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[ by Charles Cameron — when is a sword just a metaphor, when does it spill blood, and what can be done about it when it does? ]
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Hayder al-Khoei is presently in Rome for an interfaith conference on “Religions and Cultures in Dialogue” organised by the Community of Sant’Egidio, attended Mass this morning at the Basilica of Saint Paul Outside the Walls, and posted this fascinating comment on Twitter:

I assumed Saint Paul was a warrior-saint like Imam Ali. Turns out the sword only symbolises the word of God. #pt pic.twitter.com/9Wd71ENFbL

— Hayder al-Khoei (@Hayder_alKhoei) September 29, 2013

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According to one of his recent bio notes, Hayder al-Khoei is “an associate fellow of the Middle East and North Africa Programme at Chatham House, a London-based think tank on international affairs. He holds a masters degree in international studies and diplomacy from the School of Oriental and African Studies, University of London.” He’s generally considered highly qualified to speak on issues relating to Shi’a Islam — he’s also the scion of an illustrious clerical family, son of Sayyid Abdul Majid Al-Khoei and the grandson of Grand Ayatollah Abdul-Qasim Al-Khoei.

I can’t tell whether it was just the sight of St Paul’s sword in this particular statue that gave al-Khoei this thought, or whether it’s an idea more generally found among Muslims — that the early Christians in general were a militant bunch, or St Paul in particular. But al-Khoei’s comment is worth reflecting on.

Here are two counter-factuals to consider — not as statements of belief or historical fact, but as historical fictions that may yet give us glimpses ointo tje parallelisms and divergences between the two religions.

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What of Christianity if Christ had not been crucified?

What would Christianity have looked like at 100 CE — or look like today, perhaps — if Christ hadn’t died on the cross (Muslims believe he didn’t), but had lived to see his followers persecuted and killed and the Jerusalem Temple destroyed by the Romans ikn 70 CE? Might his instructions gto his disciples have moved from an emphasis on peace to instructions for insurrection andd self defence over that period of time? See Luke 22. 35-36:

And he said unto them, When I sent you without purse, and scrip, and shoes, lacked ye any thing? And they said, Nothing. Then said he unto them, But now, he that hath a purse, let him take it, and likewise his scrip: and he that hath no sword, let him sell his garment, and buy one.

In the Gospel narrative, this instruction lasts for only a short while — Luke 22 continues:

And he said unto them, When I sent you without purse, and scrip, and shoes, lacked ye any thing? And they said, Nothing. Then said he unto them, But now, he that hath a purse, let him take it, and likewise his scrip: and he that hath no sword, let him sell his garment, and buy one. For I say unto you, that this that is written must yet be accomplished in me, And he was reckoned among the transgressors: for the things concerning me have an end. mAnd they said, Lord, behold, here are two swords. And he said unto them, It is enough.

and then, after the episode called agony in the garden, in verse s 47-51 of the same chapter:

And while he yet spake, behold a multitude, and he that was called Judas, one of the twelve, went before them, and drew near unto Jesus to kiss him. But Jesus said unto him, Judas, betrayest thou the Son of man with a kiss? When they which were about him saw what would follow, they said unto him, Lord, shall we smite with the sword? And one of them smote the servant of the high priest, and cut off his right ear. And Jesus answered and said, Suffer ye thus far. And he touched his ear, and healed him.

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And what of Islam, if Muhammad had not been persecuted in Mecca?

And what might Islam have looked like in 710 CE — or look like today, maybe — if the persecution of the Prophet and his disciples had not driven him from Mecca to Medina, and his teachings had continued to be peaceable as they were in his earlier Meccan suras of the Qur’an?

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To my mind, each of these stories of what never happened opens a possibility for mutual understanding between the two faith narratives: I offer them for this purpose.

Swords have been drawn, and blood spilled, in matters of conflict between religions. It is my hope and prayer, and that of those at the conference al-Khoei is attending, that the time will not be long in coming when the swords are sheathed and healings performed…

[ by Charles Cameron — shall we say, not a great enthusiast for war? ]
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This image of Winston Churchill in the bombed out ruins of Coventry Cathedral is almost a self-referential paradox in itself, if you still believe the canard that he knew the Germans were going to bomb Coventry that night, and did nothing about it to avoid divulging allied knowledge of the German ENIGMA code.

It it walks like a canard and quacks like a canard…

For a rebuttal of the suggestion that Churchill knew Coventry would be the target that night, see Sir Martin Gilbert, Coventry: What Really Happened [pdf, pp. 32-3] — the post-literate can listen to this Angry History podcast instead.

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As an aside, I wonder what Churchill had in mind when he coined his celebrated mot about Russia:

It is a riddle wrapped in a mystery inside an enigma; but perhaps there is a key.

According to Wikipedia, the Poles had delivered their early Enigma-breaking theories, tools and sample cryptologic bombs to British military intelligence in Warsaw on 25 July 1939. Churchill’s broadcast, The Russian Enigma, was given on 1st October 1939.

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And another aside, while we’re here — just to note that conspiracy theories are often among the gaseous components of a fog of war…

On the other hand, conspiracy theories can often be revealing of popular and or archetypal hopes and fears. In the present case, the anxiety revolves around situations such as that invoked by Caiaphas’ claim “It is expedient for us, that one man should die for the people“.

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Coming at the destruction of Coventry Cathedral from another angle…

I have mourned before the losses at Bamiyan and Monte Cassino:

Here’s what’s happened to the Green Mosque or Mazjid Sabz, famous for its dome (upper panel only, lower panel h/t Bilal Sarwary), in the course of fighting in Afghanistan — the country whose oldest mosque it is:

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And yet prayer continues:

FWIW, the lower panel image (above) is from a Christian Science Monitor article titled Israeli settlers respond to mosque burning allegations — the caption reads in part:

Palestinian men pray Monday near a burnt part of the carpet in a mosque that was damaged in the West Bank village of Beit Fajjar near Bethlehem. Palestinians accused Jewish settlers of setting fire to the West Bank mosque on Monday

The upper panel image, as far as I can determine, shows the continuing celebration of Mass in a German church after Allied bombardment in World War II.

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It is at least worth pondering the words of these Trappist sisters in Azeir, Syria…

They came to Azeir to continue in spirit the work of the monks of Tibhirine, about whom I wrote, giving extensive background and the entire text of Fr. de Chergé‘s great, final testament here. The sisters write:

Today we have no words, except those of the Psalms that the liturgical prayer puts onto our lips in these days:

Rebuke the Beast of the Reeds, that herd of bulls, that people of calves…oh God, scatter the people who delight in war…Yahweh has leaned down from the heights of his sanctuary, has looked down from heaven to earth to listen to the sighing of the captive, and set free those condemned to death…Listen, God, to my voice as I plead, protect my life from fear of the enemy; hide me from the league of the wicked, from the gang of evil-doers. They sharpen their tongues like a sword, aim their arrow of poisonous abuse…They support each other in their evil designs, they discuss how to lay their snares. “Who will see us?” they say. He will do that, he who penetrates human nature to its depths, the depths of the heart…Break into song for my God, to the tambourine, sing in honor of the Lord, to the cymbal, let psalm and canticle mingle for him, extol his name, invoke it…For the Lord is a God who breaks battle-lines! … Lord, you are great, you are glorious, wonderfully strong, unconquerable.

We look at the people around us, our day workers who are all here as if suspended, stunned: “They’ve decided to attack us.” Today we went to Tartous…we felt the anger, the helplessness, the inability to formulate a sense to all this: the people trying their best to work and to live normally. You see the farmers watering their land, parents buying notebooks for the schools that are about to begin, unknowing children asking for a toy or an ice cream…you see the poor, so many of them, trying to scrape together a few coins. The streets are full of the “inner” refugees of Syria, who have come from all over to the only area left that is still relatively liveable…. You see the beauty of these hills, the smile on people’s faces, the good-natured gaze of a boy who is about to join the army and gives us the two or three peanuts he has in his pocket as a token of “togetherness”…. And then you remember that they have decided to bomb us tomorrow. … Just like that. Because “it’s time to do something,” as it is worded in the statements of the important men, who will be sipping their tea tomorrow as they watch TV to see how effective their humanitarian intervention will be….

[ by Charles Cameron — what can these two stunning performances tell us about conflict and / or peace? ]
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I’m not sure if I’ve said it here before, but conflict resolution is pretty much the same as peace making, hence my title for both parts of this post, Blessed are the conflict resolvers (Matthew 5.9). In the second part of this post, I’d like to shared with you two stunning and highly stylized situations in which peace and conflict are brought together by sheer art.

Battle as dance, from Carlos Saura‘s Carmen — in the aftermath of a gambling disagreement, the jealous rivalry of two men over the young female lead bursts into violent dance:

And …

The battle of songs, from Breuer and Telson‘s Gospel at Colonus. Oedipus, played here by Clarence Fountain and the Blind Boys of Alabama, at the end of his days, wishes to enter the city of Colonus and find rest and the peace prophesied for him at last — the people of Colonus, knowing him accursed, try to resist him:

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What can we learn from these two examples of conflict circumscribed within the parameters of art?

For comparison, here are two reports of the stylized Beating Retreat ceremony at the Wagah Border crossing, jointly performed each evening by the Indian Border Security Force and Pakistan Rangers and aptly described as a “synchronized display of stomps and shouts” — with some suggestive comments about the rivalry between the two nations in each.

From Michael Palin:

and from Voice of America:

[ by Charles Cameron — peace making tells us that the goal of the activity is peace, conflict resolution tells us that this goal is not achieved in peace but on the field of conflict ]
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Michael Lempert‘s book, Discipline and Debate: The Language of Violence in a Tibetan Buddhist Monastery, has a somewhat harsh take on the practice of debate in the education of Buddhist monks. The Introduction begins:

Buddhist ‘debate’ (rtsod pa), a twice-daily form of argumentation through which Tibetan monks learn philosophical doctrine, is loud and brash and agonistic. Monks who inhabit the challenger role punctuate their points with foot-stomps and piercing open-palmed hand-claps that explode in the direction of the seated defendant’s face. I was curious about the fate of this martial idiom in which monks wrangle, curious especially about its apparent disregard for ideals like nonviolence, compassion, and rights that Tibetans like the Dalai Lama have promoted…

For a more “nonviolent” view, see Daniel E. Perdue, Debate In Tibetan Buddhism — and by way of comparison, John Daido Loori‘s account of the Zen equivalent, Cave of Tigers: The Living Zen Practice of Dharma Combat…

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For a comparable Christian form of debate, we can turn to the writings of Peter Abelard, the medieval scholastic (educator and lover of Heloise) who introduced his book Sic et Non — “Yes and No” — in which he selected what are essentially DoubleQuotes from the Early Church Fathers, setting them one against another to display their seeming contradictions, with the following words:

In view of these considerations, I have ventured to bring together various dicta of the holy fathers, as they came to mind, and to formulate certain questions which were suggested by the seeming contradictions in the statements. These questions ought to serve to excite tender readers to a zealous inquiry into truth and so sharpen their wits. The master key of knowledge is, indeed, a persistent and frequent questioning. Aristotle, the most clear-sighted of all the philosophers, was desirous above all things else to arouse this questioning spirit, for in his Categories he exhorts a student as follows: “It may well be difficult to reach a positive conclusion in these matters unless they be frequently discussed. It is by no means fruitless to be doubtful on particular points.” By doubting we come to examine, and by examining we reach the truth.

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The essence of both the above examples is conflict circumscribed, with the goal of enlightenment.

It’s my impression that Sura 49 verse 13 of the Qur’an implies a similar process, though here it is difference rather than conflict that is the starting point, and mutual understanding that is the goal:

O mankind, We have created you male and female, and appointed you races and tribes, that you may know one another. Surely the noblest among you in the sight of God is the most godfearing of you. God is All-knowing, All-aware.

That’s AJ Arberry‘s translation. Yusuf Ali‘s draws out more of the implications:

O mankind! We created you from a single (pair) of a male and a female, and made you into nations and tribes, that ye may know each other (not that ye may despise (each other). Verily the most honoured of you in the sight of Allah is (he who is) the most righteous of you. And Allah has full knowledge and is well acquainted (with all things).

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In the second part of this post, I’ll present two extraordinary examples of conflict presented as art…

[ by Charles Cameron — what can these two stunning performances tell us about conflict and / or peace? ]
.

I’m not sure if I’ve said it here before, but conflict resolution is pretty much the same as peace making, hence my title for both parts of this post, Blessed are the conflict resolvers (Matthew 5.9). In the second part of this post, I’d like to shared with you two stunning and highly stylized situations in which peace and conflict are brought together by sheer art.

Battle as dance, from Carlos Saura‘s Carmen — in the aftermath of a gambling disagreement, the jealous rivalry of two men over the young female lead bursts into violent dance:

And …

The battle of songs, from Breuer and Telson‘s Gospel at Colonus. Oedipus, played here by Clarence Fountain and the Blind Boys of Alabama, at the end of his days, wishes to enter the city of Colonus and find rest and the peace prophesied for him at last — the people of Colonus, knowing him accursed, try to resist him:

**

What can we learn from these two examples of conflict circumscribed within the parameters of art?

For comparison, here are two reports of the stylized Beating Retreat ceremony at the Wagah Border crossing, jointly performed each evening by the Indian Border Security Force and Pakistan Rangers and aptly described as a “synchronized display of stomps and shouts” — with some suggestive comments about the rivalry between the two nations in each.

From Michael Palin:

and from Voice of America: