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Jimmy Chen declares DQ on War

Tuesday, April 23rd, 2013

[ by Charles Cameron -- juxtaposition offers us a potent way to connect "equal but opposite" dots ]
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Jimmy Chen at HTMLGiant captures the griefs and joyful reliefs of war by juxtaposing two war photos that had separately become iconic — and their joint impact is precisely the kind I’m reaching for with my DoubleQuotes. I’ve re-framed them accordingly and slipped them into my DQ format, and here they are:

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In Chen’s own words:

Time may be a sedative, for it’s always harder to know who exactly the bad people were, yet so easy to tell — in the incessant now from which we cannot run — who the bad people are. Either moral clarity diminishes with time, or we simply stop caring, the euphemism being humility. Prisoner of war Lt. Col. Robert L. Stirm is greeted by his family at Travis Air Force Base in Fairfield, California on March 17, 1973, about a year after Phan Thi Kim Phuc, aged 9, was photographed running from a South Vietnamese napalm attack on their own land after it had been occupied by the North.

The specifics of those two photographs may be slowly eroding in memory, as Chen suggests — but I don’t believe their power to evoke joy or grief will fade — and I am grateful to Jimmy Chen for reminding me, once again.

Beautifully.

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Across my tweet-deck this day shone…

Tuesday, December 11th, 2012

[ by Charles Cameron -- h/t Arash Karami ]
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Across my tweet-deck this day shone this illuminating picture of Ahmadinejad with Khamenei:

Simple. Elegant. Eloquent.

Sweet.

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Don’t you mess with my mother the moon

Tuesday, November 27th, 2012

[ by Charles Cameron -- a poor, low-res copy of the greatest photo, a poem of mine, and a recent report of a scenario involving nuking the moon, apparently considered and, I am happy to say, rejected by the military ]
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First, the greatest photo:
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Photo: Ansel Adams, Moonrise, Hernandez, New Mexico, 1941

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Next, the poem:

Don’t you mess with my mother the moon!
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i

Don’t you mess with my mother the moon!
Pearl.
Superb in the night sky.
Which you treat as a junkyard.

ii

I am serious. I was never
more serious. This, which you thinking
life to be composed of things consider
real estate, rock,
subtly balances that other,

portending at the eye
that same angle — and that other, too
you would colonize,
strip, slash, mine, burn,
rape had you the chance, were it not
so magisterial a furnace.

Gold, which figures the sun
with silver the moon,
you have tapped for coinage,
despoiling hills for greed,
valleys for your convenience:
nor is your idiocy limited in reach
by anything but your idiocy.

Sun and moon are married
in a wedding you cannot conceive,
to which you lack invitation
though it was offered you.
The simple light of the night sky
escapes you, neither glimpse
nor sonata troubles your soul with its ripples,

for you lack, altogether,
reflection.

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I wrote that poem quite a few years ago, and intended it as an appeal from the side of joyous poetic appreciation against the prevalent idea that the moon is a chunk of rock to be mined and otherwise exploited like any other. I didn’t suppose then that my voice would be heard against the amplified voices of technology, commerce, and human hubris—but voices will be voices, even in the wilderness.

The Japanese have a tradition of “moon-viewing” festivals — Tsukimi – a superb idea, appropriately reflective of the culture that produced the zen poet Ryokan, who celebrated a thief’s visit to pillage his mountain hermitage with the words:

The thief left it behind:
the moon
at my window.

The thief couldn’t steal it — but boyo, we still might be able to figure out a way to mess it up…

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I for one don’t ever want to look at the moon and know that someone is using it as a projection screen for advertisements, let alone that its face is disfigured by robotic factories producing cheap running shoes – bad enough that we’ve left our trash there already!

Credit: NASA / Orbiter shows trash, tracks at Apollo moon landing sites

Look, my techno-leaning human friends — mine the asteroid belt if you must, I suppose Disney will eventually get the rights to Saturn, and make a ride of it – but leave the moon, leave the moon alone.

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Then, the scenario:

I mean, how myopic can we get? According to Forbes yeaterday:

There’s a couple of preposterous reports out today alleging that the United States considered blowing up the moon in order to freak out the Soviets during the Cold War. Apparently something called “A Study of Lunar Research Flights” seriously pondered a moon bombing, and scientists as notable as Carl Sagan were even involved in planning the lunar attack, which was to take place in 1959 — before cooler heads prevailed.

Yup. There was a scenario — not a plan but a scenario — that was being explored: A STUDY OF LUNAR RESEARCH FLIGHTS:

Nuclear detonations in the vicinity of the moon are considered in this report along with scientific information which might be obtained from such explosions. The military aspect is aided by investigation of space environment, detection of nuclear device testing, and capability of weapons in space. A study was conducted of various theories of the moon’s structure and origin, and a description of the probable nature of the lunar surface is given. The areas discussed in some detail are optical lunar studies, seismic observations, lunar surface and magnetic fields, plasma and magnetic field effects, and organic matter on the moon.

I’ve corrected a spelling error, but otherwise that’s the abstract, as found within the .mil domain. I haven’t seen the document itself, but the abstract speaks for itself.

And no, as far as I can tell, the scenario didn’t involve “blowing up” the moon, which would have been pretty difficult as the Forbes article indicates. Apparently, though, some part of the military-industrial machine explored, discussed, and finally rejected the idea of hitting the moon with a single nuke — enough to switch a light-bulb on, it was hoped, above the Soviet military-industrial head.

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And finally:

I’ve dragged this poem out of retirement, and hereby give you permission to reproduce it in toto, with or without the rest of this post — and indeed encourage you do to so. Tweet and RT the URL for this post, repost the poem, agree with me, disagree –

This latest revelation makes me feel it’s time for a conversation about convenience, commerce and science vs beauty, reverence and awe — about what the moon is worth to us.

It’s my birthday, do me a favor — spread the word: Don’t you mess with my mother the moon!

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The War and Peace koan, episode n+1

Wednesday, November 21st, 2012

[ by Charles Cameron -- glimpsing the Necker Cube effect, when the weapons of war meet the prayers of peace ]
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Necker cube image credit -- youramazingbrain.org

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A while back I co-authored a book with a physician friend, Cleaves Bennett MD, on the control of high blood pressure, and since he wanted to include the idea that humor had a role to play in reducing stress, we included a joke with each week’s exercises — and one of the jokes I suggested, and which made it into the book, was this:

A Catholic priest, a Dominian, once walked into London’s Farm Swtreet Jesuit Church and found one of his Jesuit friends kneeling in prayer, smoking a cigarette.

“How do you get away with ut?” the Dominican muttered. “I asked my father confessor if I could smoke while I was praying and he absolutely forbade it.”

“No wonder,” said the Jesuit. “I inquired if I could pray while I was smoking, and my confessor said, ‘Of course, old boy, feel free. … I don’t believe you should ever stop praying.’”

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This post could well be included in my “form is insight”: series, with the form in question being “the reversal”.

Here’s a recent BBC picture with the tag-line “An Israeli soldier prays at dawn on Israel’s border with the Gaza Strip”:

Some readers might look at that picture and recall Psalm 94, verses 3-5:

Lord, how long shall the wicked, how long shall the wicked triumph? How long shall they utter and speak hard things? and all the workers of iniquity boast themselves? They break in pieces thy people, O Lord, and afflict thine heritage.

Some might reflect on Psalm 122, verses 6-7:

Pray for the peace of Jerusalem; may they prosper that love thee. Peace be within thy walls, and prosperity within thy palaces.

Some might recall the Qur’an 49, verse 13:

O mankind, We have created you male and female, and appointed you races and tribes, that you may know one another.

Others might think of the Gharqad Tree hadith, quoted in the charter of Hamas:

The Day of Judgement will not come about until Muslims fight the Jews (killing the Jews), when the Jew will hide behind stones and trees. The stones and trees will say O Muslims, O Abdulla, there is a Jew behind me, come and kill him. Only the Gharkad tree, would not do that because it is one of the trees of the Jews.

And I myself have no idea what the prayers that Jewish soldier offered were all about — his own safety, that of his family and loved ones, that of his own people, that of all the world’s people — nor about the prayers of young Muslims on the other side of the wall…

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I look at that photo of the soldier boy praying beside the munitions of a brutal war, and my first instinct is to feel sadness — because the essence of prayer, surely, is shalom, peace, salaam.

And then I am reminded of the Dominican and the Jesuit in that story I told you.

Substituting “peace” for “prayer” and “war” for “munitions” to get at the essence here — should I be more sad that here, peace is depicted in the presence of war — or more glad that here, war is depicted in the presence of peace?

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An Afghan Buddha koan

Friday, October 5th, 2012

[ by Charles Cameron -- for Madhu ]
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Our friend Madhu has requested that I post poems here on occasion, and this particular poem made me think of her and her request, so here it is:

A copper and gold koan
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The world happened, the world is drifting away,
the farther away the world floats the deeper into the mists.

In Mes Aynak, Afghanistan, the remains
of a buddhist monastery already eroded by time are adrift,
a sitting buddha is floating into the mist,
headless, gold paint still on his knees and robe,
the devotion has drifted, lifted its focus
to the one without a second, the buddha left
whatever he left in memory, lingering, to gather aromas
of other ideas, realms, dust, archaeology, oblivion,
there is change, ceaseless change,

and adults must decide: is the wealth implied by the copper
beneath the buddha worth more than a trace of halo,
as the moon moves once again across a brilliant night sky.

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Koans are those brilliant paradoxes zen buddhism uses to pry the mind open, I think they’re important aids to handling complexity, and I have a post about them coming up shortly. Here, it’s enough to say that the issue of copper mining vs archaeology in Mes Aynak seems to me to be a living, breathing koan.

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It’s awkward, when you write an “ekphrastic” poem, a poem about a painting or photo, to have the image right there when the poem is read, because it trammels the reader’s mind in much the same way that a film can trammel the mind of a reader into “seeing” only the film-maker’s Gandalf, no longer her or his own.

And I’m going on at some length about this, because next up is the image from which that particular poem was built, but I’d like the image to be, as they’d say in the newsprint world, “below the fold” as you read the poem.

So here it is, #4 in a fine series of photos in a Foreign Policy photo essay which I recommend, although I’ve taken this particular (smaller) version from a CNN page, since the subtitle in the lower right corner explains the basic situation handily:

You can hear the archaeologist Brent Huffman, who took the photo, talk about the situation here — local reactions pro and con, who the Taliban are shooting at, the likelihood that the Chinese operation will in fact benefit the locals and more:

The koan of balancing material with immaterial values remains, but in this circumstance the likelihood of local Afghans receiving litter or nothing from the mining project likely tips the scales.

You can petition Afghan President Hamid Karzai for preservation…

But then he’s another wild-card in the continuing Great Game, isn’t it?

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