Guest Post: Of Weaponry and Flags II.

War can never break free from the magical spectacle because its very purpose is to produce that spectacle: to fell the enemy is not so much to capture as to ‘captivate’ him, to instil the fear of death before he actually dies. From Machiavelli to Vauban, from von Moltke to Churchill, at every decisive episode in the history of war, military theorists have underlined this truth: ‘The force of arms is not brute force but spiritual force.’ There is no war, then, without representation, no sophisticated weaponry without psychological mystification. Weapons are tools not just of destruction but also of perception – that is to say, stimulants that make themselves felt through chemical, neurological processes in the sense organs and central nervous system, affecting human reactions and even the perceptual identification and differentiation of objects

Might one identify the “stimulant” aspect (Virilio) as the one that drives those in the battlefield under fire, and thus also their memories and reflections, while strategists, as thinkers, will be more inclined to see the significance of the “archetypal” aspect (Murray, Jung)? Virilio (like Boyd) is concerned with speed — and it seems plausible to me that we have three “speeds of thought” – instinctive, considered and contemplative – corresponding in rough outline to Maslow’s hierarchy, the instinctive being bodily and immediate, the considered being logical and rapid, and the contemplative being symbolic and gradual. But there’s a curious loop at work here, because the symbolic / archetypal may take its time to work its way into conscious awareness – in some cases we refer to the end result as “maturity” or “wisdom” – but it’s also somehow very close to instinct, as Jung suggests in “On the Nature of the Psyche”, Collected Works VIII, para. 415:

Psychologically … the archetype as an image of instinct is a spiritual goal toward which the whole nature of man strives; it is the sea to which all rivers wend their way, the prize which the hero wrests from the fight with the dragon.

If anyone wants to follow up this particular line of thought, I’d recommend Jolande Jacobi’s Complex / Archetype / Symbol in the psychology of C. G. Jung, and for the interweaving of image, archetype and instinct, Andrew Samuels, Jung and the Post-Jungians Chapter 2, pp. 19 ff.

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