Pussy Riot II: the closing statements
As any artist might, she sees the play of forms within forms — like Plotinus’ “world stage which men have dotted with stages of their own constructing” [Enneads III.ii.15] We might term it, in her honor, the Matrioshka principle:
Having spent almost half a year in jail, I have come to understand that prison is just Russia in miniature.
Indeed, her statement on values, immediately following this, also echoes Plotinus in that same passage:
In this framework, people begin to place high value on meaningless trifles. In prison these trifles are things like a tablecloth or plastic dishes that can only be procured with the personal permission of the head warden. Outside prison, accordingly , you have social status, which people also value a great deal. This has always been surprising to me.
Plotinus it was who said in that same passage:
All this is the doing of man knowing no more than to live the lower and outer life, and never perceiving that, in his weeping and in his graver doings alike, he is but at play; to handle austere matters austerely is reserved for the thoughtful: the other kind of man is himself a futility. Those incapable of thinking gravely read gravity into frivolities which correspond to their own frivolous Nature. Anyone that joins in their trifling and so comes to look on life with their eyes must understand that by lending himself to such idleness he has laid aside his own character. If Socrates himself takes part in the trifling, he trifles in the outer Socrates.
Next up, Maria makes an explicit comparison of Gospel with Church and note the discussion of blasphemy and demonic possession as accusations leveled against Christ:
Our motivation is the same motivation that goes with the use of a direct quotation. This motivation is best expressed in the Gospels: “For every one who asks receives; the one who seeks finds; and to the one who knocks, the door will be opened.” [Matthew 7 :8] I — all of us — sincerely believe that for us the door will be opened. But alas, for now the only thing that has happened is that we’ve been locked up in prison. It is very strange that in their reaction to our actions, the authorities completely disregard the historical experience of dissent. “[H]ow unfortunate is the country where simple honesty is understood, in the best case, as heroism. And in the worst case as a mental disorder,” the dissident [Vladimir] Bukovsky wrote in the 1970s. And even though it hasn’t been very long, now people are acting as if there was never any Great Terror nor any attempts to resist it. I believe that we are being accused by people without memory . Many of them have said, “He is possessed by a demon and insane. Why do you listen to Him?” These words belong to the Jews who accused Jesus Christ of blasphemy. They said, “We are … stoning you … for blasphemy .” [John 1 0:33] Interestingly enough, it is precisely this verse that the Russian Orthodox Church uses to express its opinion about blasphemy. This view is certified on paper, it’s attached to our criminal file. Expressing this opinion, the Russian Orthodox Church refers to the Gospels as static religious truth. The Gospels are no longer understood as revelation, which they have been from the very beginning, but rather as a monolithic chunk that can be disassembled into quotations to be shoved in wherever necessary — in any of its documents, for any of their purposes. The Russian Orthodox Church did not even bother to look up the context in which “blasphemy” is mentioned here — that in this case, the word applies to Jesus Christ himself.
Then she offers us religion as a process, not a product — and its relation to the creative process in art, a major theme in Berdyaev’s thinking:
I think that religious truth should not be static, that it is essential to understand the instances and paths of spiritual development, the trials of a human being, his duplicity, his splintering. That for one’s self to form it is essential to experience these things. That you have to experience all these things in order to develop as a person. That religious truth is a process and not a finished product that can be shoved wherever and whenever. And all of these things I’ve been talking about, all of these processes — they acquire meaning in art and in philosophy. Including contemporary art. An artistic situation can and, in my opinion, must contain its own internal conflict. And what really irritates me is how the prosecution uses the words “so-called” in reference to contemporary art.
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