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Kayfabe is an analog for war and love maybe, not a model

[ by Charles Cameron — hat-tip to Ferdinando Buscema, magician and therefore cognitive science specialist extraordinaire ]
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Occasionally one reads a truly stunning article — stunning, I mean stunnng.

Eric R. Weinstein‘s 2011 Edge answer, WHAT SCIENTIFIC CONCEPT WOULD IMPROVE EVERYBODY’S COGNITIVE TOOLKIT? is one such article, and as such I have retained the full caps in its title.

The theoretical background is :

Evolutionary biologists Richard Alexander and Robert Trivers have recently emphasized that it is deception rather than information that often plays the decisive role in systems of selective pressures. Yet most of our thinking continues to treat deception as something of a perturbation on the exchange of pure information, leaving us unprepared to contemplate a world in which fakery may reliably crowd out the genuine. In particular, humanity’s future selective pressures appear likely to remain tied to economic theory which currently uses as its central construct a market model based on assumptions of perfect information.

If we are to take selection more seriously within humans, we may fairly ask what rigorous system would be capable of tying together an altered reality of layered falsehoods in which absolutely nothing can be assumed to be as it appears. Such a system, in continuous development for more than a century, is known to exist and now supports an intricate multi-billion dollar business empire of pure hokum. It is known to wrestling’s insiders as “Kayfabe”.

Evolutionary biology, okay — I have other preferences for go-to model theory, but this one seems popular among non-magical realists on the cutting edge.. and the analog proposed in this article is kayfabe.

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Which is?

What can be seen as “tying together an altered reality of layered falsehoods in which absolutely nothing can be assumed to be as it appears”? What, in other words, can model all these altered realities? And kayfabe cannot be the answer, since it is one of those altered realities itself. No — for sure, it may provide a superb analog for professional wrestling and those others — “war, finance, love, politics and science” — mentioned later in the piece:

Kayfabrication (the process of transition from reality towards Kayfabe) arises out of attempts to deliver a dependably engaging product for a mass audience while removing the unpredictable upheavals that imperil participants. As such Kayfabrication is a dependable feature of many of our most important systems which share the above two characteristics such as war, finance, love, politics and science.

— but it cannot model them.

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Let’s take a closer look at the analogy, though:

What makes Kayfabe remarkable is that it gives us potentially the most complete example of the general process by which a wide class of important endeavors transition from failed reality to successful fakery.

That’s skirting the “model” concept again, but:

While most modern sports enthusiasts are aware of wrestling’s status as a pseudo sport, what few alive today remember is that it evolved out of a failed real sport (known as “catch” wrestling) which held its last honest title match early in the 20th century. Typical matches could last hours with no satisfying action, or end suddenly with crippling injuries to a promising athlete in whom much had been invested.

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The idea was to avoid two “paradoxical risks”:

  • Occasional but Extreme Peril for the participants
  • General: Monotony for both audience and participants
  • Think about that in the context of war — extensive boredom punctuated by episodes of extreme risk? Try these descriptions from WWI:

    Since then we have been doing infantry work in the trenches. We have been out of work on our trenches; only shrapnel and snipers. Some one described this war as “Months of boredom punctuated by moments of terror.” It is sad that it is such a bad country for cavalry.

    and:

    “Months of boredom punctuated by moments of terror” : such is a description of life in the Navy which a naval lieutenant quotes as exactly fitting the facts.

    That covers army and navy, both from Where does the phrase of “boredom punctuated by moments of terror” come from? — but what about the air? It’s not from WWI, but anyway:

    In Barry Lopez’s essay “Flight” (published in About This Life and originally in Harper’s October 1995) he quotes pilots describing flying as “hours of boredom punctuated by minutes of terror.

    And what of love — after, as they say, the honeymoon is over?

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    For that matter, and at an entirely different scale, what about the heartbeat?

    That’s “boredome punctuated by excitement” in a nutshell, iterated, and becoming a (mostly) relable rhythm..

    Iterated. Rhythm.

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    I’m unconvinced that the heartbeat is an example of “the general process by which a wide class of important endeavors transition from failed reality to successful fakery”.. And that’s a crucial element of the general process, eh? It has to do with the way in which “important endeavors transition from failed reality to successful fakery.”

    I’d read that as potentially covering the transition from failed Mueller to successful Fox, if things go that way. YMMV:

    But “general process” — again, what’s the mnodel? And more preciseluy, what would the model look like in “stocks and flows” system dynamic form, say in STELLA? See Donella Meadows, Leverage Points: Places to Intervene in a System?

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    Or HipBone?

    I’m not convinced Mueller / Fox is a “boredom then excitement” example, much less that Mueller and Fox are allied in producing their result, whatever this may turn out to be — but Democrat and Republican, perhaps..

    And my search for the abstraction, the underlying model of the general process proposed continues..

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    KAYFABE in Professional Wrestling tells us more:

    To lift the veil on the world of professional wrestling, we need to take a look at the term ‘kayfabe‘. Kayfabe is a wrestling word coming from the early carnival days of wrestling for the word “keep”, originally used as “keep quiet”, or “keep secret”. Kayfabe is often seen as the suspension of disbelief that is used to create the non-wrestling aspects of the business, such as feuds, angles and wrestling gimmicks (or in layman terms, a wrestler’s on-screen persona from their personality down to their attire). In relative terms, a wrestler breaking kayfabe during a show would be likened to an actor breaking character on camera.

    In the past, it was common for wrestlers to adhere to maintaining kayfabe in public, even when outside the ring and off-camera, in order to preserve the illusion that the competition in pro wrestling was not staged.

    Kayfabe breaking as analogous to “an actor breaking character on camera”? And kayfabe transitioning from “virtual” to “real” — another of our favorite themes? Here we are again, from our first source:

    Importantly, Kayfabe also seems to have discovered the limits of how much disbelief the human mind is capable of successfully suspending before fantasy and reality become fully conflated. Wrestling’s system of lies has recently become so intricate that wrestlers have occasionally found themselves engaging in real life adultery following exactly behind the introduction of a fictitious adulterous plot twist in a Kayfabe back-story.

    So “wrestlers have occasionally found themselves” — wrestlers, plural, found themselves engaging, plural — in adultery? Our model needs to accomodatee this plurality along with all the rest.

    Adultery?

One Response to “Kayfabe is an analog for war and love maybe, not a model”

  1. Grurray Says:

    In order to maintain the suspension of disbelief, the wrestling audience is often allowed to dictate the course of the match through cheering and booing. There are actually several different formulas and scenarios that can result from the interactions between opponents, referees, and spectators to keep it engaging.
    For example, one old favorite is the easily distracted ref
    http://tvtropes.org/pmwiki/pmwiki.php/Main/EasilyDistractedReferee
    during which the bad guy cheats and uses illegal moves against the good guy. Many possibilities can then spring forth such as feints, comebacks, false hopes, redemption, etc. When done correctly it really turns into an art.

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