— shows on the right, the Lovers of Valdaro — a matched pair of skeletons of which Time wrote in 2011:
For 6,000 years, two young lovers have been locked in an eternal embrace, hidden from the eyes of the world. This past weekend, the Lovers of Valdaro — named for the little village near Mantua, in northern Italy, where they were first discovered — were seen by the public for the first time.
On the left, you have an artist’s representation of how they might have been embraced in death.
All of which reminds me of Buddhist meditation on death, and of the dancing skeleton couple known collectively as Citipati:
Citipati is a protector deity or supernatural being in Tibetan Buddhism and Vajrayana Buddhism of India. It is formed of two skeletal deities, one male and the other female, both dancing wildly with their limbs intertwined inside a halo of flames representing change. The Citipati is said to be one of the seventy-five forms of Mahakala. Their symbol is meant to represent both the eternal dance of death as well as perfect awareness. They are invoked as ‘wrathful deities’, benevolent protectors or fierce beings of demonic appearance. The dance of the Citipati is commemorated twice annually in Tibet.
Jeff King‘s Navaho sandpaintings in turn easily summon memories of their Tibetan Buddhist equivalents, shown here in a photo of the Drepung Loseling monks.
And the symmetries of the overhead shot of Ali and that of the Drepung monks forms yet a third pair.
Muhammad Ali at one point wanted “his people” to return to Africa, away from the deadly white man, and no doubt it has occurred to some Navajo from time to time to wish the white man would return to Europe — while Puebloans may on occasions have wished the Navajo had remained with their Athabaskan kin in Canada..
But then, I’m Scots by heritage, British by subsequent conquest, and have invaded the United States myself in person, with a view to finding what American poet Gary Snyder calls “a sunny spot under a pine tree to sit at” here in California.
In what I understand to have been Nisenan Maidu country.
[ by Charles Cameron — observing a certain universality across traditions ]
Tenzin Wangyal Rinpoche is a teacher in the Bon tradition,
the native religion of Tibet
Jamgon Kongtrul Rinpoche, a high lama of the Tibetan Buddhist Karma Kagyu lineage, has this to say:
The nature of all ritual is that symbolic devices are used to create a certain mental attitude. When we offer our body, speech, and mind, we do this though a system of gestures that create that particular meaning. But if the ritual is not based on an understanding of emptiness, then it lacks meaning, and the symbolic gestures could cause confusion.
In Tibetan Buddhism, body, speech, and mind are known as the three vajras — variously translated as diamonds or lightning bolts. Tulku Urgyen Rinpoche, another Karma Kagyu teacher, explained:
Buddha-Nature is present just as the shining sun is present in the sky. It is indivisible from the Three Vajras [i.e. the Buddha’s Body, Speech and Mind] of the awakened state, which do not perish or change.
The hand touches the chest, then the lips, then the centre of the forehead. The action ends with a forward flourish of the hand and is often accompanied by a bow of the head. [ .. ] This is the full version of the salaam, including all three elements. Its message is ‘I give you my heart, my soul and my head.
In the United States Catholic Catechism for Adults, we are told to make a triple sign of the cross at Mass:
At Mass when the reading of the Gospel begins, we place the sign of the Cross on our foreheads, lips, and hearts and pray, “May the Lord be in our minds, on our lips, and in our hearts.” Lips, minds, and hearts—these symbolize three kinds of prayer: vocal, meditative, and contemplative. These modes of prayer include formal and informal paths, personal and communal expressions, popular piety, and the liturgical prayer of the Church.
[ by Charles Cameron — two poems, one from Thomas Merton, one from today ]
About an hour ago I posted Economics as if spirit matters most, with a DoubleQuote drawing a parallel between Zen Buddhist monastic tradition and that of the Desert Fathers of the Church.
Here’s another Buddhist / Christian juxtaposition, this time in the form of excerpts from two longer poems about fires — one of which, the Soberanes wildfire between Carmel and Big Sur, is still raging as we speak:
Anam Thubten is a Tibetan Buddhist teacher, and it is his Sweetwater Sanctuary retreat that was destroyed in the Soberanes fire. Thomas Merton was a Catholic Trappist monk, and the barn that burned was at his home monastery, the Abbey of Our Lady of Gethsamani in Kentucky.
[ by Charles Cameron — religions taking other religions apart, stone by stone, image by image, song by song ]
Some recently converted Jehovah’s Witnesses appear to have destroyed the altars of indigenous Otomi people in Mexico, an anthopologist has stated:
Assailants have damaged an ancient Otomi Indian religious site in Mexico, toppling stone structures used as altars, breaking carved stones and scattering offerings of flowers, fruit and paintings at the remote mountain shrine known as Mayonihka or Mexico Chiquito. [ .. ]
“I don’t know what religion they belong to, but they destroyed several images that were there,” said Daniel Garcia, the municipal secretary of the nearby township of San Bartolo Tutotepec. “The thing is, there are some religions that don’t believe in using idols.”
Luis Perez Lugo, a professor at the University of Chapingo, visited the site in May and talked to residents of a nearby hamlet, El Pinal, whose residents said they had carried out the attack.
“I was there, and the Jehovah’s Witnesses said they had done it,” Perez Lugo said, noting some were recent converts to the religion who used to go to the site for Otomi ceremonies.
See upper panel, below:
In the lower panel, above, we see a detail from a National Geographic listing of sites attacked by the Islamic State. Three quick notes:
the JWs, if they were JWs, were recent converts; converts often have a zeal all their own
the IS, like the Taliban at Bamiyan, destroys ancient religious sites even if no longer in use
You already know this, but for the record — because Scripture:
In the upper panel, Jewish and Christian scriptures — from the Jewish Ten Commandments in Exodus, and St Paul‘s address to the Athenians, as recounted in the Acts of the Apostles.
In the lower panel — a hard-line contemporary Islamic commentary, citing two ahadith.
So it’s Jehovah’s Witnesses and hard-line Muslim literalists who approve of the destruction of monuments to false gods, is that what this means?
They are not alone. In the upper panel, below, recent news of the Chinese — avowed atheists — continuing their attacks on Tibetan Buddhism, this time by mandating the dismantling of Buddhism’s largest monastic university at Larung Gar:
In the lower panel, above, we see some of what remains of the great Abbey of Glastonbury, torn down during the Dissolution of the Monasteries under King Henry VIII.
Glastonbury has strong associations with Arthurian and Christian traditions:
William Blake’s dramatic poem ‘Jerusalem’ familiar nowadays as an inspirational hymn, draws on the myth that Christ himself may have visited Glastonbury with Joseph of Arimathea and ‘walked on England’s mountains green’.
The Gospels record that Joseph of Arimathea was a wealthy follower of Christ who buried Christ’s body in his own tomb after the Crucifixion.
In the Middle Ages Joseph became connected with the Arthurian romances of Britain. He first features in Robert de Boron’s Joseph d’Arimathie, written in the twelfth century, as the Keeper of the Holy Grail. He receives the Grail (the cup used by Christ at the Last Supper) from an apparition of Jesus and sends it with his followers to Britain.
Later Arthurian legends elaborated this story and introduced the idea that Joseph himself travelled to Britain, bringing the Holy Grail with him and then burying it in a secret place, said to have been just below the Tor at the entrance to the underworld. The spring at what is known as Chalice Well is believed to flow from there. In their quests King Arthur and the Knights of the Round Table searched for the Grail.
Glastonbury retains its place in English hearts to this day, albeit in contemporary guise — it is the Yasgur’s Farm of England’s ongoing Woodstock — mud, sex, drugs, rock and all — the yearly Glastonbury Festival —
It is also — in the form of Blake‘s hymn “And did those feet in ancient time” — a part of such ceremonial events as the Last Night of the Proms — and Royal Weddings:
But more on Blake’s poem — known as Jerusalem, and taken from his preface to Milton a Poem — in an upcoming post, Creek willing.
Finally, what an exceptionally lovely early DoubleQUote is this, returning us to the topic of sacred places and images and their destruction:
What we have here is a page from the Chludov Psalter — ask Wikipedia for that what means, I only just ran across it in the course of writing this piece — but it’s a 9th century Byzantine prayer book, illuminated with illustrations attacking the iconoclasts — those Christians who wanted to destroy icons and other Christian images for reasons not dissimilar ton those of the Taliban.
In the illustration to the right, the miniaturist illustrated the line “They gave me gall to eat; and when I was thirsty they gave me vinegar to drink” with a picture of a soldier offering Christ vinegar on a sponge attached to a pole. Below is a picture of the last Iconoclast Patriarch of Constantinople, John the Grammarian rubbing out a painting of Christ with a similar sponge attached to a pole.
Let’s take a closer look:
Both verbally and visually, then, we have a direct comparison of the Roman soldier mocking the dying Christ, and the icon-hating Patriarch erasing Christ’s image from a wall.. And they call him the Grammarian!
But let’s proceed:
John is caricatured, here as on other pages, with untidy straight hair sticking out in all directions, which was considered ridiculous by the elegant Byzantines.
No punks, apparently, these Byzantines!
And the coup de grâce? House the sacred book in a state museum..
Nikodim Kondakov hypothesized that the psalter was created in the famous monastery of St John the Studite in Constantinople. Other scholars believe that the liturgical responses it contains were only used in Hagia Sophia, and that it was therefore a product of the Imperial workshops in Constantinople, soon after the return of the Iconophiles to power in 843.
It was kept at Mount Athos until 1847, when a Russian scholar brought it to Moscow. The psalter was then acquired by Aleksey Khludov, whose name it bears today. It passed as part of the Khludov bequest to the Nikolsky Old Believer Monastery and then to the State Historical Museum.
Zenpundit is a blog dedicated to exploring the intersections of foreign policy, history, military theory, national security,strategic thinking, futurism, cognition and a number of other esoteric pursuits.