zenpundit.com

[by J. Scott Shipman]

 

The Storm of Creativity, by Kyna Leski

2017 War With Russia, by General Sir Richard Shirreff

The Wright Brothers, by David McCullough

Serendipities, Language and Lunacy, by Umberto Eco

Paradise, Dante Alighieri, translated by Mark Musa

Undertow, by Stanton S. Coerr

The White Horse Cometh, by Rich Parks

Washington The Indispensable Man, by John Thomas Flexner

This list starts the first week of May, so perhaps the title should be Spring/Summer. Most of these books are quick reads and all are recommended.

I picked up Ms. Leski’s book at an MIT bookshop on a business trip in early May and read on the train ride home. Books on creativity are ubiquitous, but Ms. Leski takes an interesting approach by describing the creative process using the metaphor of a storm. Several ZP readers will find of interest.

2017 was recommended by a friend. The author was the Deputy Supreme Allied Commander Europe and the book focuses on a Europe/NATO response to a Russian invasion of the Baltics. Written in a Tom Clancy-like style, the plot is fast-paced even though the good general provides sometimes provides detailed insights into the inner workings of NATA and the North Atlantic Council (this is one of the values of the book—bureaucracy writ-large).

David McCullough’s Wright Brothers delivers an approachable and human accounting of the first men of powered flight. Some reviews on Amazon complain McCullough lifts and uses too many quotes to tell the story. At times the quotes were distracting, but not enough to prevent the enjoyment of the story of two brothers who changed the world. This book was a gift otherwise I probably would not have read.

Serendipities is a short book, but was a long read for me. Eco explains how language and the pursuit of the perfect language has confounded thinkers since time immemorial. He refers to Marco Polo’s unicorn (also used in his Kant and the Platypus which is excellent) explaining how language is often twisted to meet a preconceived notion or idea. The first couple of chapters were quite good, chapters three and four did not hold my interest or were over my head. The closing chapter was good enough to convince me I’ll need to read this little book again. (My Eco anti-library has been growing of late.)

Eco’s book led me to reread Musa’s excellent translation of Paradise. My son gave me the deluxe edition with parallel Italian and English, plus commentary. Eco referenced Canto 26 and 27, and I enjoyed the break so much I read the whole thing!

Undertow is my good friend Stan Coerr’s second book of poetry.  His first book Rubicon was a moving collection of poetry of men at war. Undertow deals more with the heart and is quite good, too. You won’t be disappointed.

White Horse is also a book by an old friend, Rich Parks (we’ve known each other since the mid-80’s). White Horse is self-published and in places it shows, but the overall story is quite good for a first book (I’ve already told him his book would make an excellent screenplay.). The plot is quick and entertaining even if a bit unbelievable, but the story is fiction. Rich is following up with a sequel in August in 2016 and I’ll be reading it, too.

Mr. Flexner’s Washington was a gift, too. In this quick biography Washington is made approachable and human. And when I say “quick,” I mean quick…Trenton and Princeton took one chapter compared to David Hackett Fischer’s Washington’s Crossing which took up a standalone book. If someone were looking for a first Washington biography, this would be a good place to start.

This isn’t the conclusion of my summer reading, but a pretty good start.What are  you reading this summer?

[ by Charles Cameron — I have fond memories of the Anscombe household ]
.

**

In http://zenpundit.com/?p=47757 I said something that seems central to the way my HipBone mode of analysis works:

In each case, too, the associative process is the same, with some item perceived in the present calling up a past memory that is related to it — in a manner that can generally be articulated and annotated.

Such is the mechanism of a typical “move” in a DoubleQuote or HipBone game.

It’s so simple that it barely needs saying — one thing reminds us of another — and yet so basic that we can really benefit from paying attention to it.

Wittgenstein did, as I just discovered:

In his Philosophical Investigations, Part II, xl, he writes:

Two uses of the word “see”.
The one: “What do you see there?”—”I see this” (and then a description, a drawing, a copy). The other: “I see a likeness between these two faces” — let the man I tell this to be seeing the faces as clearly as I do myself.
The importance of this is the difference of category between the two ‘objects’ of sight.
The one man might make an accurate drawing of the two faces, and the other notice in the drawing the likeness which the former did not see.
I contemplate a face, and then suddenly notice its likeness to another.
I see that it has not changed; and yet I see it differently. I call this experience “noticing an aspect”.
Its causes are of interest to psychologists

So obvious. But it takes a Wittgenstein to see it, say it.

[ by Charles Cameron — it seems — to me at least — that associative memory is at the root of creativity, and that the process, preconscious pattern-recognition, is basically aesthetic in nature ]
.

As stormy winter weather approaches please take care around our coasts. #alwaysoncall #rnliroughweather @RNLI pic.twitter.com/Wk5W0Is2oJ

— RNLI Poole Lifeboats (@PooleLifeboats) November 17, 2015

**

There’s the present moment — in this case, today’s tweet from the RNLI above.

And there’s the memory it elicits — in this case, Hokusai‘s Great Wave at Kanagawa, with its three little boats, tiny Mt Fuji, and towering, breaking wave, from A Series of Thirty-Six Views of Mount Fuji:

**

That’s the same process, from perception to memory, that I was thinking of when I wrote DoubleQuoting the French Revolution, and quoted Robert Frost:

The artist must value himself as he snatches a thing from some previous order in time and space into a new order with not so much as a ligature clinging to it of the old place where it was organic.

**

Come to which, and moving by the same process from what’s in front of me to what I remember, here’s a DQ of Hokusai (~1760-1849) — before me now as I write this — and an image deriving from the work of Benoit Mandelbrot (1924-2010) on fractals” — which looking at the Hokusai quickly reminds me of:

**

And as I look at that DoubleQuote, here at the time of writing this post, it reminds me strongly of my earlier DoubleQuote of Van Gogh and Von Kármán:

In each of these two cases, art precedes science.

**

In each case, too, the associative process is the same, with some item perceived in the present calling up a past memory that is related to it — in a manner that can generally be articulated and annotated.

Such is the mechanism of a typical “move” in a DoubleQuote or HipBone game.

[by Mark Safranski, a.k.a. “zen“]

We at ZP would like to thank Colonel Stan Coerr for his permission to reprint this essay, written on the eve of  his retirement last July, after a quarter century of of military service in the Marine Corps Reserve and on active duty.

Stan Coerr is the author of Rubicon: the Poetry of War and is a retired Colonel in the Marine Corps Reserve and works in the federal civil service.   He holds degrees from Duke, Harvard and the Naval War College, has been a fellow at MIT and Stanford, and was recently accepted to begin work on a doctorate at Oxford.  He is finishing a book on his time in Iraq, and his next book will be on the life and work of Dr. Bernard Fall.

The U.S. Marines, America’s Forever Tribe

by Stan Coerr

Today is my last day in the uniform of the United States Marines.

I write this not as a farewell. Rather, this is a reflection on this tribe of which I am a part, and which is inside me forever.

What I remember of twenty- five years inside this brotherhood are vignettes: stories that indicate who we are and why we devote our lives to an organization such as this.

Some happened to me; others I read or saw. All describe who we are as Marines.

——————

What everyone looking in from the outside must realize is that Marines are instant brothers, no matter the situation, no matter whether they have met before that moment.

The Marines are a tribe.

We have our own language, culture, mores and idiomatic shorthand communication.

We have our own distinctive clothing. We cut our hair in a distinctive way.

We paint our bodies with unique tribal markings.

We undergo rites of passage to turn boys into men, the men we need to further the greater good of us all.

We hand down legends of those who went before, who fell in battle, who did great and heroic things.

We sing songs to celebrate them; we memorize what they did.

——————-
We listen to the wisdom of the tribal elders, and we turn to them for decisions and guidance.

Ken Schwenke and Mike Dossett are 180 degrees out from one another in style, but those of us fortunate enough to be Marine Options at NROTC Duke, a team forty strong in the mid to late 1980s, to this day benefit from the nurturing and guidance and demanding perfection of those two men.

Bob Dobson was an exceptional battalion commander, a very deep thinker and a man who knew how to train Marines.

I was fortunate to work beneath the finest general officers the Marine Corps can produce. I worked for George Trautman when he was both a Lieutenant Colonel and a Lieutenant General, and his relentless, driving intellect and fearsome demand for detail, analysis and good decisions sharpened me in ways I am still discovering.

I was lucky enough to serve beneath Generals Mattis, Conway and Dunford, in both peace and war, and from when they were Colonels to their positions as four-star generals.

The nation is fortunate that men such as these have set us on the course we follow today.

————————
The Marine Corps is people, and it is stories.

——————-

I am marching a platoon down the streets of New Orleans during the Mardi Gras parades in 1989, as leader of the drill team.

I was to the side of the team as they marched, so I was right next to the screaming crowds. Tens of thousands of people lined the streets, screaming and shrieking and cheering.

Marine options in college wear navy uniforms but Marine Corps eagle, globe and anchor insignia.

As we marched through the throngs, one man in the crowd, right next to me, saw my EGA and said simply, in a conversational voice and just to me:

“Get it, Marines.”

Never saw him, never spoke to him.

A brother.

——————–

I check in to Bob Dobson’s rifle battalion in Twentynine Palms, California in 1994.

Then-Colonel Jim Mattis, the Seventh Marines regimental commander, called for me to come see him. I was not only just a brand-new Captain, but I was an aviator in an infantry regiment: I was not a key player.

Colonel Mattis took his phone off the hook, closed his office door and spent over an hour, just with me, telling me his warfighting philosophy, vision, goals and expectations. He told me how he saw us fighting – and where – and how he was getting us ready to do just that.

America knows him as the caricature: Mad Dog Mattis. Those of us who served with him know that he is a gifted, caring, warfighting general, and the finest of tribal elders.

——————
I am watching a film clip from Vietnam.

Jack Laurence of CBS News, a very talented TV reporter and author of the magnificent memoir The Cat From Hue, was out in the jungle with a Marine rifle company.

Somehow a Marine from another unit was separated from his brothers, and this company had found him.

Laurence rolls tape, and approaches the company commander. This man is wearing filthy utilities. He is exhausted and thirty pounds underweight, with a cigarette hanging from the corner of his mouth. A man with things to do and the weight of hundreds of lives on his shoulders. A hard, intense man.

Laurence talks about the lost Marine, and asks: “Will you take care of this man?”

The Captain stares at Laurence as if he is insane, and says, as if it should be obvious: “He’s a Marine.”

Laurence: “What?”

Captain: “He’s a Marine. I’ll take care of him.”

—————–

I am with Paddy Gough in a Cobra over 29 Palms in December 1992.

We are at one hundred feet, flying back from a mission. It is bitter cold on the desert floor, below freezing, and a dark, ugly cloud layer sits low on the sand.

A line of exhausted Marines below us is marching back to their camp after a week of training. They string out like ants, hundreds of them in the cold. They are bent under their equipment: heavy weapons, mortar tubes, ammunition, packs, helmets, flak jackets.

We fly in silence, watching them, until Paddy comes up on the intercom with me, and says quietly:

“This country does not know how lucky we are to have such men.”

—————–

I am a seven-year-old boy, and my father is putting me to sleep.

I am sleeping in a Marine Corps-issue jungle hammock, which of course to a boy is the coolest thing ever.

I need something to read, so he disappears into the study and returns.

He hands me a book I read cover to cover and which I am holding right now: the 1962 Guidebook for Marines.

—————-

I am giving a speech in El Cajon, California in July 2003.

I was one of the first people back from the invasion of Iraq, and I was therefore much in demand from local groups who wanted to hear about this campaign in Mesopotamia.

I was outdoors at a Fourth of July street festival, speaking to a crowd of several hundred people and telling them how magnificent our fighting force was, and what I had seen.

I told these people that their Marines were in the fight in the desert, winning, doing it right for the people back home, representing the best of who we are as a nation.

Standing far to the back of the crowd was a motorcycle gang. Huge, hairy guys, dozens of them, in beards and bandannas and wraparound sunglasses and leather and boots, leaning on their Harleys.

As I came off the stage, they came to me as a group. The first of them grabbed me and I now saw the EGA sewn onto his vest, right next to his Vietnam campaign patch.

He embraced me, tight, and said:

“Right on, brother. Right on.”

——————————–

Karl Marlantes was in the best position imaginable in 1967.

He was on a Rhodes Scholarship, comfortable in Oxford, immune from the Vietnam War and the vagaries of the draft. He was immersed in the world’s premier academic institution on a full ride, the goal of every serious college student.

But Marlantes had been to Marine Corps Officer Candidates School in 1964. He had been inducted into the tribe. And his brothers were at war. He says:

“I couldn’t go to a party without thinking of my Marine friends, terrified in the jungle while I was hanging onto my girlfriend’s warm body with one arm and holding a pint of bitter in the other. The one choice my conscience would not allow was to sit it out in college.

I pulled all my scholarship money from the bank…and Second Lieutenant Karl Marlantes USMCR reported for active duty. “

—————————–

Or from Phillip Caputo in 1961:

“I wanted to find in a commonplace world a chance to live heroically.

Having known nothing but security, comfort and peace, I hungered for danger, challenges and violence.

The Marine Corps was more than a branch of the armed services. It was a society unto itself, demanding total commitment to its doctrines and values. We were novitiates, and the rigorous training , administered by the high priests called drill instructors, was to be our ordeal of initiation.

At the end of the course, the DIs honored our survival by informing us that we had earned the right to be called Marines.”

—————-

I earned that right, as did many of you. As did millions before us, and the millions to follow.

I feel no sadness about taking off the uniform for the last time. The Marine Corps does not care about me….nor should it. The organization will always be there, and it will always hone and harden the finest our country has to offer.

I was only one of many…but at the same time, I was one of the few.

The Marine Corps serves the nation, and those of us who are called serve the Marine Corps.

We serve the unit.

We serve the tribe.

Most of all, we serve our brothers.

Semper Fidelis.

[by Mark Safranski, a.k.a. “zen“]

The Violent Image by Neville Bolt 

I have a new book review up at Pragati this morning:

Lethal ideas and insurgent memory 

….One expert who does acknowledge a paradigmatic shift and posits a powerful explanatory model for the behavior of what he terms “the new revolutionaries” is Dr Neville Bolt of the War Studies Department of King’s College, London and author of The Violent Image: Insurgent Propaganda and the New Revolutionaries. Taking a constructivist view of irregular military conflict as the means by which insurgents weave an enduring political narrative of mythic power and shape historical memory, Bolt eschews some cherished strategic tenets of realists and Clausewitzians. The ecology of social media, powered by decentralised, instant communication platforms and the breakdown of formerly autarkic or regulated polities under the corrosive effects of capitalist market expansion, have been, in Bolt’s view, strategic game changers “creating room to maneuver” in a new “cognitive battlespace” for “complex insurgencies”.  Violent “Propaganda of the Deed”, once the nihilistic signature of 19^th century Anarchist-terrorist groups like the People’s Will, has reemerged in the 21^stcentury’s continuous media attention environment as a critical tool for insurgents to compress time and space through “…a dramatic crisis that must be provoked”.

As a book The Violent Image sits at the very verge of war and politics where ideas become weapons and serve as a catalyst for turning grievance into physical aggression and violence. Running two hundred and sixty-nine heavily footnoted pages and an extensive bibliography that demonstrates Bolt’s impressive depth of research. While Bolt at times slips into academic style, for the most part his prose is clear, forceful and therefore useful and accessible to the practitioner or policy maker. Particularly for the latter, are Bolt’s investigations into violent action by modern terrorists as a metaphor impacting time (thus, decision cycles) across a multiplicity of audiences.  This capacity for harvesting strategic effect from terrorist events was something lacking in the 19^th and early 20^thcentury followers of Bakunin and Lenin (in his dalliances with terrorism); or in Bolt’s view, the anarchists “failed to evoke a coherent understanding in the population” or a “sustained message”.

Read the rest here.