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Syria and drawing the web of tensions

Friday, September 9th, 2016

[ by Charles Cameron — with a Magnus Ranstorp squib in its tail ]
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The issue is complexity, and how you represent it. The case in point is Syria.

Here’s a diagram that suggests complexity as a sort of crazy weaving, all straight lines and colors:

Daveed’s diagram has a network feel to it, with actord as nodes and the tensions between them as edges:

Karl Sharro’s tackling the wider context, but his illustration at least gives the sense of a ball of twine after a cat has carefully re-arranged it:

Juan Cole simply provides a screenshot from Google Maps —

jarabulus

— the headline America’s Syria SNAFU: Pentagon’s Militias fight Turkey & CIA’s Militias — which is effectively friendly fire framed as paradox — and some paras beneath it using words to describe the tangle:

The Turkish incursion into Syria at Jarabulus was advertised as an attack on a Daesh (ISIS, ISIL) stronghold and smuggling station in conjunction with (fundamentalist) remnants of the Free Syrian Army.

But the southern outskirts of Jarabulus had already fallen to the Pentagon-backed Syrian Democratic Forces, which are majority Kurdish but have a significant Arab component. The Arab, non-Kurdish SDF brigades such as the Seljuk brigade, the Army of Revolutionaries, and Northern Sun Brigade had fought to liberate the northern Syrian city of Manbij, due south of Jarabulus from Daesh. They have an outpost in the village of Amarna just a few miles south of Jarabulus, where they call themselves the Jarabulus Military Council.

The Turkish army, having secured Jarabulus itself with the help of fundamentalist militias, moved down to Amarna, where they met fierce resistance from the Syrian Democratic Forces, who are allied with the Kurds. The Turkish air force bombarded the SDF positions in Amarna and the militias responded by destroying two tanks and killing one Turkish soldier. Fighting continues there.

To be honest, I’m not sure which of those means of modeling a complex system leaves us best able to understand the situation on the ground.

**

Maybe this one’s the best:

Recommended Reading—Summer 2016

Monday, July 11th, 2016

[by J. Scott Shipman]

Storm of Creativity2017

wright-brothers-biographyserendipities

Paradisejssundertow

white horsewashington

 

The Storm of Creativity, by Kyna Leski

2017 War With Russia, by General Sir Richard Shirreff

The Wright Brothers, by David McCullough

Serendipities, Language and Lunacy, by Umberto Eco

Paradise, Dante Alighieri, translated by Mark Musa

Undertow, by Stanton S. Coerr

The White Horse Cometh, by Rich Parks

Washington The Indispensable Man, by John Thomas Flexner

This list starts the first week of May, so perhaps the title should be Spring/Summer. Most of these books are quick reads and all are recommended.

I picked up Ms. Leski’s book at an MIT bookshop on a business trip in early May and read on the train ride home. Books on creativity are ubiquitous, but Ms. Leski takes an interesting approach by describing the creative process using the metaphor of a storm. Several ZP readers will find of interest.

2017 was recommended by a friend. The author was the Deputy Supreme Allied Commander Europe and the book focuses on a Europe/NATO response to a Russian invasion of the Baltics. Written in a Tom Clancy-like style, the plot is fast-paced even though the good general provides sometimes provides detailed insights into the inner workings of NATA and the North Atlantic Council (this is one of the values of the book—bureaucracy writ-large).

David McCullough’s Wright Brothers delivers an approachable and human accounting of the first men of powered flight. Some reviews on Amazon complain McCullough lifts and uses too many quotes to tell the story. At times the quotes were distracting, but not enough to prevent the enjoyment of the story of two brothers who changed the world. This book was a gift otherwise I probably would not have read.

Serendipities is a short book, but was a long read for me. Eco explains how language and the pursuit of the perfect language has confounded thinkers since time immemorial. He refers to Marco Polo’s unicorn (also used in his Kant and the Platypus which is excellent) explaining how language is often twisted to meet a preconceived notion or idea. The first couple of chapters were quite good, chapters three and four did not hold my interest or were over my head. The closing chapter was good enough to convince me I’ll need to read this little book again. (My Eco anti-library has been growing of late.)

Eco’s book led me to reread Musa’s excellent translation of Paradise. My son gave me the deluxe edition with parallel Italian and English, plus commentary. Eco referenced Canto 26 and 27, and I enjoyed the break so much I read the whole thing!

Undertow is my good friend Stan Coerr’s second book of poetry.  His first book Rubicon was a moving collection of poetry of men at war. Undertow deals more with the heart and is quite good, too. You won’t be disappointed.

White Horse is also a book by an old friend, Rich Parks (we’ve known each other since the mid-80’s). White Horse is self-published and in places it shows, but the overall story is quite good for a first book (I’ve already told him his book would make an excellent screenplay.). The plot is quick and entertaining even if a bit unbelievable, but the story is fiction. Rich is following up with a sequel in August in 2016 and I’ll be reading it, too.

Mr. Flexner’s Washington was a gift, too. In this quick biography Washington is made approachable and human. And when I say “quick,” I mean quick…Trenton and Princeton took one chapter compared to David Hackett Fischer’s Washington’s Crossing which took up a standalone book. If someone were looking for a first Washington biography, this would be a good place to start.

This isn’t the conclusion of my summer reading, but a pretty good start.What are  you reading this summer?

The friend of my enemy is my what?

Wednesday, June 22nd, 2016

[ by Charles Cameron — or to quote the Stones, sympathy for the devil? ]
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blank 600 Syria Israel Russia

Sources:

  • Kyle Orton, Russia Needs the Islamic State to Save Assad
  • Al-Masdar News, Israeli Intelligence chief: We do not want ISIS defeat in Syria
  • Considering Viv, Wolfram Language, Syntience, and the GBG

    Wednesday, June 8th, 2016

    [ by Charles Cameron — expanding the computable to include qualitative ideation ]
    .

    Let’s start with Viv. It looks pretty phenomenal:

    That video is almost exactly a month old, and it’s pitched at “the universe of things” with a marked tilt towards e-commerce. Fair enough.

    **

    It’s instructive to compare it with Wolfram Language, although here I’ve had to go with a video that’s a couple of years old:

    Stephen Wolfram, the creator of both Mathematica and Wolfram Alpha, is focused on the world of numbers — and incidentally, that includes graphs of the sort I’ve been discussing in my series here On the felicities of graph-based game-board design, as you can see in the video above.

    It will be interesting to see how the two of them — Viv and Wolfram — interact over time. After all, one of the purposes of these lines of development is to dissolve the “walled gardens” which serve as procrustean beds for current thinking about the nature and possibilities of the web. Do these two gardens open to each other? If so, why? If not, why not?

    **

    I’ve talked enough for my purposes about AlphaGo and it’s narrowly focused though impressive recent triumph, and the wider picture behind it, as expressed by Monica Anderson — and tying the two together, we have this video from Monica’s timeline, Bob Hearn: AlphaGo and the New Era of Artificial Intelligence:

    Bob Hearn: AlphaGo and the New Era of Artificial Intelligence from Monica Anderson on Vimeo.

    Monica’s Syntience, it seems to be, is a remarkable probing of the possibilities before us.

    **

    But I’m left asking — because Hermann Hesse in his Nobel-winning novel The Glass Bead Game prompts me to ask — what about the universe of concepts — and in particular for my personal tastes, the universe of musical, philosophical, religious and poetic concepts. What of the computational mapping of the imagination?

    My question might well have large financial implications, but I’m asking it in a non-commercially and not only quantitative way. I believe it stands in relationship to these other endeavors, in fact, as pure mathematics stands in relation to physics, and hence also to chemistry, biology and more. And perhaps music stands in that relationship to mathematics? — but I digress.

    If I’m right about the universe of concepts / Glass Bead Game project, it will be the most intellectually demanding, the least commercially obvious, and finally the most revelatory of these grand-sweep ideas..

    From my POV, it’s also the one that can give the most value-add to human thinking in human minds, and to CT analysts, strategists, journos, educators, therapists, bright and playful kids — you name them all!

    Seeing it in terms of counterpoint, as Hesse did — it’s the virtual music of ideas.

    Doing it right, doing it wrong, & it could be your Sunday surprise

    Sunday, May 22nd, 2016

    [ by Charles Cameron — a quick note about putting the mind through hoops, aka connecting dots ]
    .

    For the record, the mind is not a phalanx but a swarm — IOW it gets creative when the links are leaps, not serried ranks.

    So when your evidence board, memory jolt, graphical display looks like this (and it’s not the unavoidable dimness of the screen-grab I’m talking about):

    wrong way to stir memories The Killing s3 e8 around 39 mins 2

    the mind won’t see as many possibilities as when it’s more like this:

    **

    Randomize. Create uneven spaces between items. Shift items around. The idea here is to create fresh possibilities, not to look tidy.

    I had a friend once who was an artist. His studio and his life were both disasters — and in his studio, in the middle of that life, he created dazzling, gorgeously colored and delicately graduated geometric patterns — as though he was a disorder organizer, and the more disorderly his input, the greater the precision of his output.

    Think about that.

    Here is what may be a diagrammatic version of what I’m saying, or maybe not, but which stirs my mind in any case, just thinking about it — from Ron Scroggin about a year ago, shared in John Kellden‘s Conversations on G+:

    projectmixtape RC

    **

    Sources:

  • Evidence board, The Killing, series 3 episode 8
  • Al Qaida board, Manhunter

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