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Discovering a New Circle of Hell

Monday, March 4th, 2013

There is an understandable buzz when a historical event as well known and deeply investigated as  the Holocaust has suddenly been found to have been underestimated by an order of magnitude.

From The New York Times:

The Holocaust Just Got More Shocking 

….As early as 1933, at the start of Hitler’s reign, the Third Reich established about 110 camps specifically designed to imprison some 10,000 political opponents and others, the researchers found. As Germany invaded and began occupying European neighbors, the use of camps and ghettos was expanded to confine and sometimes kill not only Jews but also homosexuals, Gypsies, Poles, Russians and many other ethnic groups in Eastern Europe. The camps and ghettos varied enormously in their mission, organization and size, depending on the Nazis’ needs, the researchers have found.

The biggest site identified is the infamous Warsaw Ghetto, which held about 500,000 people at its height. But as few as a dozen prisoners worked at one of the smallest camps, the München-Schwabing site in Germany. Small groups of prisoners were sent there from the Dachau concentration camp under armed guard. They were reportedly whipped and ordered to do manual labor at the home of a fervent Nazi patron known as “Sister Pia,” cleaning her house, tending her garden and even building children’s toys for her.

When the research began in 2000, Dr. Megargee said he expected to find perhaps 7,000 Nazi camps and ghettos, based on postwar estimates. But the numbers kept climbing — first to 11,500, then 20,000, then 30,000, and now 42,500.

The numbers astound: 30,000 slave labor camps; 1,150 Jewish ghettos; 980 concentration camps; 1,000 prisoner-of-war camps; 500 brothels filled with sex slaves; and thousands of other camps used for euthanizing the elderly and infirm, performing forced abortions, “Germanizing” prisoners or transporting victims to killing centers.

In Berlin alone, researchers have documented some 3,000 camps and so-called Jew houses, while Hamburg held 1,300 sites.

….The lead editors on the project, Geoffrey Megargee and Martin Dean, estimate that 15 million to 20 million people died or were imprisoned in the sites that they have identified as part of a multivolume encyclopedia

Read the rest here.

Perhaps some of you will recall the controversy in the late 1990’s surrounding the release of Hitler’s Willing Executioners by Daniel Goldhagen where Goldhagen argued that Nazi genocide was only possible with the widespread complicity and often enthusiastic participation of “ordinary Germans” who were not themselves Gestapo agents or Nazi fanatics.  One of the primary charges against Goldhagen by academic historians was his generalizing indictment of a generation of Germans for Nazi policy that was, for all intents and purposes, officially a state secret.  After all, the closest thing to a “public” discussion in the Third Reich of the Final Solution was a terrifying speech by SS-Reichsfuhrer Heinrich Himmler at the Posen Conference to an assembly of Gauleiters  and Reichsleiters who constituted the aristocracy of the Nazi Party.

The sheer geographic density and social ubiquity of the Nazi machinery of repression and genocide documented by researchers severely undermines the critics of Goldhagen. While it is well documented that most Germans, unless they were political opponent or social misfits, did not personally feel the heavy hand of the Gestapo in the way Soviet citizens experienced the NKVD, Germans during the war years irrefutably lived cheek by jowl with the miserably wretched slaves of the Reich.

Some of the shock produced by this investigation is due to an artificial “parsing of genocide” by historians into distinct categories of death-dealing instead of looking at Nazi democide as a whole cloth or continuum.

In the immediate aftermath of the war, there was little interest beyond the Nuremberg  Tribunal in delving into the depths of Nazi crimes. Reconstruction of Europe and “getting on with life” or the exigencies of the Cold War and the ominous threat of the Soviets took far greater precedence. Even among Holocaust survivors themselves, there was initially an effort to “move on” from the unimaginable, or to make a anguished pretense of so doing, as expressed in the critically acclaimed Rod Steiger film, The Pawnbroker. When historians began more serious examinations of Nazi crimes in the 1960’s and 1970’s, there was a tendency to separate the Holocaust from related or similar atrocities due in part to the overriding ideological emphasis the most extreme Nazis placed upon the total and absolute elimination of all Jews – every last one – at all costs,. Even over and above winning the war.

However, that genocidal crusade by the SS against the Jews also facilitated the deaths of millions of others – including the Gypsies (marked for nearly complete extermination), the “useless eaters“, some 700,000 Serbs to please the Ustase puppet regime, political opponents who disappeared into the Night and Fog, and a vast democide of Slavic peoples to feed the Third Reich’s inexhaustible need for slave labor. Albert Speer wrote that Himmler coldly planned a further massive reduction of the Russian and Ukranian populations west of the Urals to build a post-war Nazi racial empire in vanquished Russia.

The scale of murder by totalitarian governments in the 20th century approaches the mythic, a phenomena for which the Holocaust has become a totem.

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Reading a partisan cartoon: the parable of a dog’s ears and teeth

Friday, November 16th, 2012

[ by Charles Cameron — on the difficulties that may be posed when “reading” graphics ]
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The question I want to ask in this post is: how much can you safely read into a political cartoon?

Here is the particular cartoon I have in mind:

It was published in The Guardian (UK) yesterday, and as you may be able to see, it portrays Israeli PM Benjamin Netanyahu as a puppet-master, with British politicians Tony Blair and William Hague as his puppets, and was published to illustrate the cartoonist’s view of British reaction to the Gaza situation.

How much can we read into it?

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If you are used to seeing cartoons such as these —

showing Khamenei pulling Ahmadinejad‘s strings and Petraeus as a puppet of GW Bush, when you come across the Netanyahu cartoon in the Guardian, you may well view it as another in a long series of political cartoons suggesting that someone is running someone else’s show behind the scenes. It’s the old idea of the eminence grise, in other words, expressed in cartoon form.

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If, on the other hand, you’ve been exposed way too often to cartoons like these —

the one portraying Churchill, FDR and Stalin as Jewish puppets, taken from a 1942 issue of the Nazi paper, Fliegende Blätter, or the one depicting McCain and Obama as Israeli puppets, taken from a 2008 issue of the Saudi paper, Al-Watan… you may well see the same cartoon in a very different — and distinctly antisemitic — light.

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The last two graphics, at least, are extremely offensive, and I would like to offer another graphic here — one which also uses our “puppet master” theme — as a visual equivalent of offering a glass of water to cleanse the palate:

I’ll be addressing this My Fair Lady poster from a very different angle, in a later post in my “form is insight” series — this one on “dolls within dolls”, the “world stage which we have dotted with stages of our own devising” and “turtles all the way down”…

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Having hopefully reduced the emotional freight which some of the cartoons above must surely have carried with them, I would now like to offer you some background which seems relevant to me. Characteristically, perhaps, it comes from a very different field of knowledge.

EC Zeeman‘s April 1976 article Catastrophe Theory in the Scientific American was my introduction to the mathematician Rene Thom’s remarkable body of work, an introduction which sailed mostly over my head — but one of Zeeman’s points, which he illustrated with the graphic below, made perfect sense to me.

The annotation to this illustration read in part:

If an angry dog is made more fearful, its mood follow* the trajectory ‘A’ on the control surface. The corresponding path on the behaviour surface moves to the left on the top sheet until it reaches the fold curve; the top sheet then vanishes, and the path must jump abruptly to the bottom sheet. Thus the dog abandons its attack and suddenly flees. Similarly, a frightened dog that is angered followes the trajectory ‘B’. The dog remains on the bottom sheet until that sheet disappears, then as it jumps to the top sheet it stops cowering and suddenly attacks.

My translation:

A dog that reaches the point where its ears are fully pinned back, indicating full-on fear, and its teeth are also fully bared, indicating full on rage, will behave differently depending on whether its fear level or its rage level was the first to be raised to “full”.

Just as a dog’s reaction to a full on mix of rage and fear may depend on which stimulus came first, so — I am suggesting — our own reaction to the cartoon in question — inherently antisemitic, or merely critical of a particular Israeli operation — may depend on our previous exposure to cartoons, politics, the Israeli-Palestinian conflict, or antisemitism.

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We now have several levels of ease or difficulty in reading graphics. The Zeeman graphics are hard to read because they’re too small to be legible — but put them in the context of Zeeman’s article, and view them full size as originally published, and the only problem might be in following Zeeman’s text, itself a popularization and simplification of Rene Thom‘s work.

The Bart Simpson graphic is fairly straight forward, and regular viewers of the show would “read” it in line with hundreds of similar frames in which Bart writes repeated lines on a classroom chalkboard, from Season 1 episode 2’s “I will not waste chalk” to Season 23’s “There’s no proven link between raisins and boogers”.

And then there’s the disputed Netanyahu graphic… which can be “read” differently, depending on what previous “puppet master” associations the viewer beings to the task. Here, it seems to me, the task of interpretation can be viewed in one of two ways: (i) as an exploration of how it is likely to be read, which I’m suggesting will depend on previous association, and (ii) as an exploration of what “must have been” in the cartoonist’s heart.

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Assessing the cartoon’s probable impact on segments of the public is one thing — knowing what the cartoonist intended, even though we tend to conflate the two, is quite another. Not for nothing does St Paul in I Corinthians 2.11 ask (in my own translation)

Who knows the qualities of a man but the spirit of that man within him?

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