Firefights, breath, & meditation

This phenomenon is called “auditory exclusion,” and it’s a result of the nerve that connects the inner ear and the brain shutting down in the heat of battle. According to Grossman, 90% of combat soldiers report having experienced auditory exclusion. “You get caught by surprise in an ambush. Boom. Boom. Boom. The shots are loud and overwhelming. You return fire, boom. The shots get quiet, but you’re still getting hearing damage.”

A soldier’s vision can also be affected by combat, and Grossman uses two different so-called predator models — the “charging lion” and the “wolf-pack dynamic” — to explain this.

This is where the quote I selected about two types of vision — one in tight focus, one diffusely aware of everything going on around you — kicks in.

And one more thing: there’s time-dilation.

A number of soldiers and law enforcement officers whom Grossman has interviewed reported being able track incoming rounds with their eyes.

There is another phenomenon involving vision that is widely disputed, but which Grossman insists is real, and that’s the experience of what he calls “slow-motion time.”

“I have had hundreds of people tell me they can see the bullet in combat,” he says. “Many have been able to later point to where the bullet hit, and they could not have done that without tracking the bullet with their eyes. Not like the matrix. It’s like a paintball, where the bullet is slow enough you can track it with your eyes.”

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I’m not much of a gun person — though this is Father’s Day, and I do recall going on exercises aboard my father‘s command (Royal Navy) when I was nine, and firing the Oerlikon and Bofors guns. Why, then, am I interested enough in these two articles to recap them together here?

It’s because I’m a meditator, and concerned with breath and matters of cognition — so “high end firearms instruction includes breathing exercises that are designed to bleed off adrenaline and keep the pulse below 150” speaks to my daily practice — not because I’m in firefights, but because I want to enter a state of peace, and remain peaceable even when not meditating.

And that, my friends, means there’s some common ground between warfare and peacefare right here, in the breath. Which is something I think should be of keen interest to all of us.

Linehan’s article goes into more detail regarding cognition under fire, but two points particularly strike me. The first is that he mentions two states, often in rapid alternation, one involving tightly focused awareness, and the other a wide-angled awareness of 360 degrees around you, not to mention above and below..

That interests me because there are two major strands of meditative practice, one using a tight focus (eg on the breath, a mantra, etc), and the other picking up on whatever crosses the threshold of consciousness, not only from all around your external environment, but also from the various streams of bodily sensations, emotions, and thoughts. Mantra meditation is of one kind, zen sitting an example of the other.

Don’t take my word for it, though, I’m probably missing some important subtleties, and practice under the watchful eye of a teacher will give you a far better sense of the distinction and its niceties than I can.

The last thing? Time dilation.

It’s my experience — sometimes in meditation, but perhaps most noticeably when I was in a car rolling over and over in the Nevada desert — that time as perceived can both slow down and speed up. There can be all the time in the world to notice every last detail of what’s happening — and it can all be over in a flash, a split-second.

Words really don’t do such experiences justice, so I’ll leave it at that. But the similarities and commonalities between military experience under fire and meditative experience in the cool of the day are striking enough to warrant in-depth study — or as the meditation community might out it, further contemplation.

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  1. Steve H.:

    Two more cases of what Siu calls the “Instant focus of relevant totality”:
    .
    : LeBron. ‘Nuff said.
    .
    : As an actor, I found that I would ‘fly’ about 1 in 100 times. An extra level of awareness and audience control. When I examined the cases, a high percentage were when something went wrong – a missed cue, a missing prop, a broken chair… Suddenly I was no longer just an actor in the scene, but also having to manipulate the environment to get the production back on track. Lightning in a bottle tastes very fine.

  2. Charles Cameron:

    Steve — could you (actually) clue me in on LeBron and “instant focus” since I’m not a follower of sports, and cricket & perhaps rugby would be more my speed if I was?