[ by Charles Cameron — choice, chance and maybe destiny at the movies, on the road, in life ]
A while back, I lived in Cottonwood, Arizona, and drove the few miles back and forth between Cottonwood and Sedona most days each week for months. There’s a beautiful stretch of desert in between, I delighted in the journey, and no doubt my foot on the gas pedal quickened or eased off to some mild extent depending on what music I was listening to, how much coffee I’d had recently, how my most recent conversation or burst of writing had gone. And then one night a deer ran across the road, perhaps twelve feet ahead of my car.
Let’s say I was traveling at 60 for ease of calculation. 60 mph is a mile a minute, 88 feet per second. About a tenth of a second later and the deer and / or I would likely have been dead — one full second later, he or she would have crossed sixty feet behind me and I would have seen nothing, known nothing.
There are deer constantly crossing our paths sixty feet behind us and it’s a normal day at the office, it’s one more day like any other: sunny, then partly cloudy, with a ten percent chance of rain.
The average human life expectancy, or pretty close, in the United States these days is 690,235 hours. Here are two film clips, which will occupy just over a quarter of one of those hours if you watch them both.
No Country For Old Men:
The Magus — the entire film — runs an hour and 57 minutes, while No Country for Old Men runs two hours and three minutes, so those clips, 10 and 5 minutes long each, represent in each case a small fraction of the whole film — yet those two fractions have been selected out to be posted as YouTube clips — and they have something in common: life and death in a roll of the dice, the flip of a coin.
I’m guessing it’s that life or death in an instant play of chance that marks those two particular clips as worth noting and posting to YouTube — and that made that deer running across the road in my headlights so memorable.
The realization here: my life hangs, moment by moment across hundreds of thousands of hours, on such slight and unintended (“chance”) variations of physical fact & effect as how much my foot on the gas pedal imperceptibly quickens or eases off as a slight turn, rise or fall in the road..
[ by Charles Cameron — in India, cows are a vigilantism issue, in California it’s manure, flatulence, & methane ]
Indian police have launched a “cow protection” force and a 24-hour hotline after a spate of attacks related to laws governing consumption of beef and the religious status of cattle.
The 300-strong team in Haryana will enforce some of the toughest laws in the country shielding cows. Haryana imposes jail terms of up to ten years for illegal slaughter and smuggling but Hindu officials in the northern state are concerned about a rise in cow-related crime and are determined to protect the animals.
First they came after the oil producers, then manufacturers, and now they’re coming for the cows. Having mandated emissions reductions from fossil fuels, California’s relentless progressives are seeking to curb the natural gas emanating from dairy farms. [ .. ]
“If dairy farms in California were to manage manure in a way to further reduce methane emissions,” the board explains, “a gallon of California milk might be the least GHG intensive in the world.” And the most expensive. Many California dairy farms have already been converted into nut farms, which are more economical amid the state’s high regulatory costs.
[ by Charles Cameron — two opening credit sequeces that rhyme, also sheep & starlings ]
As you know, I’m interested in twinnings of various sorts — the sound twinnings we call rhyme, visual twinnings in films we call graphic match, the contrapuntal twinnings of melody in canons and fugues, the twinnings when history “rhymes” — oh, and the ever popular plagiarism. Recently I’ve been watching the TV show Damages — an old friend is in it — and having the eerie feeling every time the opening credits rolled that they were just like the opening credits from House of Cards. So I thought I’d look them up, and see if they’d been put together by the same team.
House of Cards:
I didn’t get as far as finding out who put them together, but I did run across a blog post by Alicatte from 2013 titled House of Cards Opening: Deja Damages which more than amply vindicated my far less detailed intuition.
And while it’s still Sunday, let’s take a look at another couple of videos that have some twinning to them. A friend of mine, Bob Crosby — ecological engineer par excellence — of Biorealis, posted them on a private group with the fake names I’ll give you above each one:
An aerial view of the American electorate being herded by corporate media pundits…
Zenpundit is a blog dedicated to exploring the intersections of foreign policy, history, military theory, national security,strategic thinking, futurism, cognition and a number of other esoteric pursuits.