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[ by Charles Cameron -- on caterpillars, butterflies, psyche and the alephs of Georg Cantor, with a glance at the vertiginous idea it might be "boxes all the way up and down"... ]
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Let’s get the science — which is quite fascinating — taken care of first. Here’s our best current visualization of how a caterpillar, after crafting its cocoon, prepares to become a butterfly:

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Words can sometimes tell us some things that images can’t — or explain things to parts of us that simply cannot comprehend them visually — so here for parallel processing is an account of part of the same business from Scientific American:

How does a caterpillar rearrange itself into a butterfly? What happens inside a chrysalis or cocoon?

First, the caterpillar digests itself, releasing enzymes to dissolve all of its tissues. If you were to cut open a cocoon or chrysalis at just the right time, caterpillar soup would ooze out. But the contents of the pupa are not entirely an amorphous mess. Certain highly organized groups of cells known as imaginal discs survive the digestive process. Before hatching, when a caterpillar is still developing inside its egg, it grows an imaginal disc for each of the adult body parts it will need as a mature butterfly or moth—discs for its eyes, for its wings, its legs and so on. In some species, these imaginal discs remain dormant throughout the caterpillar’s life; in other species, the discs begin to take the shape of adult body parts even before the caterpillar forms a chrysalis or cocoon. Some caterpillars walk around with tiny rudimentary wings tucked inside their bodies, though you would never know it by looking at them.

Once a caterpillar has disintegrated all of its tissues except for the imaginal discs, those discs use the protein-rich soup all around them to fuel the rapid cell division required to form the wings, antennae, legs, eyes, genitals and all the other features of an adult butterfly or moth.

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It’s just possible that the bear’s ability to “die” in the winter and “be reborn” in spring gave use the original cirumpolar bear cult — and more generally, a propensity to believe that resurrection from the dead might be a physical, existential human possibility.

Humans watch animals pretty diligently — my old friend and mentor Wallace Black Elk once told me:

We watch the deer, and when they’re sick they know which plant is their aspirin: they eat that green medicine, and drink water. So we have deer medicine. We don’t need the mass-produced kind.

I don’t have the exact quote, but he also observed somewhat wryly that scouts from pharmaceutical companies used to watch him and see what medicines he used, in much the same way…

And if there’s any natural process that humans have watched with equivalent metaphysical interest to that which they may have shown in observing the bear’s pattern of hibernation and return, it would have been the process of metamorphosis in butterflies — whose name in Greek, psyche, is also the word for soul.

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WB Yeats had a sense of the butterfly transcending both day-to-day human logic and death itself, when he wrote in his poem Tom O’Roughley:

‘Though logic choppers rule the town,
And every man and maid and boy
Has marked a distant object down,
An aimless joy is a pure joy,’
Or so did Tom O’Roughley say
That saw the surges running by,
‘And wisdom is a butterfly
And not a gloomy bird of prey.

adding just a few lines later:

What’s dying but a second wind?

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What I’d like to do here is to take us from the plodding science of linear thought to which Yeats was (among other forms of linearity) objecting, towards the science — and poetry — of complexity, of nuance.

And I’d like to do it by skipping a couple of thoughts like a stone across water, inviting you to watch the ripples…

These are the leaps that connect the dots.. the creative leaps. And some leaps, it seems to me, are bigger and more demanding than others.

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Is the leap from cocoon to butterfly in Hutching‘s quote really quite a huge leap? It certainly keeps some of our best scientists busy uncovering its hidden secrets. And the leap from butterfly to tornado, that Lorenz made? That would appear to me to be a larger leap, requiring a different mode of perception. And skipping from Hutchings to Lorenz, can we skim our stone of thought even further?

Putting two and two together is one thing: imagining “aleph null” for the first time, as Cantor did, that would be something else altogether. From two to four, I’m tempted to say, is a quantitative leap, while the imaginative leap from four, ten, or ten thousand to the alephs is qualitative.

How should we recognize and connect widely separated — yet deeply entangled — dots? What would prove to be the richest and most profound of creative leaps? Is there a move that will take us not just out of this box into the box it came in — but out of a whole matrioshka nest of boxes?

Those are the questions in my sandbox about now.

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When we next meet, I’ll try to tie them in with this diagram that Adam Elkus recently pointed us to —

and with Hermann Hesse‘s Glass Bead Game for good measure.

[ by Charles Cameron -- on the West Coast ]
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Sources:

John Arquilla, Killer Swarms

RT, East coast of US braces for billions-strong cicada swarm

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Exodus 10. 3-6:

And Moses and Aaron came in unto Pharaoh, and said unto him, Thus saith the Lord God of the Hebrews, How long wilt thou refuse to humble thyself before me? let my people go, that they may serve me. Else, if thou refuse to let my people go, behold, to morrow will I bring the locusts into thy coast: And they shall cover the face of the earth, that one cannot be able to see the earth: and they shall eat the residue of that which is escaped, which remaineth unto you from the hail, and shall eat every tree which groweth for you out of the field: And they shall fill thy houses, and the houses of all thy servants, and the houses of all the Egyptians; which neither thy fathers, nor thy fathers’ fathers have seen, since the day that they were upon the earth unto this day.

Qur’an, 7. 133:

So We let loose upon them the flood and the locusts, the lice and the frogs, the blood, distinct signs; but they waxed proud and were a sinful people.

And the Eastern seaboard of the US is way more sinful than the ill-reputed West?

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For a different view, we turn to Basho. Here are the earlier and later forms of one of his poems:

Source:

Eleanor Kerkham, ed., Matsuo Bashô’s Poetic Spaces: Exploring Haikai Intersections

E.O. Wilson 

Last summer, eminent sociobiologist E.O. Wilson published an article in Harvard Magazine:

On the Origins of the Arts 

….By using this power in addition to examine human history, we can gain insights into the origin and nature of aesthetic judgment. For example, neurobiological monitoring, in particular measurements of the damping of alpha waves during perceptions of abstract designs, have shown that the brain is most aroused by patterns in which there is about a 20 percent redundancy of elements or, put roughly, the amount of complexity found in a simple maze, or two turns of a logarithmic spiral, or an asymmetric cross. It may be coincidence (although I think not) that about the same degree of complexity is shared by a great deal of the art in friezes, grillwork, colophons, logographs, and flag designs. It crops up again in the glyphs of the ancient Middle East and Mesoamerica, as well in the pictographs and letters of modern Asian languages. The same level of complexity characterizes part of what is considered attractive in primitive art and modern abstract art and design. The source of the principle may be that this amount of complexity is the most that the brain can process in a single glance, in the same way that seven is the highest number of objects that can be counted at a single glance. When a picture is more complex, the eye grasps its content by the eye’s saccade or consciously reflective travel from one sector to the next. A quality of great art is its ability to guide attention from one of its parts to another in a manner that pleases, informs, and provokes

This is fascinating.  My first question would be how we could determine if the pattern of degree of complexity is the result of cognitive structural limits (a cap on our thinking) or if it represents a sufficient visual sensory catalyst in terms of numbers of elements to cause an excitory response (neurons firing, release of dopamine, acetylcholine etc. ) and a subsequent feedback loop. Great art, or just sometimes interesting designs exhibiting novelty can hold us with a mysterious, absorbing fascination

Later, Wilson writes:

….If ever there was a reason for bringing the humanities and science closer together, it is the need to understand the true nature of the human sensory world, as contrasted with that seen by the rest of life. But there is another, even more important reason to move toward consilience among the great branches of learning. Substantial evidence now exists that human social behavior arose genetically by multilevel evolution. If this interpretation is correct, and a growing number of evolutionary biologists and anthropologists believe it is, we can expect a continuing conflict between components of behavior favored by individual selection and those favored by group selection. Selection at the individual level tends to create competitiveness and selfish behavior among group members—in status, mating, and the securing of resources. In opposition, selection between groups tends to create selfless behavior, expressed in
greater generosity and altruism, which in turn promote stronger cohesion and strength of the group as a whole 

Very interesting.

First, while I am in no way qualified to argue evolution with E.O. Wilson, I am dimly aware that some biological scientists might be apt to take issue with Wilson’s primacy of multilevel evolution. As a matter of common sense, it seems likely to me that biological systems might have a point where they experience emergent evolutionary effects – the system itself has to be able to adapt to the larger environmental context – how do we know what level of “multilevel” will be the significant driver of natural selection and under what conditions? Or does one level have a rough sort of “hegemony” over the evolutionary process with the rest as “tweaking” influences? Or is there more randomness here than process?

That part is way beyond my ken and readers are welcome to weigh in here.

The second part, given Wilson’s assumptions are more graspable. Creativity often is a matter of individual insights becoming elaborated and exploited, but also has strong collaborative and social aspects. That kind of cooperation may not even be purposeful or ends-driven by both parties, it may simply be behaviors that incidentally  help create an environment or social space where creative innovation becomes more likely to flourish – such as the advent of writing and the spread of literacy giving birth to a literary cultural explosion of ideas and invention – and battles over credit and more tangible rewards.

Need to ponder this some more.

[ by Charles Cameron -- as Dylan sang, a change in the weather is known to be extreme ]
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Right at the top of Part I of the recent three-part Report on Climate Security from the American Security Project, we read this paragraph:

Climate change is real: we see its impacts every day, around the world. A melting Arctic, unprecedented droughts across the world, extreme examples of flooding, and uncontrollable wildfires are all examples of the changing climate.

That’s right, that’s right and important, that’s right, important and timely.

But you know, at heart I’m a poet. And although I’m concerned about the issues the report addresses, I can’t help thinking of climate and weather, atmosphere and wind, in a manner that crisscrosses the “interior” vs “exterior” divide.

If you lean to the scientific more than the poetic, you might want to consider what I’m talking about as an instatiation of the insight Gregory Bateson expressed in the title of his seminal book, Mind and Nature: A Necessary Unity.

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Let me lean to the poetry-side for a paragraph or so, then we’ll come back to security issues the report raises.

I probably caught this particular “weather and weather” disease from Dylan Thomas’ great and celebrated poem, A Process in the Weather of the Heart:

A process in the weather of the heart
Turns damp to dry; the golden shot
Storms in the freezing tomb.
A weather in the quarter of the veins
Turns night to day; blood in their suns
Lights up the living worm.

Writing about this poem in his Reader’s Guide to Dylan Thomas, William York Tindall notes “Thomas’ obsessive concern with the natural process that, linking man and world, inner and outer, turns upon the axis of life and death” and specifies that “applying ‘weather,’ a word for outer climate, to inner climate joins two worlds.”

Thomas is concerned in that extraordinary poem to join, likewise, life with death, night with day, womb with tomb, seeing eye with blind bone and more – or not so much to join them as to see them as inseparable, as parts of the single unfolding that is the world.

There is much more to the poem than the central obsessive theme of the “process in the weather of the heart” with which the poem opens and the “process in the weather of the world” with which it closes. It is their conjunction, their inseparability which interests me here – the poet’s perception that there is no inner without the outer, no outer without the inner – that in each there is weather, which Tyndall also calls climate, that weather is in both…

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Back to meteorology and national security..

Look, I’m not exactly an enemy of thinking about climate change and national — or global — security. I admire ASP for today’s piece by Catherine Foley, Climate Change: The Missing Link in Tackling the Mali Crisis. We need more considerations of that kind, they’re rare and extremely valuable.

Mecca is one of the hottest cities in the world, and the Kaaba the central pivot around which all Islam revolves — potentially a double hot-spot. What are the implications of climate change for the Saudis, for Mecca, for Islam?

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When I think about weather, I think about storms in the world, storms in the heart and mind, almost in the same breath. Specifically, when I think of global warming, I can’t help but see the problem as being one of double-awareness – rising temperatures and rising tempers, rising sea-levels and rising levels of anxiety and / or denial, the climate of meteorology and the climate of opinion…

Seen from my bifocal perspective, the report is notably focused on externals. Take another sentence from the brief bullet points on the first page;

The climate influences people’s everyday lives, from what they eat to where they live.

We eat food, food that can be weighed and measured, and analyzed for its nutrient elements and health properties. We live in cities, towns and villages, in houses, or developments, which can located on maps…

With my bifocals on, it would be more accurate, more encompassing to say:

The climate influences people’s everyday lives, from what they eat to how they feel, and from where they live to what they think and how they behave.

Because in my view, the situation is as much about “mind change” as it is “climate change” — in my view, the “fulcrum that can move the world” is to be found in the geography of mind and heart.

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Okay, let’s back up a bit.

The “first page” I quoted is the first page of the First Part of the Report, but there’s also an Introduction, and I want to pick up the thread there now, because the Introduction is written with human thought — specifically “honest dialogue” — in mind, and opens with what seems at first glance like one of those obvious truths that serve as the jumping off points for more detailed considerations:

The American Security Project is organized around the belief that honest, public discussion of national security requires open, non-biased, non-partisan discourse about the dangers and opportunities of the 21st Century.

There’s just one problem here, though — a single paragraph later, we read:

Climate change poses a clear and present danger to the United States

I’d give my assent happily enough to either of these two propositions, if they weren’t both talking about the same situation. Because when someone sees a “clear and present” hungry tiger coming at them and doesn’t take rapid action to avoid being eaten, it’s not “open” and “unbiased” — it’s “in denial”.

Which in turn means there’s a swathe of the population that may not be willing to hear “open, non-biased, non-partisan discourse” nor able to contribute to it. “I don’t believe my eyes, they’re deceiving me with all this hogwash about tigers”…

And those people have loved ones, bring foods to community pot-lucks, and teach class, and vote…

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Some time ago, I was working on a transposition of the Gospel narratives of Luke and John into the Troubles in Northern Ireland, with Britain playing the part of Rome and so forth, and adding some commentary along the way. Here’s a slightly revised version of my comment on John 3.8:

There is one particular word that John uses which has what we today might call a triple (rather than a double) meaning. When Christ in this verse says, “The wind bloweth where it listeth, and thou hearest the sound thereof, but canst not tell whence it cometh, and whither it goeth: so is every one that is born of Spirit,” it is the Greek word pneuma that can be translated both as wind and spirit. It also means breath.

Christ is saying here that those who are born of spirit are like the wind, like breath, and like inspiration: each of which can be noticed but not predicted, because each moves of its own accord — yet in the Greek these are not three separate concepts as they are for us today. As CS Lewis says in another context, we must always remember “that the various senses we take out of an ancient word by analysis existed in it as a unity.”

In telling us this, St John is saying at one and the same time that nobody knows where the first breath comes from or when the last breath will leave us, nobody knows how to forecast exactly which path a hurricane will take, and nobody knows how to make an assembly line for inspiration – if we did, Beethoven could have written another three symphonies as great as his Ninth to order, stat!

One of the reasons we don’t know how the heart and mind work is that we’ve separated “meteorological” weather from “the weather of the heart” — and there’s a storm brewing, inextricably, on both fronts.

If the ASP report is anything to judge by, we’re only looking at one of them.

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Oh, and here by way of confirmation is an old friend from my Oxford days, the late Chogyam Trungpa Rinpoche, quoted in a piece for the November issue of Shambhala Sun:

No matter where we are in the world, there is a need for enlightened society, wherever natural disasters hit. In this case, “natural disaster” refers to aggression, passion, and ignorance. These kinds of natural disasters occur in the minds of people.

Trungpa’s sense of “natural disaster”, I humbly submit to the folks at the American Security Project, either needs to run like a woof through the warp of their report on climate change — which it doesn’t — or it deserves a fourth section of its own.

Earlier this year, milblogs had much discussion regarding “toxic leaders” – so-called “leaders” who in command epitomized a bullying, negative, destructive, egocentric, “boss from hell” that compromised missions, institutional values, morality and sometimes the law with their behaviors. This a phenomena plaguing more than just in the US military; a best-selling business book, The No Asshole Rule by Stanford professor Robert I. Sutton , even attempted to quantify the negative economic impact of psychopathic or antisocial personalities on their organizations and concluded the best strategy was to systematically not hire these people in the first place (Steve Jobs, incidentally, was identified by Sutton as the extremely rare asshole who created significantly more value for an organization than he destroyed in the damage he did to the people around him).

I came across an intriguing discussion of pyschopathology on TED that takes a number of surprising twists that puts “toxic” personalities in a different perspective than fixed categories.