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Is there truth in victory?

Friday, August 2nd, 2013

[by Lynn C. Rees]

Things change. Beliefs don’t. Facing change, belief clings to the agreeable and resists the disagreeable. Current fashion names this reflex “confirmation bias” and frames it as the enemy of truth. Closer truth names this reflex “concentration of force” and portrays it as the friend of victory.

The notion that discovery of truth is an individual effort persists. By this notion’s curiously resilient lights, the only truthful mind is a blank mind. Purge existing beliefs. Capture change free of entanglements. Embrace blindness to see clearly. Above all, lean neither one way nor the other. Only then, after much trial, with the last mental debris bulldozed away, will light come.

No one thinks like this. Despite the occasional brave try, everyone reflexively favors things that fortify belief over things that undermine belief. If truth is a self-help exercise, the existence of confirmation bias means the mind is inescapably flawed. If truth is trial by self-improvement, the only cure for mind flaws is constant reinforcement of what human history suggests is impossible. And if reinforcing the impossible only leads to more impossibility, at least it leads to an impossibility redeemed by its righteous aggression.

And so it would be, if leaving a vacuum and calling it truth is truth. But if truth comes from group contortion rather than individual self-flagellation, confirmation bias is a feature, not a bug. Then the mind is not flawed, at least not in that way. If the mind was guilty of chronic confirmation bias, it would only be guilty of operating to spec.

Those who insist on convening a symposium for a full and frank exchange of views every time they come under fire rarely need a good retirement plan. Because of this, to enforce effectiveness under fire, Darwin decrees that the mind comes preloaded and then preloaded with live ammunition, not blanks. Beyond this, freedom to arbitrarily switch the caliber of mental ammunition mid-stream is sacrificed for clarity of supply: mind yields measured in thoughts per calorie rise when ideas are bought in bulk following spec, especially amid uncertainty in the field.

Because buying ideas in bulk creates economies of scale, if confirmation bias is bias confirmed then it is bias shared. At the tribal scale, where human routine plays out, bias shared is indistinguishable from agreement. It too is guilty of operating to spec: Agreement reduces friction. Reduced friction lets group efforts prioritize targets. Prioritized targets let group effort selectively focus. Selective focus creates opportunities for local asymmetries. Local asymmetries can be exploited to further the tribe.

This makes confirmation bias concentration of force. Concentration of force is biased, first in favor being very strong and then at the decisive point. But it is confirmed only when being very strong and then at the decisive point yields victory. Local superiority in strength at a decisive point is neither constant nor guaranteed: it is only guaranteed to not be constant. So the mind must stay on target: it earns its keep by concentrating for victory, not emptying for truth.

This explains why what humans experience as “me” is a social loop: it is a argument simulator for forging chatter into weapons through endless drill of imagined conversations. It’s a display device, not a thinking machine. The thinking machine lies deep in the mind: real thought emerges from offline processing, especially during sleep. Conscious “me” is suited to rehearsing if small variations in action lead to opportunity through asymmetry. These variations are what gets flung at others as weaponized chatter. Some variations stick, leading to victory. Some miss, leading to defeat. Some should only be flung if clearly labelled FOR ENTERTAINMENT PURPOSES ONLY.

Truth emerges from accumulations of such victories piled on mass burials of such defeats. It is an unintended byproduct, not an intended end product. But its emergence reaches back to shape its source. Generation by generation, the mind is doomed to more and more bias in favor of weaponized thought measured in victories confirmed, always subject to how well they fit, however haltingly, what is true.

So things change while beliefs don’t. Confirmed truth is biased toward victory and victory is biased toward agreements with friends to win something with something rather than lonely pursuit of nothing through nothing.

See the argumentative theory of reason for more background on this framework.

E.O. Wilson on the Evolutionary Origin of Creativity and Art

Thursday, April 4th, 2013

E.O. Wilson 

Last summer, eminent sociobiologist E.O. Wilson published an article in Harvard Magazine:

On the Origins of the Arts 

….By using this power in addition to examine human history, we can gain insights into the origin and nature of aesthetic judgment. For example, neurobiological monitoring, in particular measurements of the damping of alpha waves during perceptions of abstract designs, have shown that the brain is most aroused by patterns in which there is about a 20 percent redundancy of elements or, put roughly, the amount of complexity found in a simple maze, or two turns of a logarithmic spiral, or an asymmetric cross. It may be coincidence (although I think not) that about the same degree of complexity is shared by a great deal of the art in friezes, grillwork, colophons, logographs, and flag designs. It crops up again in the glyphs of the ancient Middle East and Mesoamerica, as well in the pictographs and letters of modern Asian languages. The same level of complexity characterizes part of what is considered attractive in primitive art and modern abstract art and design. The source of the principle may be that this amount of complexity is the most that the brain can process in a single glance, in the same way that seven is the highest number of objects that can be counted at a single glance. When a picture is more complex, the eye grasps its content by the eye’s saccade or consciously reflective travel from one sector to the next. A quality of great art is its ability to guide attention from one of its parts to another in a manner that pleases, informs, and provokes

This is fascinating.  My first question would be how we could determine if the pattern of degree of complexity is the result of cognitive structural limits (a cap on our thinking) or if it represents a sufficient visual sensory catalyst in terms of numbers of elements to cause an excitory response (neurons firing, release of dopamine, acetylcholine etc. ) and a subsequent feedback loop. Great art, or just sometimes interesting designs exhibiting novelty can hold us with a mysterious, absorbing fascination

Later, Wilson writes:

….If ever there was a reason for bringing the humanities and science closer together, it is the need to understand the true nature of the human sensory world, as contrasted with that seen by the rest of life. But there is another, even more important reason to move toward consilience among the great branches of learning. Substantial evidence now exists that human social behavior arose genetically by multilevel evolution. If this interpretation is correct, and a growing number of evolutionary biologists and anthropologists believe it is, we can expect a continuing conflict between components of behavior favored by individual selection and those favored by group selection. Selection at the individual level tends to create competitiveness and selfish behavior among group members—in status, mating, and the securing of resources. In opposition, selection between groups tends to create selfless behavior, expressed in
greater generosity and altruism, which in turn promote stronger cohesion and strength of the group as a whole 

Very interesting.

First, while I am in no way qualified to argue evolution with E.O. Wilson, I am dimly aware that some biological scientists might be apt to take issue with Wilson’s primacy of multilevel evolution. As a matter of common sense, it seems likely to me that biological systems might have a point where they experience emergent evolutionary effects – the system itself has to be able to adapt to the larger environmental context – how do we know what level of “multilevel” will be the significant driver of natural selection and under what conditions? Or does one level have a rough sort of “hegemony” over the evolutionary process with the rest as “tweaking” influences? Or is there more randomness here than process?

That part is way beyond my ken and readers are welcome to weigh in here.

The second part, given Wilson’s assumptions are more graspable. Creativity often is a matter of individual insights becoming elaborated and exploited, but also has strong collaborative and social aspects. That kind of cooperation may not even be purposeful or ends-driven by both parties, it may simply be behaviors that incidentally  help create an environment or social space where creative innovation becomes more likely to flourish – such as the advent of writing and the spread of literacy giving birth to a literary cultural explosion of ideas and invention – and battles over credit and more tangible rewards.

Need to ponder this some more.

Mindlessness and Mindfulness

Tuesday, January 22nd, 2013

In the midst of writing a lengthy post, it may eventually become my longest, about Socrates.

There’s no assurance that volume will equate with importance – most likely, the opposite. The post began as a book review and then grew to two books, then I reversed course and started over; it has been unusually slow going because the subject matter has forced me to stop periodically and uncomfortably rethink my assumptions – and then pick up new books. In one sense, there’s no hurry. After all, Socrates will still be just as relevant or not when I finish blogging about him than when I began. On the other hand, the spirit of our times calls out for Socrates’ techne logon, his “craftsmanship of reason”, so I keep plugging away at it.

The flip side to this intense focus has been an increasing desire for a little mindless entertainment. So, I started watching Sons of Anarchy of my iPad, Season One. So far, It’s fun:

The theme and setting is interesting and the characters and plot are generally more credulity-stretching than even The Soprano’s in their twilight seasons, but Sons of Anarchy fills the bill in terms of entertainment.Boardwalk Empire, is also supposed to be very good, even better, but one at a time.

What do you use as a diversion?

Point and Counterpoint in Defining Warfare II.

Monday, December 10th, 2012

A few comments on the article by Lt. Col. Jill Long at SWJ and the hardheaded critique by Jason Fritz of Inkspots to which I linked yesterday.

First, the attempt that Long was making in posing an alternative to Clausewitz was a laudable one, in the sense that every serious student who picks up a classic text, Clausewitz, Thucydides, Sun Tzu, Marx, Plato, Machievelli, Musashi and so on, should do more than simply try to understand the author and accept their views uncritically. Doing so would make you a parrot, not a scholar. Instead, we need to wrestle with and challenge the text; try to poke holes in the argument, turn it inside out and break it apart, if we are able. Sometimes we can make a legitimate chip or dent but most of the time, we are going to fail – the reason people have read these books for two or twenty centuries is because the arguments of brilliant minds within them continue to have enduring relevance.

I don’t think Long succeeded in her effort here, but if every officer had as part of their PME to formally construct an alternative to Clausewitz as she tried, we’d have a more strategically informed military and arguably one that better understood Clausewitz. If nothing else, Long was intellectually more courageous than the majority of her brother officers to make the attempt in the full glare of public scrutiny and that is praiseworthy

That said, “What is War? A New Point of View” is problematic. In my view, there are three major structural flaws in Long’s article: first, I don’t think she wrestled with On War  to plausibly justify her opening claim that that Clausewitz’s definition of war was obsolete. As Colonel David Maxwell pointed out at SWJ, that kind of bold discussion requires some reference to CvC’s “remarkable trinity”. Jason Fritz was probably speaking for a Clausewitzian legion when he, quite correctly, jumped on her argument for using dictionary definitions(!),  not tackling Clausewitz’s actual definition of war in asserting it was an anachronism or that such a definition can and does apply to non-state actors making war as well as states. You can’t make sweeping claims as a declaratory preface to the subject you’d really like to talk about – your audience will demand proof of your claim first.

The second major problem, is Long similarly dismisses the accepted definition of war under international law which is not only as equally large a field as Clausewitzian thought, it’s far larger and more important – being, you know – binding international law!  Disproving either of these alone is a fit subject for a dissertation or a book, not a paragraph. Sometimes we must learn how to construct a melody before we attempt to write a symphony.

The third structural problem is one of basic epistemology. Long’s assertion that Clausewitz’s (or any ) definition is not sufficiently broad because it is simple and that her definition is because it is complex is fundamentally ass-backwards. The question of definitions is one of the oldest ones in Western philosophy and we know that simple and profound definitions are by nature broadly stated while the negative dialectical process of qualifying them narrows their scope of application by revising the definition in a more complex form.

Jason Fritz raised a very interesting objection in his rebuttal:

….Long fails to adequately describe how the world has changed or how the “Global Era” plays into this. She states that the terrorist attacks on September 11, 2001 have changed how we should perceive the world. It seems that the she believes that that day should have awakened Americans to the threat of non-state actors. Long also states that “‘interconnected systems of trade, finance, information, and security’ demand a larger perspective when considering the engagement of imposing national will on others.” Both of these points are stated in defiance of history. Globalists enjoy selling the greatness and threats of our “interconnected systems” in the modern day, but that presumes that the world is newly interconnected. We know this is not true. Interconnection in today’s world may be faster and easier, but it is not new. States and other political groups have interacted over the elements listed for millennia – look only to the period of global colonization to see how long we as humans have been at this. Long does not describe how today’s globalization is unique and why that changes how we define war.

There are important distinctions to be made here but my short comment would be that globalization has had a significant effect upon warfare but not upon war.

As Jude Wanniski once pointed out, there is and has always been only one “system” – the whole world. What globalization has changed among the constituent parts is the velocity of transactions, their frequency, the potential number of players making transactions, where the system has degrees of transparency and opacity, the incentives and capabilities of political “gatekeepers” to control exchange of information or goods among other things. It is a different global economy than the one under the auspices of Bretton Woods or the quasi-autarkic decade of the Great Depression or the first globalization that died in August 1914.

Most of these things have direct bearing on economics, politics or policy but indirectly on the conduct of warfare as well. Balance of comparative advantages can be altered, situational awareness of conflicts can be heightened and the line between de jure war and “mere violence” uncomfortably blurred. Generally, statesmen have reacted to globalization by imposing greater political constraints – usually more than would be tactically wise or efficient –  on their own use of military force in less than existential conflicts. Generally, this is perceived as an aversion to taking or inflicting casualties and a legalistic-bureaucratic micromanaging of  military commanders and troops.Whether such politically self-imposed limits are useful in pursuing a strategy for military victory is another question, one that can only be answered in specific contexts. Sometimes restraint and de-escalation is the best answer on the strategic level.

What was good in the Long article? In my view, the root idea of conceptualizing of war on a spectrum; it is a useful cognitive device that could accommodate nuances, ideal for examining case studies or changes in warfare over time. But would be more persuasive if developed with accepted definitions.

Congratulations!!

Tuesday, December 4th, 2012

To Lexington Green and James Bennett, for finishing their new book, America 3.0 – due out (I think) in 2013 published by Encounter Books.

A political vision for an era desperately short on imagination and needing statecraft of inspiration.


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