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Sunday surprise

Sunday, April 23rd, 2017

[ by Charles Cameronlasciate ogne speranza, voi ch’intrate ]
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Scarier than any horror movie, more piercing than any fire and brimstone sermon, real life:

It is highly unusual for an open portal to be captured on film, but meteorologist James Spann caught this beauty as it was closing behind an unfortunate colleague.

Palm Sunday surprise

Sunday, April 9th, 2017

[ by Charles Cameron — with Holy Week good wishes ]
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What drives us is narrative. Narrative is (generally speaking) sequential in time. Sequence in time is marked on calendars. One purpose of calendars is to make each day sacred in its measure.

Today is Palm Sunday in the Christian calendar; I wish all ZP readers a profound and safe Holy Week to follow..

Sunday surprise — naval biology, the sad fact of the matter

Monday, March 20th, 2017

[ by Charles Cameron — hilarious, with a hat-tip to Dr Farls — thundering herds of battleships, eh? ]
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Sunday surprise — literal rainfall ancient and modern

Sunday, March 19th, 2017

[ by Charles Cameron — a DoubleQuote in the arts ]
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Guillaume Apollinaire:

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Il pleut

Il pleut des voix de femmes comme si elles étaient mortes même dans le souvenir
c’est vous aussi qu’il pleut merveilleuses rencontres de ma vie ô gouttelettes
et ces nuages cabrés se prennent à hennir tout un univers de villes auriculaires
écoute s’il pleut tandis que le regret et le dédain pleurent une ancienne musique
écoute tomber les liens qui te retiennent en haut et en bas.

Roger Shattuck, brilliant author of The Banquet Years: The Origins of the Avant-Garde in France) translates:

It’s Raining

It’s raining women’s voices as if they had died even in memory
And it’s raining you as well marvellous encounters of my life O little drops
Those rearing clouds begin to neigh a whole universe of auricular cities
Listen if it rains while regret and disdain weep to an ancient music
Listen to the bonds fall off which hold you above and below

As Edward Hirsch comments at Poetry Foundation:

The slanting lines of Apollinaire’s poem create the sensation of rain running downward across a windowpane. Graphic form and verbal music come together as each long vertical line becomes a rhythmic unit of meaning

— which is itself a verbal / visual DoubleQuote!

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Code running downward..

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This was brought to mind by the magnificent title sequence of the Le Carré thriller The Night Manager:

essentially completing a second DoubleQuote with those falling droplets. those rising bubbles — and there are several filmic equivalents of DoubleQuotes graphic matches aka match cuts — in the sequence itself: bomb cloud > martini, tea cups >machine gun, contrails > pearls..

I’m always happy to see more Le Carré on film..

Sunday surprise – Ballad of The Skeletons

Sunday, February 26th, 2017

[ by Charles Cameron — Ginsberg, McCartney & Philip Glass! ]
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I’m not a huge Ginsberg fan, but this seems like a wholesome follow up to yesterdays post 6,000 years and still together — written by Ginsberg in the run up to the United States presidential election of 1996, and touching on several themes of continuing interest today.

You can follow along the text here, and read-all-about-it in ‘The Ballad of the Skeletons’: Allen Ginsberg’s 1996 Collaboration with Philip Glass and Paul McCartney.

Hey, I’m not a great fan of McCartney either, but the pair of them together seems like an oxymoron.


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