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[ by Charles Cameron – extended analytic game on Israeli-Palestinian conflict — see Said Symphony: Intro ]
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All the games of the HipBone family use the juxtaposition of ideas on a game-board to develop a web of associations that is larger and more complexly interwoven than the same ideas gathered in a simple list, didactic argument or sequence.
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The Said Symphony board:

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The simplest of these games uses the DoubleQuotes format, with which regular Zenpundit readers will already be familiar (i, ii, iii, iv). More complex games have been played on the Dart and WaterBird boards among others, some light-hearted (Movie Trivia Game), some quite serious (What Sacred Games?).

For quite a while now, I have wanted to play a solo game — something more epic in scale than a two-move DoubleQuote or even a ten-move game on the WaterBird board – that “scored” the symphony that Edward Said intuited, as mentioned in my previous post.
Not so long ago, I found the perfect board…

Board credit: Claudio Rocchini
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The HipBone gameplay

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Here’s how the gameplay works.

Slowly, I am going to “place” one quote (or image) after another on that board.

Each of these quotes or images (or equations, or sound-clips, or even blanks / silences) will be assigned a “position” (circle) on the board, a name or “move title“, some “move content” that features the quote or image and enough associated content to explain it, a series of “links claimed” in which I build bridges to directly adjacent moves already in play, and on occasion a “comment” which will allow me to weave in an overview of how the game is going, some footnotes, whatever seems helpful.

A board position, move title, move content, links claimed and comment, taken together, will comprise a single “move” on the board.

I hope to cover a wide range of issues here, political and religious, riparian and agrarian, Judaic and Christian and Muslim, secular and sacred, local, regional and international, disputed and agreed, in parallel and orthogonal and in opposition, violent and peaceable, ancient and modern and futuristic, social and individual… thesis and antithesis and synthesis, you get the drift.

Let me be clear: wherever the board shows two circles (‘board positions”) directly linked by a line, the ideas (“moves”) assigned to those two circles should have some form of linkage – associative, analogical, metaphorical, metonymic, causal, illustrative, oppositional, paradoxical, biographical, bibliographic… and so forth.

Putting that another way, I shall try to place my moves in such a way that moves joined by lines between them will indeed provoke thought and insight — about the facts on the ground, the myths in the air, the dreams and hopes and dashed hopes, the people…

So that the whole sorry, glorious story will hover behind the board, with pinpoint quotes and details shining through the moves on the board like constellations in the night sky.

Thus it is not the ideas themselves but their relationships – their duels and duets – which form the fabric of this work of architecture, the counterpoint of its music.
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Playing and following along:

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I shall play my moves first, one at a time, in the forums my friend Howard Rheingold, web pioneer and author of Smart Mobs, has set up for graduates of his online classes. I may at times make two or three moves there in a day — or wait a week and ponder what my next move should be.

But I don’t want to clutter up ZP every time I made a move, so I shall wait and gather them, and post here on Zenpundit when I have a suitable cluster to offer.

It was Howard‘s gracious invitation for me to introduce my games to his alumni that first nudged me off my perch and got me started playing this game that I have been thinking about for some years now –and Zenpundit is my home on the open web – so this double presentation is natural.

You are most welcome to follow along, comment and kibitz – but let me make two things clear from the outset:

The fact that I “play” a particular person, image, work of art or headline in no way means that I endorse that person or point of view – any more than a novelist or historian quoting Hitler, Churchill, or Stalin necessarily endorses the swastika, Union Jack or hammer and sickle:

Quotation does not imply endorsement or disparagement.

And the fact that I juxtapose two situations, events, anecdotes, quotes, processes or persons in no way means that I equate them – any more than a juxtaposition between the soccer game that kicked off the Football War (El Salvador and Honduras, 1969) and the Fischer-Spassky match that was a minute but focused skirmish in the Cold War (USA vs USSR, 1972) implies that soccer is or somehow equals chess — or is its exact opposite — or provides or implies a moral equivalence between America and Russia:

Linkage does not imply equivalency, moral or otherwise.

There will be symmetries, there will be asymmetries, as you’ll see — and indeed it may well prove that the discrepancies, oppositions and imbalances between two adjacent moves will be as fruitful as any parallelisms.

What I would suggest is that every move, like it or loathe it, should be heard.
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And briefly, the HipBone Games:

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The project builds on my previous development of the HipBone family of games, which began as an attempt to make a playable variant of the Glass Bead Game described in Hermann Hesse‘s Nobel winning novel, Magister Ludi.

I recently posted an introductory account of the games on Bryan Alexander‘s New Digital Storytelling blog; game boards are available for download at HipBoards; and the basic games rules and invitation to play are still up at my now ancient HipBone Games website.

I’m happy to take questions in the comments section.
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Next up:

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In my next post, I’ll play the opening moves…

[ by Charles Cameron – extended analytic game on Israeli-Palestinian conflict ]

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I have begun work on a major personal project, the Said Symphony, and I’ll be posting the work as it proceeds, privately in the Alumni forum of Howard Rheingold‘s online classes, and in public here on Zenpundit.

Here’s the deal.

The idea of the Said Symphony Game:

Edward Said, the Palestinian “public intellectual” was also an accomplished musician, and the music critic of The Nation for quite a while. One time he brought his musical and Palestinian interests together in a stunning suggestion:

When you think about it, when you think about Jew and Palestinian not separately, but as part of a symphony, there is something magnificently imposing about it…

I intend to explore that idea, in an attempt to “see” the Israeli-Palestinian question with fresh eyes, to hear it in some of the many voices – from sound-bites to scriptures – embodied in that conflict, some of the many individuals whose dreams and lives and olive trees are rooted in that sacred ground… and to present it in a way that is at once analysis and synthesis, history and work of art.

The complexity of the situation:

Let’s make this personal. Here’s a poem that expresses the way I’m thinking here:

I am Charles

My concern is the human mind in service
to an open heart, and my problem
is that the heart picks issues rich in ambiguity
and multiplicity of voices, tensions
and torsions tugging not one way but
in many directions, even dimensions, as does
a spider’s web weighed down with dew –
to clarify which a mind’s abacus is required

equal in subtlety to subtlety itself, while
in all our thinking and talking, one
effect follows one cause from question
to conclusion down one sentence or white
paper — whereas in counterpoint,
Bach’s fugal voices contain their dissonance.

Okay?

Take a look at this spider’s web, for example:

Spiders and dewdrops do a pretty convincing job of portraying a certain level of complexity in what I think of as (virtually, metaphorically) a node-and-edge diagram of the global situation.

Mapping ideas and places:

Now, to apply that style of thinking to a serious world problem… the Palestinian-Israeli or Israeli-Palestinian conflict…

When, say, Hamas and Fatah signed their National Reconciliation Agreement on May 4, 2011, or Netanyahu won 29 standing ovations during his May 24 speech before a joint session of the US Congress, it’s like a few new drops of rain falling on that spider’s web — the droplets fall this way and that, carom into one another, the fine threads they’re on snap or stretch and swing down and around… until a new equilibrium is reached…

But try thinking the issues through before breakfast one morning if you’re the US Secretary of Defense — with the fresh winds of the Arab Spring promising a new Egypt, Iran announcing its intention to test a nuclear weapon shortly, and al-Qaida and associates training and recruiting in the background…

Pakistan… China…

And your problem isn’t a two-dimensional spider’s web with gravity pulling in just one direction – it’s more like an n-dimensional spider’s web, with multiple gravities, tugs, and tensions – and some of those tensions are in the category of known unknowns that one of your predecessors talked about, some of them unknown unknowns, and some of them literally unknowable – hidden in the hearts of more devious men than you, and known only to God.

That’s the complexity of the thing: to map the spaces where salaam might meet shalom.

That’s also the node-and-edge nature of the graphical approach I shall use.

Coming up shortly:

In my next post, I’ll explain the HipBone gameplay – the way in which moves are made on the board, and what their juxtapositions mean — and introduce the board.