zenpundit.com » movies

Archive for the ‘movies’ Category

What the PK Dickens?

Thursday, November 26th, 2015

[ by Charles Cameron — conceptual echoes in a PK Dick bio-flick ]

PKD covers 600


I have just been watching Mark Steensland’s movie, The Gospel According to PK Dick, and a couple of fine parallelisms – echoes, really – struck me.

I’m going to start with one quote from the Chuang Tzu which is so often quoted it has been dulled for me, like a few other very great very over-celebrated works, Beethoven’s Fifth, and Bach’s Toccata and Fugue in D minor BWV 565, among them. Finding its echo in the words of Robert Anton Wilson in this film breathes new life into it, at least for me, for this moment.

Chuang Tzu, then, from The Complete Works Of Chuang Tzu translated by Burton Watson:

Once Chuang Chou dreamt he was a butterfly, a butterfly flitting and fluttering around, happy with himself and doing as he pleased. He didn’t know he was Chuang Chou. Suddenly he woke up and there he was, solid and unmistakable Chuang Chou. But he didn’t know if he was Chuang Chou who had dreamt he was a butterfly, or a butterfly dreaming he was Chuang Chou. Between Chuang Chou and a butterfly there must be some distinction! This is called the Transformation of Things.

DoubleQuote that with Robert Anton Wilson in the movie:

In 1994, I think it was, somebody put up on internet a report of my death, and no matter how much I’ve denied it, it seems most people accept that I’m still alive, but there’s a die hard minority who insists I’m dead and the CIA has replaced me with an android. And I’d be much happier if I’d never read Philip Dick, because I would just think, “Well, I know I’m not an android,” but having read Philip Dick I realized if I was an android who’s properly constructed, I’d think I am Robert Anton Wilson. So that leaves me perpetually in a predicament of not being sure that I’m Robert Anton Wilson or an android programmed to think it’s Rob– to think, talk, and write like Robert Anton Wilson. I guess I’m really grateful to Phil for that, it gives me a certain agnostic detachment, which I think is necessary for mental health.


The echo of Chuang Tzu in the words of Robert Anton Wilson occurs towards the beginning of the movie. Towards the end of the movie, we have Paul Williams, the “father of rock criticism” also talking about his friend PK Dick, who was also the subject of his celebrated 1974 Rolling Stone article:

That particular, unique personality this is Philip K Dick arises, when you and I or the three of us, or any two or three readers of {Philip K Dick, or friends of his, or whatever, get together, then we have the opportunity, as in the ends of those stories, to actually experience his presence, and it’s uniquely him. And, uh, I appreciate that, and I appreciate that in that way, I still have him in my life. And that’s definitely quite a gift.

DoubleQuote those words of Williams with these, from Matthew 18.20:

For where two or three are gathered together in my name, there am I in the midst of them.


Gospel, indeed. and Tao, too.

It is more important to have equations in your beauty..

Tuesday, November 10th, 2015

[ by Charles Cameron — musings on PAM Dirac and Hedy Lamarr ]

PAM Dirac once famously said, “it is more important to have beauty in one’s equations that to have them fit experiment.” I was reminded of that quotation while musing over this DoubleQuote in the Wild celebrating the birthday yesterday of Hedy Lamarr — stunningly symmetrical movie star and frequency-hopping inventor:

Hedy Lamarr DQ Wild

To the left, the beauty herself, and to the right, the equations in the beauty — if one may take the liberty of saying that thoughts are “in” their thinker’s body — shown here in the form of the patent application Lamarr and composer George Antheil submitted fora “a system for the radio control of airborne torpedoes”.

I put that last phrase in quotes because that’s the way a New York Times piece described their joint invention. Me, I haven’t the foggiest about their inner workings, whereas the outer face of Hedy Lamarr I can see with utmost clarity.

KILO TWO BRAVO – The Teaser Post

Saturday, October 31st, 2015

[by Mark Safranski, a.k.a. “zen“]

Friend of ZP, Kanani Fong sent me early access to watch and review Kilo Two Bravo, due to be released November 13th. It is the true story of a platoon of British paratroopers who are caught in a minefield by the Kajaki Dam in Afghanistan’s deadly Helmand Valley. As I have just finished a monumental, six month long, project from Hell, this weekend seems to be a timely moment to settle down and watch. Looks intense. Review pending.


Mass shooting: an abstraction and an icon

Sunday, October 18th, 2015

[ by Charles Cameron — the Aurora cinema shooting — a forensic view, and one through Mantegna’s eyes ]

Two ways to be chilled once again by the 2012 slaughter in the Century 16 movie theater in Aurora, Colorado.

The forensic view comes courtesy of the Colorado DA‘s office:

aurora century 16 movie theater

Mantegna‘s image of St Sebastianone of three he painted — affords us a reminder of human suffering.


The film that was showing at the Aurora Century 16 that midnight was The Dark Knight Rises.

DoubleQuote as Match Cut

Monday, October 12th, 2015

[ by Charles Cameron — further passing notes in the virtual music of ideas, including meditations for glass bead game players ]

From the agile algorithmic eyes at Archillect:

A match cut or graphic match in cinema is, in Wikipedia’s words,

a cut in film editing between either two different objects, two different spaces, or two different compositions in which objects in the two shots graphically match, often helping to establish a strong continuity of action and linking the two shots metaphorically.


Perhaps it’s time to post my Meditations for Glass Bead Game Players:


First, I ask you to consider the rhyme of “womb” with “tomb” — which has the delicious property that these two words describe, if you will, the two chambers from which we enter this life and through which we leave it. Not only do the two words rhyme on the ear, in other words, they can also be said to rhyme in meaning. Meditation: if you were wearing headphones, and these two words were spoken, what would the stereophony of their meanings be?


Next, I would invite you to consider visual rhymes — known as “graphic matches” in film studies. Take, for instance, lipstick and bullet. To rephrase the opening of a book I am still working on:

The conjunction comes from a Yardley’s cosmetic advertisement of a few years back: a woman model wearing a leather bandolier with a variety of lipsticks in place of bullets. It is a powerful image partly because it plays on the visual similarity of bullets and lipsticks, each in their own metal jacket. Indeed, the visual match between them is astonishing — and the lurking Freudian visual pun only adds to our delight.

The juxtaposition of lipstick and bullet I take to be an example of a certain kind of visual logic, a visual kinship. Transposing their relationship from visual to verbal terms, one might say that lipstick and bullet “rhyme.”

But there is more than the purely visual here too… There is also a meaning rhyme that echoes in Freud’s pairing of Eros and Thanatos, in Wagner’s Liebestod, in Woody Allen, and in the opening sentence of Bedier’s Tristan and Iseult:

My Lords, if you would hear a high tale of love and death…

Meditation: what is the stereophany (by analogy with epiphany, theophany — neologism intended) of the meanings of lipstick and bullet?


Consider next musical rhymes — fugal treatment of a theme — and if you have the means, play yourself Bach’s Chromatic Fantasia and Fugue, BWV 903, or Passacaglia and Fugue, BWV 582…


Next I would ask you to consider — briefly — rhymes between ideas themselves… Ponder, for instance, the twin themes of the myth of Narcissus, and the rhyme that exists between the idea of “echo” and that of “reflection”…


Consider rhymes between things, between names and the things they name (onomatopoeia), and between ideas and names and things and musical themes and images:

Seen together, aerial maps of river estuaries and road systems, feathers, fern leaves, branching blood vessels, nerve ganglia, electron micrographs of crystals and the tree-like patterns of electrical discharge-figures are connected, although they are vastly different in place, origin, and scale. Their similarity of form is by no means accidental.

G Kepes, New Landscapes of Art & Science

When the surf echoes and crashes out to the horizon, its whorls repeat in similar ratios inside our fleshåWe are extremely complicated, but our bloods and hormones are fundamentally seawater and volcanic ash, congealed and refined. Our skin shares its chemistry with the maple leaf and moth wing. The currents our bodies regulate share a molecular flow with raw sun. Nerves and flashes of lightning are related events woven into nature at different levels.

Grossinger, Planet Medicine

The links of association that are possible between one thing and another are extraordinary, and rhymes of the sort we have been discussing are just the beginning… On being asked:

What is the intersection of fish and flames?

my list-colleague Barbara Weitbrecht responded:

Fish being cooked … flame-colored fish … fish flickering through sunlit water like flames … things to do with water: one in it, one antagonistic to it … fish and flames both images of sleep, of subconscious ideas surfacing, of revelation … fish and flames both images of the Deity ….


Consider all things as the calligraphy of a god or gods…


Consider, finally, the stereophany between these two elegant paragraphs, one written by the contemporary American poet and naturalist, Annie Dillard, and the other by her compatriot Haniel Long:

My friend Jens Jensen, who is an ornithologist, tells me that when he was a boy in Denmark he caught a big carp embedded in which, across the spinal vertebrae, were the talons of an osprey. Apparently years before, the fish hawk had dived for its prey, but had misjudged its size. The carp was too heavy for it to lift up out of the water, and so after a struggle the bird of prey was pulled under and drowned. The fish then lived as best it could with the great bird clamped to it, till time disintegrated the carcass, and freed it, all but the bony structure of the talon.

Haniel Long, Letter to Saint Augustine


And once, says Ernest Seton Thompson–once, a man shot an eagle out of the sky. He examined the eagle and found the dry skull of a weasel fixed by the jaws to his throat. The supposition is that the eagle had pounced on the weasel and the weasel swiveled and bit as instinct taught him, tooth to neck, and nearly won. I would like to have seen that eagle from the air a few weeks or months before he was shot: was the whole weasel still attached to his feathered throat, a fur pendant? Or did the eagle eat what he could reach, gutting the living weasel with his talons before his breast, bending his beak, cleaning the beautiful airborne bones?

Annie Dillard, Teaching a Stone to Talk

These are the rhymings of the ten thousand things. It is with such meditations as these that we may build the “hundred-gated cathedral of Mind” to which Hesse refers…

And that “brings us by a commodius vicus of recirculation back” to my post, DoubleQuotes — origins, of just a few days ago.

Switch to our mobile site