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Do nothing — just don’t do, eh?

Sunday, December 31st, 2017

[ by Charles Cameron — Trump — Lao and Chuang on their way to the New Year — & Iran ]
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It’s quizzically amusing for someone with basic meditative or comparative religious eyes to read Philip Gordon‘s NYT piece yesterday, How Can Trump Help Iran’s Protesters? Be Quiet.

I, too, want to see the government in Tehran weakened, moderated or even removed. So let me offer Mr. Trump some unsolicited advice: Keep quiet and do nothing.

Ah, quiet. Ah, nothing.

**

Wu-wei, not-doing, is a basic principle of Taoism, the religion or school of philosophy which gave us Lao Tsu, author of the Tao Te Ching, and Chuang Tsu, the master humorist of Chinese philosophy.

Lao Tsu:

  • Thirty spokes share a single hub; grasp the nothingness at its center to get the use of the wheel.
  • Clay is fashioned to make a vessel; grasp the nothingness at the center to get the use of the vessel.
  • Bore windows and doors to create a room; grasp the nothingness of the interior to get the use of the room.
  • Thus that which is constitutes what is valuable, but that which is not constitutes what is of use
  • Ah, nothing.

    But as that fourth aphorism indicates, wu-wei, nothing doing, is nothing without wei wu-wei, doing-nothing-doing — doing that springs effortlessly from the way of things. What results is true excellence.

    Chuang Tsu:

    Cook Ding was cutting up an ox for Lord Wenhui. At every touch of his hand, every heave of his shoulder, every move of his feet, every thrust of his knee – whop! whish! He wielded his knife with a whoosh, and always in perfect rhythm, as though he were performing the Dance of the Mulberry Grove or keeping time to the Jingshou music.

    “Ah, marvelous!” said Lord Wenhui. “Imagine skill reaching such heights!”

    Cook Ding laid down his knife and replied, “What I care about is the Dao, which goes beyond skill. When I first began cutting up oxen, all I could see was the ox itself. After three years I no longer saw the whole ox. And now – now I meet it with my spirit and don’t look with my eyes. Perception and understanding have come to a stop and spirit moves where it wants. I go along with the natural makeup, strike in the big hollows, guide the knife through the big openings, and follow things as they are. So I never touch the smallest ligament or tendon, much less a main joint.

    “A good cook changes his knife once a year – because he cuts. A mediocre cook changes his knife once a month – because he hacks. I’ve had this knife of mine for nineteen years and I’ve cut up thousands of oxen with it, and yet the blade is as good as though it had just come from the grindstone. There are spaces between the joints, and the blade of the knife has really no thickness. If you insert what has no thickness into such spaces, then there’s plenty of room – more than enough leeway for the blade to play about. That’s why after nineteen years the blade of my knife is still as good as when it first came from the grindstone.

    “However, whenever I come to a complicated place, I size up the difficulties, tell myself to watch out and be careful, keep my eyes on what I’m doing, work very slowly, and move the knife with the greatest subtlety, until … flop! – the whole thing comes apart like a clod of earth crumbling to the ground. I stand with my knife raised and turn to look all around, prancing in place with complete satisfaction. Then I wipe off the knife and put it away.”

    “Excellent!” said Lord Wenhui. “I have heard the words of Cook Ding and learned how to nurture life!

    Aha! Nothing, doing!

    **

    And now back to that original question:

    How Can Trump Help Iran’s Protesters?

    And the resply?

    Be Quiet.

    Be quiet! And listen, listen. Let the CIA in place just listen.

    Hey, Happy New Year!

    HipBone implications of the second shoe dropping for intel analysis

    Sunday, August 6th, 2017

    [ by Charles Cameron — also, the role of the True Name in intel analysis & Ursula Le Guin’s Earthsea ]
    .

    You may know that I value the documentary film Manhunt for its lucid presentation of the process by which the finest intelligence analysts “leap” to their quarry — in which Cindy Storer notes, “not the analysts doing it, but other people who didn’t have that talent referred to it as magic”.

    In my post The process of associative memory I decribe this process, which I consider the root process of true creativity:

    There’s the present moment .. And there’s the memory it elicits.

    Compare Michael Hayden in Manhunt, at 1.19.18:

    The way it works is, information come in, you catalog it, your organize it – that little nugget there could sit fallow on your shelves for four or five years until something else comes in that’s suddenly very illuminating about something that you may have had for a very long period of time. That actually happened in the work we did to hunt for Osama bin Laden by trying to track his courier.

    By way of confirmation, here is Robert Frost:

    The artist must value himself as he snatches a thing from some previous order in time and space into a new order with not so much as a ligature clinging to it of the old place where it was organic.

    And here’s Jeff Jones on piecing together puzzles —

    Some pieces produce remarkable epiphanies. You grab the next piece, which appears to be just some chunk of grass – obviously no big deal. But wait … you discover this innocuous piece connects the windmill scene to the alligator scene! This innocent little new piece turned out to be the glue.

    **

    My point here is that the board in my “game” of DoubleQuotes provides a matrix for eliciting and annotating such leaps between fact and memory — that’s its purpose, and that’s why I believe the practice and “playing” of DoubleQuotes is, in itself, an ideal training for the analytic mind in that otherwise elusive aptitude which Ms Storer says seenms like magic to those who do not possess it..

    I believe my DoubleQuotes would be an invaluable tool for analysts in training.

    **

    Note, however, that Jose Rodriguez, speaking immediately after Michael Hayden at 1.19.55, adds a reference to the “True Name” — accompanying screencaps included — something to which as a theologian I am naturally drawn:

    It took years for the agency to recruit the human source that eventually gave us the true name. That’s why we were in the business the of condensing human intelligence because, in many cases, all these fancy gadgets and everything else won’t give you the information that you really need. A true name.

    And we finally got his true name, which is whatever it is. Whatever. Arabic name, you know. But the true name – we were able to find out a lot about him. From then on, you know, the agency was able to do what it does so well. Track the guy and find him.

    That too elicits memories, though in this case providing cultural context rather than actionable intelligence. It’s interesting to compare Rodriguez’ quote with the passages in which Ursula Le Guin describes the nature of magic in her book, Wizard of Earthsea:

    He who would be Seamaster must know the true name of every drop of water in the sea.

    and:

    He saw that in this dusty and fathomless matter of learning the true name of every place, thing, and being, the power he wanted lay like a jewel at the bottom of a dry well. For magic consists in this, the true naming of a thing.

    **

    See also:

  • Gaming the Connections: from Sherlock H to Nada B
  • Jeff Jonas, Nada Bakos, Cindy Storer and Puzzles
  • FWIW, there’s an appendix on the central spiritual significance of remembrance of the True Name in Judaism (HaShem), Christianity (Jesus Prayer), Islam (dhikr), Hinduism (nama-rupa), Buddhism (nembutsu) etc at the back of Frithjof Schuon‘s little book, The Transcendent Unity of Religions.

    On which frankly mystical note, here’s a third para from Le Guin to carry you towards Lao Tzu‘s observation that “The name that can be named is not the eternal Name” —

    It is no secret. All power is one in source and end, I think. Years and distances, stars and candles, water and wind and wizardry, the craft in a man’s hand and the wisdom in a tree’s root: they all arise together. My name, and yours, and the true name of the sun, or a spring of water, or an unborn child, all are syllables of the great word that is very slowly spoken by the shining of the stars. There is no other power. No other name.

    Of rules and regs

    Saturday, July 22nd, 2017

    [ by Charles Cameron — that little free libraries are like the Sabbath, and on the close-packing of angels ]
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    **

    Let us suppose a parallel reality in which squares and circles, cubes and spheres, have wings. The nature of bureaucracy is that in the interest of packing squares and circles, cubes and spheres, it lops off their wings — convenient but inelegant, and what a waste of flight!

    Example:

    The Little Free Library concept is premised on the blessing of books — and the generosity of a gift economy.

    Individuals put up little free libraries outside their houses, often repurposing bird feeders or mail boxes — but zoning bureaucrats not infrequently try to shut them down:

    Little Free Libraries on the wrong side of the law

    Crime, homelessness and crumbling infrastructure are still a problem in almost every part of America, but two cities have recently cracked down on one of the country’s biggest problems: small community libraries where residents can share books.

    Officials in Los Angeles and Shreveport, La., have told the owners of homemade lending libraries that they’re in violation of city codes, and asked them to remove or relocate their small book collections.

    **

    Scriptures:

    There’s actually a Biblical injunction about this sort of thing — Mark 2.27:

    The sabbath was made for man, and not man for the sabbath..

    It’s a matter of priorities: zoning laws are intended to facilitate human life, not to frustrate it.

    Or as Lao Tzu might say, the zoning that can be set forth in rules and regs isn’t the ideal zoning.

    **

    Creativity & Bureaucracy, PS, NB:

    I usually think of winged squares and so forth in terms of creative ideation, and how creative ideas can get the creativity clipped from them in committe — making the point that a winged square is, in an important sense, a better “translation” of a winged circle than a circle with its wings clipped will ever be.. since it captures the material / ethereal binary that’s the essence of imagining a circle with wings.

    Compare Picasso‘s reported observation, “the best criticism of any work of art is another work of art.”

    **

    Has anyone figured out the best method of close-packing angels?

    Argh.

    Lao Tzu in the Comey hearing

    Thursday, June 8th, 2017

    [ by Charles Cameron — not the most politically relevant quote from Comey, but perhaps the most curious ]
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    It’s not every day you get to see Lao Tzu playing out in the natsc arena:

    Sources:

  • Stephen Mitchell, tr., Tao Te Ching, chapter 56
  • Politico, James Comey testimony transcript on Trump and Russia
  • From Brooklyn to Birmingham, a contemplative stroll

    Wednesday, April 19th, 2017

    [ by Charles Cameron — unity in the face of difference, radiance in the face of rage ]
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    This little pilgrimage began when I saw this tweet, reteeted by The Bridge initiative:

    A Taoist, and from Brooklyn — okay!

    **

    I went off to track down Jackie Summers from Brooklyn, and behold, checking his FB feed I run across this, from a few days back:

    which sends me to this deliciously quiet and unassuming TV news report from, yes, New Zealand if I’m not mistaken:

    [ would that all the world’s newscasters showed such restraint ]

    **

    That newscast in turn let me to this tweet from a British MP:

    And this even more glorious photo of Saffyah Khan‘s face, taken from the Guardian’s report, Protest photos: the power of one woman against the world:

    **

    From that Guardian article:

    Shows of strength and defiance aren’t in short supply at your average protest – demonstrating, by its nature, requires a level of commitment that weeds out the bystanders, the unimpressively apathetic. But what is it that makes the money shot? The protest photo that goes viral? Well, for one, women. Or, more accurately, one woman. Often a striking, beautiful-looking woman. But mostly, a woman who looks like a badass without seeming to do anything much that is dramatic at all.

    For anyone trying to work out the Venn diagram of iconic protest imagery, three tropes will immediately jump to the fore: the quiet dignity of said woman; the battle-hungry paraphernalia of male authority (your shields and batons and chunky uniforms); and the dramatic flip of power that clash presents.

    **

    Pretty much all of the above — the Taoist, the Hassidim, the Muslim lady with child, the radiant protester Saffiyah Khan, Jess Phillips MP — have gone viral, in a world that thirsts for such things.

    Deep bows to them all!


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