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Significance of the Kiswah in Riyadh

Sunday, May 21st, 2017

[ by Charles Cameron — oh, but it’s just a backdrop ]
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When ABC News describes the room in which President Trump addressed King Salman of Saudi Arabia and the leaders of 50 Muslim nations in Riyadh this morning, they mentioned that it was “an ornate room that featured 11 chandeliers and six giant video screens.” Okay, but to my eye the scene was dominated by a great black and gold panel of the Kiswah [above], the ornate cloth, renewed once yearly, which covers the Kaaba in Mecca, the point in this turning world to which all Muslims turn in prayer, and around which they revolve in pilgrimage.

I spent some time searching for a decent press photograph or media mention of this Kiswah panel, without success — the chandeliers are clearly more important to media sensibilities than the veil of Islam’s most central shrine, to which all mosques are oriented.

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I am reminded of Tim Furnish‘s comment yesterday, pointing out that the Time magazine cover showing the Kremlin (below) had airbrushed out the crosses atop the onion domes of St. Basil’s Cathedral —

— domes which Time referred to, in a further display of ignorance, as minarets.

Why are we so appallingly oblivious to religious symbolism, when it plays so major a role in communicating meaning? What tells us more about a cathedral than the cross which surmounts it? Which more completely dominates that conference chamber in Riyadh — the colorful array of flags, or the great panel of the Kiswah mounted above them?

Why do we so consistently airbrush religion out of the picture?

From grace to grace

Sunday, April 16th, 2017

[ by Charles Cameron — Rumi, Hopkins — very content with this.. ]
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.. just this, that two of my favorite poems, by two of my preferred authors, contain essentially the same phrase:

I have been reading both Hopkins and Rumi for half a century or more; only today did I notice this felicious correspondence between them.

There’s nothing I can see, so I can’t perceive it..

Monday, April 10th, 2017

[ Charles Cameron — on what may yet remain invisible ]
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It is, surely, a matter of both culure and disposition:

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The Dale McKinnon quote is from In the Light of reverence, a documentary presenting native spirituality in conflict with western land uses in Lakota, Hopi and Wintu sacred areas (the Devil’s Tower, Colorado Plateau, and Mt Shasta, respectively):

Highly recommended.

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Saint-Exupery‘s quote, from The Little Prince, offers a possible explanation and response.

Paul Klee on the role of the artist:

Art does not reproduce the visible; it makes visible

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On riding a rapidly accelerating world.. in slower motion

Wednesday, March 8th, 2017

[ by Charles Cameron — not by revolution but by centering ]
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If I might shift the angle from which the current conversation views the world situation — rather than looking for revolution or evolution, might we not hope for transfiguration, theosis?

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For what it’s worth, I’m under the impression that the translucence of the world can also be found in the Bezels of Wisdom of Ibn Arabi, in the Mountains and Rivers sutra of Dogen, in The Centuries of Thomas Traherne

You never enjoy the world aright, till the Sea itself floweth in your veins, till you are clothed with the heavens, and crowned with the stars: and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and Kings in sceptres, you never enjoy the world.

Till your spirit filleth the whole world, and the stars are your jewels; till you are as familiar with the ways of God in all Ages as with your walk and table: till you are intimately acquainted with that shady nothing out of which the world was made: till you love men so as to desire their happiness, with a thirst equal to the zeal of your own: till you delight in God for being good to all: you never enjoy the world.

To many of us it seems as though the world is speeding up. The notion is a hopeless paradox — and yet the acceleration itself is both evident and excessive. Both the acceleration and the paradox are solved only in contemplation..

Sunday surprise — Glorious Vivaldi

Sunday, October 2nd, 2016

[ by Charles Cameron — sacred choral music is, it seems, my heart realm ]
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I can’t help it if this tweet today:

reminds me of this image:

vivaldi-gloria-at-la-pieta-venice

of an English woman’s choir visiting Venice to sing Vivaldi where Vivaldi himself taught and conducted the choir at the women’s Ospedale della Pietà orphanage..

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The BBC documentary of the journey is currently available for viewing here — and here’s the women’s choir, the Schola Pietatis Antonio Vivaldi, singing Vivaldi’s complete and glorious Gloria RV 589:

For Sara Mingardo singing the same Gloria, see Sunday surprise — two women walking.


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