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Annunciation, framed

[ by Charles Cameron — the war of content and context, Coptic / ISIS version ]
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You are in a museum of the fine arts. You may recognize the painting is of the Annunciation.

You are in a church. The angel Gabriel announces to Mary that she will bear a son, and call his name Jesus:

He shall be great, and shall be called the Son of the Highest: and the Lord God shall give unto him the throne of his father David: And he shall reign over the house of Jacob for ever; and of his kingdom there shall be no end.

You are in a war zone: see, as much as you can see.

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The photographer is in the war zone, catches a glimpse of the art, and takes the photo.

The returning devotee, I’d suggest, grieves the impact of war, pierces through and beyond it with his or her devotional gaze.

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