then –but hey, also enjoy!


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