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Two very different pieces of possible interest

Wednesday, January 29th, 2020

[ by Charles Cameron — one for those who follow apocalyptic strands in RL and media, one for those who follow Vimalakirti, Heraclitus and the Glass Bead Game — recommended ]
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Tim Furnish reviews the Netflix series, Messiah:

An Iraqi Refugee Trained in Illusion Who Works Miracles — Christ or Anti? Masih or Dajjal? That’s the situation posed by the Netflix series, Messiah, and it’s presented with sufficient subtlety that the answer’s not as obvious as it may seem from that quick condensation — and indeed, at the end of the series, there’s still sufficient ambiguity to keep you guessing, and the producers in line for a renewed contract and second series..

It’s not quite subtle enough to please our friend Tim Furnish, however, who gives a fine overview of the series, then takes the details of eschatological hadith and Biblical writings a step further into accuracy, and thus depth. His opening paragraphs:

“One man’s messiah is another man’s heretic.” That’s the opening line of my first book on Islamic messianic figures. It’s also an apt summary of Netflix’s excellent new show Messiah. Its 10-episode first season was released on Jan. 1. Let’s hope it gets renewed. We need to know how this story of a charismatic Middle Eastern miracle worker, who not only attracts Christians, Muslims and Jews but sways the U.S. President, plays out. Here’s a brief (as possible) summary.

A Modern-Day Messiah?

A long-haired, thinly bearded man appears in Damascus and accurately predicts the destruction of besieging ISIS forces. Many Palestinians there follow him into the desert, believing him to be al-Masih, “The Messiah.” He leads them to the Israeli border. The movement gets on the CIA’s radar screen. The group reaches the Israeli border, and al-Masih crosses. He’s arrested and interrogated by a Shin Bet agent, about whom he knows personal details. He then disappears from prison (later we find out the prison guard let him go, believing him the Messiah) and reappears on the Temple Mount. In a confrontation near the Dome of the Rock, Israeli soldiers shoot a young boy — whom al-Masih heals. He then disappears again, showing up soon after in Dilley, Texas. He is caught on cell phone cameras stopping a tornado about to destroy the Baptist church. This goes viral and many flock to the town. The church pastor believes him to be Jesus returned and becomes his spokesman and handler.

Well there’s plenty more, obviously, and I highly recommend Tim’s commentary — they should have hired him as a consultant.

To read more, go to Netflix’s Messiah Reviewed: Who’s Your Messiah Now?

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Very different indeed is JustKnecht‘s exquisite weaving of ideas around Basho, Vimalakirti and a whiff of Chick Corea in his Notes on a winter journey to the interior, subtitled (and subtled) “on a treadmill facing north” — the reference is to Basho‘s Narrow Road to the Deep North which you really ought to know already.

And that’s a bit of a point. You really ought to know already: Basho and Vimalakirti, Heraclitus and Tamsin Lorraine, heaven and earth, and as it is in heaven, so it already and always is on earth, for as above, so below.

For myself, I know each of these with glancing blows, while JustKnecht knows each in depths I cannot match. Reading the whole is, for me, a sustained flight in the Absolute as viewed through thr world’s cultures, with butterflies a particular point of reference — and a long-tailed bired in seven syllables that’s almost an angel — or an apsara?. — ah, peacocks, too.

In any case, an education — and a delight.

Late afternoon, cooling down after a hard run in the condo gym, Herbie Hancock’s Butterfly breezes onto my playlist. We breathe together deeply, and I don’t know whether it is I dreaming that I am the bass clarinet, or the bass clarinet dreaming that it is I.

The music and the vision fades, and I’m sitting in my armchair doing mental exercise. From high school trombonists and collegiate level cello students to elite athletes and surgeons, cognitive rehearsal in the absence of physical movement has been shown to improve physical performance. In the same way, listening to one of my 5K run playlists gives me a perfectly good workout without the inconvenience of even moving a muscle.

Reade more: Notes on a winter journey to the interior — ah yes, the interior!

Thank you: I bow .

A Merry Christmas to all Zenpundit readers

Wednesday, December 25th, 2019

[ by Charles Cameron — Christmas greetings, classical and jazz versions ]
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If you’ve seen this picture of the interior of Notre Dame in Paris after the blaze..

you might think of it as the Good Friday version of the great cathedral, central to France’s spiritual and national life, devastated by the fire that swept through the 800-year old structure in the heart of Paris in April this year.

Today is Christmas day, however, so here’s a joyous Christmas version — from last year’s Christmas Mass, a great organ peal leads into the carol Adeste Fideles, here sung in Latin, but known in English as O Come, All Ye Faithful:

Here’s wishing you a Merry (and if you don’t mind such things, a blessed) Christmas and Happy New Year!

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And for those of you who prefer jazz to the classics, here’s a taste of the 50th anniversary celebration of the Church of St John Coltrane, held in Grace Cathedral, San Francisco this July:

Merry Christmas, Happy Hanukah, happy holidays of your choosing!

The Magic in Advertising series, more music, classics, mixes, snore

Wednesday, November 6th, 2019

[ by Charles Cameron — following on Advertising series 01: Music — maybe I’ll post three today — here’s the second ]
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Ludacris Mercedes– there’s a moment in the middle of this magical commercial where magic transforms opera into rap — the Mercedes driver’s preference, as we see at the end of the commercial, when he instructs the car to play his music:

Opera as luxe:

The aria is — well, here’s how the LA Times puts it, in a piece titled Does Volvo know it’s using opera’s most monstrous villainess to sell its SUVs?:

Volvo’s new spokesmodel for its SUVs, the Queen of the Night from Mozart’s “Magic Flute” (Diana Damrau), ordering up the murder of Sarastro, the High Priest of the Sun, in a production at Covent Garden.(Royal Opera House)

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Ha! For a different take, an opera-rap mix, see Twist of Fate Wines’ Embrace the Unexpected ad:

Like it? Switch modes of culture-clash:

Flight of the Bumblebee:

And go to Calvinball:

Last but not least, give things a sacred twist? Hallelujah:

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Previous episodes in the same series:

Advertising series 01: Music
Eros, the Renaissance and advertising
Authentic, spiritual magic!
The magic of advertising or the commercialization of magic?
Here’s magic!
The magic of miniatures
rhyming, twinning, pattern recognition
the purring, roaring Jaguar

I imagine there will eventually be about twenty posts in the series..

The Magic in Advertising series, the purring, roaring Jaguar

Wednesday, November 6th, 2019

[ by Charles Cameron — this series has been quiescent, and that’s a pity — so I’ll post two today, to re-kick-start the series ]
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Jaguar:

You’ll likely have seen the jaguar (cat) keeping pace with the Jaguar (e-pace), the cat and the car in parallel..

The cat-car association is embedded in the name: the addition of a beautiful woman never hurt from an ad-man’s perspective. Here’s a 1959 ad for an XK150 Roadster:

The same formula works today —

Eva Green features in an alluring, almost purring commercial in which her cat accompanies her to her car:

As the lady says, It’s just electric.

And in a docu-short, Ms Green tells us:

When I think of Jaguar I think of the power and the elegance of the animal, it’s such an iconic brand..

Cat and brand are no longer running in parallel, they’re merging..

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Previous episodes in the same series:

Advertising series 01: Music
Eros, the Renaissance and advertising
Authentic, spiritual magic!
The magic of advertising or the commercialization of magic?
Here’s magic!
The magic of miniatures
rhyming, twinning, pattern recognition

I imagine there will eventually be about twenty posts in the series..

A magical tale, in three accelerating acts

Wednesday, November 6th, 2019

[ by Charles Cameron — magic is imagination, see my post Vlahos: violence is the magical substance of civil war earlier today ]
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Act One: Jacob’s Ladder

Jacob’s ladder, on which angels are show ascending and descending, is revealed to Jacob in a dream: sheer magic — and how richly strange to see the ladder emerge from a simple loop of string..

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Act Two: Pavel Tchelitchew, The Concert {via Alabandine]

That the string figure should become a stringed instrument, plucked by the teeth and accompanied by tambourine.. again, we are raised an octave above our grounded selves..

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Act Three: Bob Dylan, Song and Dance Man

And the song and dance musician magician Dylan — his harmonica, making an anthem for us all.


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