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[ by Charles Cameron -- on caterpillars, butterflies, psyche and the alephs of Georg Cantor, with a glance at the vertiginous idea it might be "boxes all the way up and down"... ]
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Let’s get the science — which is quite fascinating — taken care of first. Here’s our best current visualization of how a caterpillar, after crafting its cocoon, prepares to become a butterfly:

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Words can sometimes tell us some things that images can’t — or explain things to parts of us that simply cannot comprehend them visually — so here for parallel processing is an account of part of the same business from Scientific American:

How does a caterpillar rearrange itself into a butterfly? What happens inside a chrysalis or cocoon?

First, the caterpillar digests itself, releasing enzymes to dissolve all of its tissues. If you were to cut open a cocoon or chrysalis at just the right time, caterpillar soup would ooze out. But the contents of the pupa are not entirely an amorphous mess. Certain highly organized groups of cells known as imaginal discs survive the digestive process. Before hatching, when a caterpillar is still developing inside its egg, it grows an imaginal disc for each of the adult body parts it will need as a mature butterfly or moth—discs for its eyes, for its wings, its legs and so on. In some species, these imaginal discs remain dormant throughout the caterpillar’s life; in other species, the discs begin to take the shape of adult body parts even before the caterpillar forms a chrysalis or cocoon. Some caterpillars walk around with tiny rudimentary wings tucked inside their bodies, though you would never know it by looking at them.

Once a caterpillar has disintegrated all of its tissues except for the imaginal discs, those discs use the protein-rich soup all around them to fuel the rapid cell division required to form the wings, antennae, legs, eyes, genitals and all the other features of an adult butterfly or moth.

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It’s just possible that the bear’s ability to “die” in the winter and “be reborn” in spring gave use the original cirumpolar bear cult — and more generally, a propensity to believe that resurrection from the dead might be a physical, existential human possibility.

Humans watch animals pretty diligently — my old friend and mentor Wallace Black Elk once told me:

We watch the deer, and when they’re sick they know which plant is their aspirin: they eat that green medicine, and drink water. So we have deer medicine. We don’t need the mass-produced kind.

I don’t have the exact quote, but he also observed somewhat wryly that scouts from pharmaceutical companies used to watch him and see what medicines he used, in much the same way…

And if there’s any natural process that humans have watched with equivalent metaphysical interest to that which they may have shown in observing the bear’s pattern of hibernation and return, it would have been the process of metamorphosis in butterflies — whose name in Greek, psyche, is also the word for soul.

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WB Yeats had a sense of the butterfly transcending both day-to-day human logic and death itself, when he wrote in his poem Tom O’Roughley:

‘Though logic choppers rule the town,
And every man and maid and boy
Has marked a distant object down,
An aimless joy is a pure joy,’
Or so did Tom O’Roughley say
That saw the surges running by,
‘And wisdom is a butterfly
And not a gloomy bird of prey.

adding just a few lines later:

What’s dying but a second wind?

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What I’d like to do here is to take us from the plodding science of linear thought to which Yeats was (among other forms of linearity) objecting, towards the science — and poetry — of complexity, of nuance.

And I’d like to do it by skipping a couple of thoughts like a stone across water, inviting you to watch the ripples…

These are the leaps that connect the dots.. the creative leaps. And some leaps, it seems to me, are bigger and more demanding than others.

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Is the leap from cocoon to butterfly in Hutching‘s quote really quite a huge leap? It certainly keeps some of our best scientists busy uncovering its hidden secrets. And the leap from butterfly to tornado, that Lorenz made? That would appear to me to be a larger leap, requiring a different mode of perception. And skipping from Hutchings to Lorenz, can we skim our stone of thought even further?

Putting two and two together is one thing: imagining “aleph null” for the first time, as Cantor did, that would be something else altogether. From two to four, I’m tempted to say, is a quantitative leap, while the imaginative leap from four, ten, or ten thousand to the alephs is qualitative.

How should we recognize and connect widely separated — yet deeply entangled — dots? What would prove to be the richest and most profound of creative leaps? Is there a move that will take us not just out of this box into the box it came in — but out of a whole matrioshka nest of boxes?

Those are the questions in my sandbox about now.

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When we next meet, I’ll try to tie them in with this diagram that Adam Elkus recently pointed us to —

and with Hermann Hesse‘s Glass Bead Game for good measure.

Small Wars Journal has published another edition of the excellent COIN interview series conducted by Octavian Manea. Here he interviews A.A. Cohen, author of Galula: The Life and Writings of the French Officer who Defined the Art of Counterinsurgency 

The Galula Doctrine: An Interview with Galula’s Biographer A.A. Cohen

OM: Which were the role of Mao and the exposure to Chinese civil war in Galula’s story? It seems to be his decisive formative lab experience like Russia was for George Kennan.

AAC: Unquestionably, of all the influences exerted on Galula’s treatise, Mao and the Chinese Civil were the greatest. Galula had a strong intellectual admiration for Maoist revolutionaries, despite being very opposed to what they stood for. Before the Chinese Civil War, Galula had no interest in insurgency or counterinsurgency. He had not fought as a Partisan during WW2; he had no experience or interest in these fields until he was exposed to China as of late 1945, in the thick of its civil war. There, his analytical penchant led him to see himself as the decipherer of Mao, intent on getting to the bottom of what the revolutionaries were fundamentally about. Galula cut through the egalitarian propaganda and all that surrounding the People’s revolution. Above all, he wanted to understand why these guys were gaining momentum as they were despite the unfavorable odds. When he figured it out, he reverse-engineered their methods to arrive at a counter-process to revolution and insurgency. His embrace of Chinese dialectics, and with these, the notion of unity of opposites or yin and yang, was helpful in achieving this.

Is counterinsurgency to Galula more of a strategy or  more of a technique and a methodology?

What Galula offers, first and foremost, is a doctrine – not a strategy. His doctrine is underpinned by an important theory about people and what motivates them to take up arms, or to side with those who do. The theory goes that in times of danger (war), the majority of people will be motivated primarily by a fundamental need for security. Galula is adamant about this. But he also recognizes that there will be a minority of people – the instigators at the core of a movement – that will be ideologically, or even fanatically motivated. These are the true believers. He makes no qualms about prescribing that this is the group that the counterinsurgent or counterterrorist will need to find and neutralize, while protecting the rest of the population that aspires to a normal, if not better life. If you buy into this theory, Galula’s doctrine offers a multi-step framework for operations; in other words, a method to counterinsurgency. His famous eight steps are there to provide some logical linearity to what is otherwise a very nonlinear form of warfare. Within that framework, you have the flexibility to formulate your strategy and to conduct your operations to achieve your objectives.

Read the rest here.

I agree that Galula was not offering a strategy. Even more strongly, I think Cohen is correct about the historical importance of China’s long period of disorder, from the overthrow of the Q’ing dynasty to Mao ZeDong’s declaration of the People’s Republic, for Galula. However, not just for him but for anyone interested in questions of war and statecraft where insurgency, warlordism, state failure, state-building, foreign intervention, balance-of-power politics, ideological mass-movements, 4GW, revolution and total war coexisted and co-evolved.

The best comparison in our lifetime to China in this period would have been Lebanon  in the 1980′s, except that China’s polycentric conflict was even more complex and on an epic scale.

[ by Charles Cameron -- math, modeling and mapping, in that strange zone where beauty meets understanding ]
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The upper equation — Euler‘s — gets as tight and definitional as one can get, yet is profound in the way the greatest haiku are… while the metaphorical “equation” mentioned in the lower panel is a very rough model indeed of the intricate and constantly shifting forces at work in and on Pakistan.

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I’m interested in mapping these sorts of influences at a level of detail that the human mind can assimilate and comprehend — and the graphical news-map in the video below will give you an idea of what one approach to such a mapping would look like.

This particular example is drawn from a mapping of web-based news items related to President Obama over the course of 2009, but it should give you some idea of the constant flux of tensions and motion of “nodes” involved in tracking political issues, at home or abroad — the beginning is a bit slow, but from about the 23 second mark on is just amazing:

Now is that art, or technology — or a beginning of something fascinating that by its very nature melds both?

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Sources:

FB Ali, Interesting times in Pakistan on Sic Semper Tyrannis

Recorded Future Index video

[ by Charles Cameron -- a stray thought, endlessly ricocheting -- with a friendly wink to @khanserai ]
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Back in 2006 the US National Strategy for Combating Terrorism suggested:

In the long run, winning the War on Terror means winning the battle of ideas. Ideas can transform the embittered and disillusioned either into murderers willing to kill innocents, or into free peoples living harmoniously in a diverse society.

So. More than five years have passed.

Look, I’m sorry to be so blunt… but how good are we now at modeling, simulating and / or gaming ideas?

[ by Charles Cameron -- Escher, Borges, simulating the future, wargames, A Pattern Language, Sembl ]
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Ridiculous phrase, a library of windows. Unless you think, as I do, of books as windows onto different worlds, in which case it makes a whole lot of sense, and a decent library has more windows onto more profoundly different worlds than any physical room — and here we are getting into the territory of Jorge Luis Borges (links to Library of Babel) and Maurits Escher (image above).

And let me just state for the record that Godel Escher Bach could just as well have been Escher Carroll Borges, and that a comparison between the logics of Escher and Borges is one of the desiderata of our times.

That’s a Sembl move.

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Let’s expand the concept of window to include the sort of inter-worldview glimpse that Haaretz describes today here:

Last week, in a small beit midrash (study hall) named after Rabbi Meir Kahane in Jerusalem’s Shmuel Hanavi neighborhood, an emergency meeting was convened to discuss instigating freedom of religion and worship on the Temple Mount. It was a closed meeting attended by representatives of the Temple Institute, HaTenu’ah LeChinun HaMikdash (the Movement to Rebuild the Holy Temple) and the Temple Mount Faithful, as well as two representatives of Women for the Mikdash, and others. The activists met to try to understand how they could overcome the authorities, who they believe are plotting against them, and return to the Temple Mount. At this meeting, Haaretz was offered a rare behind-the-scenes glimpse of the most ardent activists in the battle to Judaize the Temple Mount.

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Here’s the meat of the post, as yet uncooked. Back in 2005, but brought to my attention today by Rex Brynen at Paxsims, is this piece from Strategy Page:

After eight years of effort, and spending over $300 million, the U.S. Army has officially received its new wargame (WARSIM) for training battalion, brigade, division, and as big as you want to get, commanders, and their staffs. Now even the most elaborate commercial wargame would not get $300 million for development, and eight years to create the system. But wargames for professional soldiers have different requirements, and a troublesome Department of Defense bureaucracy to deal with. First, the requirements. Commercial wargames shield the player from all the boring stuff (support functions, especially logistics.) But professional wargames must deal with these support activities, because in a real war, these are the things commanders spend most of their time tending too. …

WARSIM covers a lot of complex activities that a commander must deal with to achieve battlefield success. Besides logistics, there’s intelligence. Trying to figure out what the enemy is up to is, next to logistics, the commanders most time consuming chore.

– which in turn was referenced by Michael Peck writing in a Kotaku piece today titled Why It’s So Hard to Make a Game Out of the 21st Century:

Let’s build a game. Let’s make it a strategy game. We will realistically simulate global politics in the 2030s. Perhaps a sort of Civ or Supreme Ruler 2020-type system.

Where shall we start? How about something easy, like choosing the nations in the game? It’s simple enough to consult an atlas. We’ll start with Britain…but wait! Scotland is on the brink of declaring independence from the United Kingdom. Should Britain be a single power, or should England and Scotland be depicted as a separate nation? What about Belgium splitting into Flemish and Walloon states? And these are old, established European nations. How will states like Syria and Nigeria look in two decades? It was only a bit over 20 years ago that the Soviet Union appeared to be a unshakeable superpower that controlled Eastern Europe and Central Asia.

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Let’s cook that meat, let’s make a meal of it.

Peck’s piece goes into many other ways in which predictive gaming isn’t terribly productive.

But it left me asking the question, what would I do with a game-sized budget, if my aim was to push military and intelligence towards greater insight.

And my answer would be to embed information in walls. In corridors…

To build windows at sparse and irregular intervals into the internal corridors that connect any given office in the Pentagon or three-letter agency — or my local preference (hush, I know it’s the Glorious Fourth tomorrow) MI-5 and -6 — through which analysts and decision makers can glimpse snippets of information.

Which can then fall into the deep well of memory.

It is deep within that well of half-forgotten knowledge, ST Coleridge tells us, that the “hooks-and-eyes of memory” link one thought with another to build a creative third.

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A wall, then. I would build a wall embedded with facts and fancies, maps and illustrations, graphs and stats, film clips and news clips, anecdotes and quotes — even, perhaps, tiny alcoves here and there with books free for the taking, music CDs, DVDs of movies, old, new, celebrated, strange…

And I would be constantly shifting and rearranging the “views” from my windows, so that what was seen yesterday would not be what would be seen tomorrow — yet with a powerful index of words, topics, themes, memes, image contents, names of actors, newscasters, authors and so forth, so that what was once seem and dimly recalled could be recaptured.

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The concept here is pretty much the exact opposite of having a huge black poster proclaiming Creativity Matters!

Don’t get me wrong, creativity does matter (get that poster and others here), but it “works in mysterious ways its wonders to perform” — and the way to entice it is to see things out of the corner of the eye…

The windows I’m looking for, therefore, offer glimpses you wouldn’t necessarily notice if you were deep in thought or conversation, and conversely, wouldn’t see twice and grow so familiarized to that they’d become irrelevant by repetition. They’d be glimpsed in passing, their esthetic would be that of Christopher Alexander’s Zen View, pattern 134 in his brilliant work — the closest we have to a Western I Ching — Pattern Language:

The idea, then, is to seed the memory with half-conscious concepts, patterns, facts and images, carefully selected and randomly presented — so that those hooks and eyes have the maximum chance of connecting some scrap of curious information with a pressing problem.

Which is how creativity tends to work.

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That way each corridor becomes a game-board — but it is in the analyst’s focused mind that the game is played and won.

What you’d get, in effect, would be community-wide, ongoing free-form gameplay in complete alignment with the web-based game we’re currently developing at Sembl. Games of this genre will also have powerful application in conflict resolution.

And peace.