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[ by Charles Cameron -- it's all a matter of concentric circles and the integration of the vertical -- ibn Arabi ]
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The concentric circles around the Kaaba ripple out across our world. This means we should be watchful at the intersection of three overlapping regions in a Venn diagram: pilgrim visas, MERS-CoV epidemiology, and pilgrim dispersal.

John Burgess of Crossroads Arabia is the only one I know focusing on the conjunction, see his Saudis Restrict Pilgrim Visas.

The point I’d like to be hinting at here is that whereas MERS-CoV epidemiology is a scientific monitoring and interpretive matter using Science Rules, and visa issues are mostly matters of bureaucracy, the Hajj itself is a matter of the most passionate devotional concern, and a “purely rational” understanding will hardly scratch its surface.

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Those with a mixture of poetry and scholarship in their souls may wish to read Love Letters to the Ka’ba: a presentation of Ibn ‘Arabi’s Tâj al-Rasâ’il to glimpse the Kaaba as seen by the al-Sheikh al-Akbar, Muhyiddin ibn Arabi:

Charles-Andre Gilis has pointed out that in the Islamic tradition the Ka’ba symbolises the centre of every state of Being, as is demonstrated by the tradition recorded by Ibn ‘Abbas according to which there exists a Ka’ba, similar to the one belonging to our world, in each of the seven heavens and seven earths (cf. La Doctrine Initiatique du Pélerinage, Paris, 1982, pp. 45-6). In the introduction to the Tâj, Ibn ‘Arabi refers to the Visited House (al-bayt al-ma’mûr), situated in the seventh heaven, the celestial prototype of the Ka’ba (p. 557).

As Gilis also observes, the Ka’ba is perceived by Ibn ‘Arabi as a manifestation of the divine Essence (Tâjallî dhâtî). However, he situates it, due to its mineral nature, in the lowest level of Being. But it is precisely the inferior character of its external aspect that allows it to sustain the ladder of beings and to identify itself on each level. It is thus described as “celestial constitution, angelic reality, young girl with formed breasts, level of the perceptible realm, and Meccan dignity (at the same time this constitutes an excellent example of the assonances of his rhymed prose: nash’a falakiyya wa haqîqa malakiyya wa jâriya falkiyya wa martaba mulkiyya wa rutba makkiyya) (p. 555).” Ibn ‘Arabi himself is astonished at the number of contradictory aspects that this being is able to bring together: “Oh marvel: divine constitution, simil (mithliyya), angelic, human, superior and inferior in which we find validity and deficiency, multiplicity and scarcity.” (p. 556)

The devotional aspect of the Hajj is orthogonal to the realism of bureaucracies and epidemiology — but not on that account any the less powerful!

[ by Charles Cameron -- with an assist from Wm Benzon, under-appreciated and brilliant film and literary critic, musician, author of Beethoven's Anvil ]
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Screen-time is valuable: movie directors don’t just throw it away.

Here are screen-grabs of two moments in Greg Barker‘s HBO bin Laden documentary, Manhunt, offered for your consideration:

and:

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As you know from my review of Battle of Algiers (Pontecorvo) and Black Friday (Kashyap), I’m a film buff.

Screen time is the life-time of story: every second counts. And thus it is that if a director uses the same shot with variations at two or more points in a movie, they don’t just follow along, the way the elements in the narrative through-line follow along, one after another — they stack up. They “mean” cumulatively, synchronically…

Putting that in musical terms, they take on the function of rhythm rather than melody — and it is rhythm that can make the body dance, just as it is melody that can make the heart soar.

So, this repetition, this striking parallelism — why?

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Here’s my friend Bill Benzon, writing about the use of parallelism in Apocalypse Now:

The Assassin and the Surfer

Now for the less obvious parallel: Willard and Lance, the only member of the boat crew to survive. One can’t miss the parallel killings nor Willard’s statement of kinship with Kurtz. This parallelism, on the other hand, is easy to miss. That is to say, it may well elude conscious notice. Unconscious notice, on the other hand … Well, what is that?

Here’s three frame-grabs that point up the parallel. The first is from the opening montage of Willard in Saigon just before he gets his orders:

The second shot comes much later in the film. Clean has been killed (bullet), then the Chief (spear). Lance is the one who floated the Chief’s body down the river. Now they’re heading upriver toward Kurtz again, with Lance in the bow of the boat:

He’s doing a martial arts dance. Not the same one as Willard did in the opening montage, but a martial arts dance. No one else in the film does such a thing. Clean does some dance moves while listening to the Rolling Stones, but they’re in an entirely different style; faster, jerkier, more angular.

Finally, we have this scene in Kurtz’s compound. Willard’s in the foreground, and Lance is in the background:

One might suggest that this parallel is a mere accident, one might. And perhaps it is. In cases like this, however, my default assumption is that it is not an accident. It may not be there by conscious intent and deliberate plan; but it is not there by accident. The people who made this movie are too skilled to do such things inadvertently.

That final remark of Benzon’s makes exactly the point I was hoping to make here, before commenting on those two screen-grabs from Manhunt:

The people who made this movie are too skilled to do such things inadvertently.

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There’s actually a third shot in Manhunt with a view of a dangling rear-view-mirror ornament — let’s take a look:

This one’s from the van Peter Bergen and his cameraman, Peter Jouvenal, took in the docu’s re-enactment / flashback to their CNN interview with bin Laden, back in 1997. I don’t think this one is a rosary-like thing though it might be — I think it’s just the sort of tassel decoration you’ll find on saddle-bags, or decorating a camel or a car in Afghanistan.

The other two, however, seem clearly religious, both of them are shots of the cars in which American counter-terrorist folks would have gone to work during their efforts to track down bin Laden — and I find it significant that one features a (Christian) cross while the other very likely shows (Muslim) prayer-beads.

I say “very likely” because the beads could be (secular, Greek) worry-beads — but they look more like a tasbih to me. And why would that be interesting — why would a film-maker be interested in such a parallelism?

Besides the fact that these shots allow voice over and show us the various folk involved going to work, they specifically point up the fact that those working to defeat bin Laden were not all kuffar but included Ali Soufan of the FBI and “Roger” — the fellow described by Greg Miller in this March 2012 piece in WaPo, At CIA, a convert to Islam leads the terrorism hunt.

Am In right? I don’t know. But the subliminal message, if I am, is that the manhunt for bin Laden was indeed not a “Crusaders against Islam” affair.

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May I recommend Wm. Benzon’s Beethoven’s Anvil to all who read here who have an interest in cognition and / or music?

For more on parallelism in cinema, see David Bordwell, Julie, Julia, & the house that talked, to which Benson also pointed me.

[ by Charles Cameron -- how do you intercept messages that come via dreams? I'm thinking of al-Balawi ]
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My little graphic (below) may be kidding — but what of reality?

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In the bin Laden documentary, Manhunt, which I mentioned before seeing it here, and discussed briefly here, another passage (at 1.22.31) that is missing from the CNN transcript concerns the dream which radicalized Humam al-Balawi, the Khost bomber. Balawi speaks, the subtitles translate for us:

God blessed me to have this dream. I dreamed I saw Zarqawi. He was in my house. His face was like a full moon. He was busy. Preparing an attack. I wishes I could fight with him. Be killed with him. I am your humble brother from Jordan. I am 32 years old and a medical doctor.

I’m not suggesting there was no prior fertilization of Balawi’s mind and heart, nor that he was influenced by no other drivers: I just wonder what the impact of such a dream would be, given that intense smuggling goes on between our waking and dream lives, of a kind that no intercepts can capture for analysis.

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How powerful can influence can a dream exert?

Consider this example, taken from Marie-Lousie von Franz, On Dreams & Death: A Jungian Interpretation, p. 64:

She sees a candle lit on the window sill of the hospital room and finds that the candle suddenly goes out. Fear and anxiety ensue as the darkness envelops her. Fear and anxiety ensue as the darkness envelops her. Then, the candle re-lights on the other side of the window and she awakens. She died the same day.

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If I may borrow a bit from some unpublished writings of mine…

Dreams as early indicators:

The western secular paradigm considers dreams to be of little or no significance, and it is therefore entirely possible that intelligence gleaned from the recounting of dreams will seem of little interest to western analysts. In the Islamic view, however, certain dreams are of considered to be of real significance, their importance being indicated by the hadith reported by Bukhari:

Narrated Ibn ‘Umar: Allah’s Apostle said, “The worst lie is that a person claims to have seen a dream which he has not seen.”

– Sahih Bukhari, book 87: Interpretation of Dreams, #167.

One early indicator of a Mahdist tendency in a given population, therefore, would be the presence of dreams about the Mahdi in a given discourse — in jihadist chat rooms, for instance — while the frequency of such mentions would be a useful heuristic measure of the development of such a movement. Thus Yaroslav Trofimov reports [Siege of Mecca, hb. p.50.] that in the run-up to the 1979 siege of the Grand Mosque and Ka’aba in Mecca, many followers of Juhayman al-Otaibi, the leader of the raid, dreamed dreams:

Then, one after another, hundreds of Juhayman’s supporters experienced detailed, vivid dreams. Mohammed Abdullah’s sister appears to have been the first, quickly followed by others. In their sleep, they all had the same vision: Mohammed Abdullah standing by the sacred Kaaba in Mecca’s Grand Mosque, accepting allegiance as the blessed Mahdi amid multitudes of believers. Militants from as far away as Lebanon who never encountered Mohammed Abdullah in person claimed to have had the same dream.

It is worth noting here that while, as Trofimov suggests, much of the dreaming “must have been caused by self-suggestion” this in no way invalidates their significance as indicators. Indeed, Reuven Paz writes of the mediaeval scholar Ibn Sirrin‘s still-popular Interpretation of Dreams that “high selling rates of this book can provide us an indicator for rising apocalyptic notions”. Paz also notes a “sizable number” of jihadis publishing their dreams and visions on Jihadist forums on the web [p.4..

Dream narration of this sort certainly corresponds to hikayat as discussed by Michael Vlahos in his essay Terror’s Mask: Insurgency Within Islam -- still one of the most necessary pieces I have read on al-Qaeda..

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Closer to home, in one sense, than the siege of the Grand Mosque, is the 9/11 attack on the Twin Towers and Pentagon. This too had its dream precursors, as we can tell from the video transcript of bin Laden's taped meeting of mid-November 2001:

UBL: He [Abu-Al-Hasan Al-Masri] told me a year ago: “I saw in a dream, we were playing a soccer game against the Americans. When our team showed up in the field, they were all pilots!” He said: “So I wondered if that was a soccer game or a pilot game? Our players were pilots.” He didn’t know anything about the operation until he heard it on the radio. He said the game went on and we defeated them. That was a good omen for us.

Shaykh: May Allah be blessed.

Unidentified Man: Abd Al Rahman Al-Ghamri said he saw a vision, before the operation, a plane crashed into a tall building. He knew nothing about it.

Shaykh: May Allah be blessed!

and notably:

UBL: We were at a camp of one of the brother’s guards in Qandahar. This brother belonged to the majority of the group. He came close and told me that he saw, in a dream, a tall building in America, and in the same dream he saw Mukhtar teaching them how to play karate. At that point, I was worried that maybe the secret would be revealed if everyone starts seeing it in their dream. So I closed the subject. I told him if he sees another dream, not to tell anybody, because people will be upset with him.

(Another person’s voice can be heard recounting his dream about two planes hitting a big building).

For your in-depth reading pleasure, see Iain R. Edgar, The Inspirational Night Dream in the Motivation and Justification of Jihad if you can get past the paywall…

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Vlahos quotes Albert Hourani, A History of the Arab Peoples, on this point — I’ll present my own version of that quote here, because it describes a mindset that, mutatis mutandis, many of our opponents share to this day:

It was commonly held, in all cultures before the modern age, that dreams and visions could open a door into a world other than that of senses. They might bring messages from God; they might disclose a hidden dimension of a person’s own soul; they might come from jinns or devils. The desire to unravel the meaning of dreams must have been widespread, and was generally regarded as legitimate; dreams told us something which it was important to know.

Dreams are “outside the box” of waking reality — and we need to learn to appreciate the force of dream logic, if we want to think outside our own western prejudices, and inside our adversaries’ heads…

[ by Charles Cameron -- the second holiest site in Islam disrespected by the editors of Azan? ]
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I’ve taken out the surrounding matter, but here’s the section on “decorated mosques” as a sign of the time of the Dajjal or Islamic antichrist, from Maulana Asim Umar‘s Third World War and Dajjal in the second issue of Azan:
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There’s no doubt that the photo that has been dropped in there is of the interior of the Mosque of the Prophet in Medina — compare, for instance here and specifically the larger image here — and the accompanying hadith are less than flattering of “decorated” mosques — suggesting they signal the time of the Dajjal:

Anas ibn Malik narrates that the Prophet of Allah said that the Hour would not arrive until the people show off to each other in (the construction and going to) of mosques. [Saheeh Ibn Khuzaima Vol. 2 Pg. 282, Saheeh Ibn Hibban Vol. 4 Pg. 493]

Abu Darda said that when you start decorating your mosques and beautifying your Mushaf (i.e. The Quran – adorning it with jewellery etc.), then upon you will be destruction. [Kashf-ul-Khifa’ Vol. 1 Pg. 95]

Abdullah ibn Abbas narrated that the Prophet said that when the sins of a nation increase, then their mosques become greatly decorated. And decorated mosques will only be constructed at the time of the emergence of the Dajjal. [Al Sunnan Al-Waridah Fil Fitn: Vol. 4 Pg. 819]

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What exactly do the Pakistani brothers intend to signal to their readers with this juxtaposition? As Mr Orange has reminded me, they are Deobandis, and consider devotions at the tombs of saints to be a form of shirk — but would they bring bulldozers to the Prophet’s mosque on that account, as their Wahhabi brothers in jihad did to a small shrine commemorating Abraham in Ayn al-Arous, Syria, recently?

I’d like to get a better sense of whether the juxtaposition is as unexpected in Pakistani context as it was to me, thousands of miles away, and would appreciate further clarification…

[ by Charles Cameron -- on end-times rhetoric and having no need of sun or moon ]
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Detail from a Commentary on the Apocalypse by Beatus of Liebana

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On the whole, the “signs of the end times” described in the installment of Maulana Asim Umar‘s Third World War and Dajjal, pp. 23-31, and now posted in the second issue of Azan on pp 83-89 are standard fare of the “wars and rumors of wars” type that could fit pretty much any time n history, including our own — “When the most despicable person of a nation would be its leader” would fit an astounding number of rulers across recorded history, depending on your point of view, including Nero and Diocletian, George III and Abe Lincoln, and a slew of Saddams, Mubaraks and Assads…

There was one section, however, that struck me as a powerful piece of visionary apocalyptic, and I wanted to bring it to the attention of those interested in such things.

The Maulana writes [I've omitted the Arabic honorifics since I lack Arabic, and corrected one typo in Enlish]:

“Hazrat Abu Hurayrah narrates that the Prophet of Allah said that the Day of Judgment would not occur before a fire erupts from Hijaz and lights up the necks of the camels of Basra.” [Bukhari, Muslim]

The incident mentioned in this Hadith has already occurred according to Hafiz Ibn Kathir (RA) and other historians. This fire appeared in 650 H on the Day of Jumu’ah in some valleys of Madinah Munawwarah and remained for about a month. The narrators have said that the fire suddenly erupted from the direction of Hijaz. The scene looked like a whole city of fire – containing a whole castle, tower or battlement etc. Its height was 4 “farsakh” (around 12 miles) and its width was 4 miles. The fire would melt any mountain it reached as if the mountain was made out of wax or glass. Its flames had the sound of thunder and the energy of river waves. Blue and red-colored rivers looked to be coming out of the fire. In such a (horrible) state, the fire reached Madinah Munawwarah. But the curious thing was that the wind that was emanating from the direction of the flames felt cool in Madinah. The scholars have written that the fire had encompassed all the jungles of Madinah such that in the Haram-e-Nabwi and in Madinah, all the houses were lit up as if from the sun. The people would do all their work in the night from the light (of the fire); in fact, the light of the sun and the moon would became faded because of the light of the fire.

Some people of Makkah (at the time of the fire) bore witness that they saw the fire while they were in Yamama and Basra.

A strange quality of the fire was that it used to burn the stones to coal but it would not have any effect on the trees. It is said that there was a large stone in a jungle – half of it was in the limits of Haram-e-Madina and half of it was outside the limits. The fire burnt to coal the half of the stone that was outside the limits of the Haram-e-Madina. However, it cooled when it reached to the other half and hence, this half remained safe.

The people of Basrah bore witness that they saw the necks of camels light up from the light of the fire…

[The Beginning and the End: Ibn Kathir (RA)]

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You know my interest in semblances and parallelisms. Compare:

in fact, the light of the sun and the moon would became faded because of the light of the fire

in that narrative with:

the city had no need of the sun, neither of the moon to shine in it, for the glory of God did lighten it

in Revelation 21:23.

I am not arguing that there is an echo between the two accounts, nor that they describe the same phenomenon — simply that the rhetoric of each has a similar poetic intensity. This just happens to be one of those occasions when there are more things in heaven than are dreamed of in your natural sciences.