[ by Charles Cameron -- describing the second of two books I am currently working on -- your comments invited ]
I’m currently working on two book proposals for a publishing start-up a couple of friends of mine are putting together, and wanted to keep interested ZP readers informed. One proposal is titled Coronation: the magic of monarchy, and the other Landmines in the Garden: religious violence and peace-making. In this post, I want to say a little about coronation and monarchy.
Coronation is the secret ingredient in monarchy, the symbolic gesture which sets things turning. It is high ritual — but whereas in general sacred rituals, countly rituals, legal rituals, military rituals and so on are separate and distinct from one another, at a coronation they are combined, with the sacred taking pride of place.
Thus in Tregear‘s image above, we see the loyal subjects, the liveried flunkies, the military, the justices, the noblility, and Her Majesty… but it is the church to which her procession tends, the church in which she is crowned, and the church, in the person of the Archbishop, which crowns her…
Coronation is a fascinating business, and in the course of the book I’ll be exploring coronations far and wide — papal coronations, the coronations of Charlemagne and Napoleon, the tantric union of the Emperor with the Sun Goddess Amaterasu-omikami in the symbolism of the Imperial Japanese enthronement rites [Holtom, Japanese Enthronement Ceremonies; White, Tantra in Practice, p 27]
Closer to my second home here in the US, I’ll be looking at the coronation of Mormon offshoot leader James Strang, the alleged ordination as “king of the Kingdom of God” of Joseph Smith himself [Shipps, p 199 n 7] — and the extraordinary 2004 coronation of the late Rev Sun Myung Moon in the Dirksen Senate Office Building in Washington, DC.
The secret ingredient in the western tradition of coronation is the anointing: it is the signing with chrism that confers on the monarch the blessing of God, the crown being no more than a confirmation of that blessing in terms of visible power and dignity. Thus Sir Laurence Olivier, reading the words of Christopher Fry in the film commentary on the coronation of Queen Elizabeth II, called it “a moment so old, history can scarecely go deep enough to contain it”.
From a poetic perspective, the sacral anointing of the monarch conveys not merely temporal power, but also a priestly and a healing function. Thus the ceremonial partakes of some of the same features as the ordination of a bishop, while the monarch also receives the gift of healing scrofula with the Royal Touch, as Shakespeare notes in Macbeth:
A most miraculous work in this good king;
Which often, since my here-remain in England,
I have seen him do. How he solicits heaven,
Himself best knows: but strangely-visited people, 150
All swoln and ulcerous, pitiful to the eye,
The mere despair of surgery, he cures,
Hanging a golden stamp about their necks,
Put on with holy prayers: and ’tis spoken,
To the succeeding royalty he leaves
The healing benediction. With this strange virtue,
He hath a heavenly gift of prophecy,
And sundry blessings hang about his throne,
That speak him full of grace.
In monarchy, and by the divine anointing, earthly and celestial powers are ceremoniously aligned.
Notice, too, that in Handel‘s celebrated coronation anthem, Zadok the Priest (video below), it is the anointing of the monarch that is featured:
The ripples that extend from anointment and coronation across time and continents are many and varied. This video shows one small but beautiful ritual associated with British royalty since the twelfth cedntury, which takes place during the third week of July each year…
At the opposite end of the royal spectrum, if I may call it that, we find the cargo cult on the island of Tanna in Vanuatu that awaits the coming of the man they call Man Belong Mrs Queen:
I will close with the ode Handel wrote for the Birthday of Queen Anne, Eternal Source of Light Divine, featuring the fabulous voice of countertenor Iestyn Davies and brilliant trumpet of Alison Balsom, directed by Trevor Pinnock with the English Concert.
Your comments and suggestions for the book are most welcome.