On bananas, cucumbers, tomatos and piano legs: an aside

[ by Charles Cameron, h/t Mike Few — bananas, cucumbers, tomatos and piano legs as sexual objects, reading the world as a book, Iraq recently, Shakespeare a while back, Robert Hooke ]

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Louis XV grand piano legs, hard maple. Image credit: http://www.balaams-ass.com/grandlegs.htm

MikeF in a comment on my post, Let me put my banana in your fruitbasket, pointed us to his Small Wars Journal article The Break Point: AQIZ Establishes the ISI in Zaganiayh, in which he reports that the Mujahedeen Shura Council in Iraq passed out propaganda pamphlets providing “instruction on the proper actions of good Muslims” in preparation for the establishment of an Islamic State of Iraq. One example of “proper actions” given was as follows:

One cannot eat tomatoes and cucumbers together because one is male and the other is female. This action is immoral. Failure to comply will result in death.

Think long and hard on that one!

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By way of light relief:

Frederick Marryat‘s 1839 book A Diary in America, in which he describes (as his title stipulates) American, not British, customs, seems to be the source of the idea that the (British, the urban legend having undergone a transatlantic metamorphosis here) Victorians covered the Legs (think: ankles, see diagram above) of their pianos for modesty’s sake.

Marryat, a credulous fellow as Matthew Sweet describes him in his Inventing the Victorians (p. xiii.), may well have been being teased when told this tale by his American friends. In any case, he reported that in an American girl’s school he visited, the head mistress “to preserve in their utmost purity the ideas of the young ladies under her charge” had “dressed all four limbs” of the school piano “in modest little trousers, with frills at the bottom of them!”

“Was this practice ever pursued, even in America?” Sweet asks sweetly, and answers himself: “Probably not.” And further, “whatever the case, the synecdochic relationship that now exists between Victorian sensibilities and the clothed piano leg is wholly fraudulent.”

Sweet is marvelous on this whole business, going on about it for pages. Most useful for my own purposes is his quotation from Richard Sennett‘s (1986) The Fall of Public Man, which argues:

that cultural change, leading to the covering of the piano legs, has its roots in the very notion that all phenomena speak, that human meanings are immanent in all phenomena.

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And a tad more seriously…

Interestingly enough, that very notion is indeed to be found in Islam, where the Qur’an asserts that nature is to be read like a scripture. In the words of Seyyed Hossein Nasr:

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