Countering Violent Extremism: variants on a theme

• One stream would begin with dissatisfaction and wend its way through a general sense of injustice in the world to the idea that Islamic nations and groups in particular are being targeted for military interventions by America and its allies, perhaps with a detour though the issues associated with “underdog” Palestinians, and thence towards a sympathy for jihadists, some level of identification with the Ummah, formal acceptance at some point of Islam (ie the taking of the Shahada), to an acceptance that jihad is an individual obligation for able Muslims under present circumstances…
• The other stream would arise from religious seeking and theological speculation, finding in Islam a simple and clear-cut answer to the seeker’s questions, via further discussion and the taking of Shahada — and then move along roughly the same trajectory that Daveed Gartenstein-Ross meticulously chronicled in his first, less widely known book, My Year Inside Radical Islam: A Memoir, with an emphasis on an increasingly “puritanical” salafi / wahhabi / deobandi interpretation of the religion, which can then lead in turn to a sense of potential political ramifications, again that the West is involved not merely in wars that happen to be in Muslim countries but in wars against the Ummah, and thence again to the acceptance of jihad as individual obligation.

That individual obligation (fard ‘ayn) being, I suspect, the likely “bottleneck” where any and all such streams would converge.

4.

For those interested in how this ties in with wider currents in contemporary thought, and with the bead game in particular:

I said above that I am interested in thoughts. I mean by this that my natural focus is more on thoughts than on people. Not that this is better or worse than some other focus…

In Hermann Hesse terms, I’m more interested in the great game of juxtaposed cultural contents played by the Castalians in his book Magister Ludi:

All the insights, noble thoughts, and works of art that the human race has produced in its creative eras, all that subsequent periods of scholarly study have reduced to concepts and converted into intellectual values the Glass Bead Game player plays like the organist on an organ. And this organ has attained an almost unimaginable perfection; its manuals and pedals range over the entire intellectual cosmos; its stops are almost beyond number.

than I am in the game that Hesse tells us he played in reverie while raking and burning leaves in his garden — visualizing the great men of all times walking and talking together across the centuries – a game which quite a few great minds seem to have stumbled upon, and which Hermann Melville describes in his novel, Mardi:

In me, many worthies recline, and converse. I list to St. Paul who argues the doubts of Montaigne; Julian the Apostate cross- questions Augustine: and Thomas-a-Kempis unrolls his old black letters for all to decipher. Zeno murmurs maxims beneath the hoarse shout of Democritus; and though Democritus laugh loud and long, and the sneer of Pyrrho be seen; yet, divine Plato, and Proclus, and Verulam are of my counsel; and Zoroaster whispered me before I was born… My memory is a life beyond birth; my memory, my library of the Vatican, its alcoves all endless perspectives, eve-tinted by cross-lights from Middle-Age oriels…

Both modes are valuable, I’d suggest, both are worth pursuing.

5.

Edward Tufte has the above diagram in Visual Explanations, one of his several beautiful and profound books. That diagram in turn is based on Salman Rushdie‘s description of the Indian epid Kathasaritsagara or Ocean of the Streams of Story in his book Haroun and the Sea of Stories:

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