Alice’s Wonderland Battlespace

[ by Charles Cameron — terrain, IDF, inverse geometry, Necker cube, apocalyptic signs ]

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I’ve just read one of those astounding paragraphs that leaves the mind reeling. Some of you will no doubt already be aware of the work of Israeli architect Eyal Weizman, but for me, his paper Lethal Territory is new ground:

The maneuver conducted by units of the Israeli Defense Forces (IDF) in Nablus in April 2002 was described by its commander, Brigadier General Aviv Kokhavi, as inverse geometry, the reorganization of the urban syntax by means of a series of microtactical actions. During the battle, soldiers moved within the city across hundred-meter-long “overground-tunnels” carved through a dense and contiguous urban fabric. Although several thousand soldiers and several hundred Palestinian guerrilla fighters were maneuvering simultaneously in the city, they were so “saturated” within its fabric that very few would have been visible from an aerial perspective at any given moment. Furthermore, soldiers used none of the streets, roads, alleys, or courtyards that constitute the syntax of the city, and none of the external doors, internal stairwells, and windows that constitute the order of buildings, but rather moved horizontally through party walls, and vertically through holes blasted in ceilings and floors. This form of movement, described by the military as “infestation”, sought to redefine inside as outside, and domestic interiors as thoroughfares. Rather than submit to the authority of conventional spatial boundaries and logic, movement became constitutive of space. The three-dimensional progression through walls, ceilings, and floors across the urban balk reinterpreted, short-circuited, and recomposed both architectural and urban syntax. The IDF’s strategy of “walking through walls” involved a conception of the city as not just the site, but the very medium of warfare — a flexible, almost liquid medium that is forever contingent and in flux.

Where do I begin?

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1. For sheer creativity, this reversal of our normal understanding of space is both audacious and brilliant.

2. In terms of the way the humans living in that space experience the tactic, it must have been – must be – extraordinary – shock and awe on the scale of the individual family and its dwelling. Weizman quotes a Palestinian woman’s response:

Imagine it – you’re sitting in your living room, which you know so well; this is the room where the family watches television together after the evening meal. .. And, suddenly, that wall disappears with a deafening roar, the room fills with dust and debris, and through the wall pours one soldier after the other, screaming orders. You have no idea if they’re after you, if they’ve come to take over your home, or if your house just lies on their route to somewhere else. The children are screaming, panicking. . Is it possible to even begin to imagine the horror experienced by a five-year-old child as four, six, eight, twelve soldiers, their faces painted black, submachine guns pointed everywhere, antennas protruding from their backpacks, making them look like giant alien bugs, blast their way through that wall?

3. It has a past, there’s nothing entirely new under the sun:

Similarly, the strategy of walking through walls, as Israeli architect Sharon Rotbard reminds us, is reinvented for every urban battle in response to local conditions. It was first described in Marshal Thomas Bugeaud’s 1849 draft of La Guerre des Rues et des Maisons, in the context of anti-insurgency tactics used in the class-based urban battles of 19th-century Paris. Instead of storming the barricades from the front, Bugeaud recommended entering the barricaded block at a different location and “mouse-holing” along “over-ground tunnels” that cut across party walls, then taking the barricade by surprise from the flank. On the other side of the barricades and a decade later, Louis-August Blanqui wrote this microtactical maneuver into his Instructions pour une prise d’armes.

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