The Haqqani come to high Dunsinane

I think that idea has a lot of merit. Chaucer was a spy, as was Kit Marlowe, and Wordsworth, and Basil Bunting. Somerset Maugham and Graham Greene spied, and John le Carre – and if I’m not mistaken, much of the early OSS was recruited from the Yale literature department by the likes of Archibald MacLeish…

My own suggestion would be that this is because the literary mind is well suited to understanding and expressing complex relationships, just as (it has been suggested) the engineering mind is suited to seeing things in black and white – you’ve probably seen Diego Gambetta and Steffen Hertog’s paper on Engineers of Jihad, in which they determine that “engineers, in particular, were three to four times more likely to become violent terrorists than their peers in finance, medicine or the sciences”.

I don’t know whether that allegation is accurate, or just an artifact of their research methods – but if it’s true that literature offers a different (and in some ways more subtle) means of modeling the kinds of complex situation we’re all facing these days, maybe we need to increase the intake of lit and humanities majors into the IC, and stop being so tech-centric about our analytic methods. The human mind might just be better at selecting and connecting the right dots than our datamining programs.

Keith Oatley‘s paper Shakeapeare’s invention of theatre as simulation that runs on minds might give us a hint or two.

And we’re back to Shakespeare.

6.

Why?

Because what’s important in all this is the quality of imagination expressed. And the core insight is that the greatest poets, dramatists, science fiction writers and historians create pocket universes — worlds invented or perceived in which the logics of the many binary oppositions, tides, undertows, tipping points and emergent patternings of our profoundly complex world are found in miniature.

The mind in a nutshell, the world in a grain of sand…

Perhaps clearest statement of this perspective comes from the great scientist Gregory Bateson, who writes about poetry in these terms:

One reason why poetry is important for finding out about the world is because in poetry a set of relationships get mapped onto a level of diversity in us that we don’t ordinarily have access to. We bring it out in poetry. We can give to each other in poetry the access to a set of relationships in the other person and in the world that we are not usually conscious of in ourselves. So we need poetry as knowledge about the world and about ourselves, because of this mapping from complexity to complexity.

7.

If it is great imaginative power that provides the deepest insights into a complex world, great minds and hearts will be those you need to follow — not minds cowed by the pressures of bureacracy and success.

“You want some new ideas? Read some old books” Marine Gen. James Mattis told his audience at the 14th annual American Veterans Center conference the other day, in a speech which “recommended books by and about leaders like Nelson Mandela, Martin Luther King Jr., George Washington and Abraham Lincoln.”

Great hearts, great minds. And not always well-tolerated by those around them.

8.

Jami Miscik again, at a conference discussing “The Power of Impossible Thinking: A Prerequisite for Profitable Growth“:

Embrace the maverick.

Miscik is clear that the purpose isn’t only to be widely read, but to be independently and courageously thoughtful.  Bureaucracies are not by nature the most friendly places for independent thinking, stove-piping and soloing, seniority and comfort all militate against it — hence the need to embrace the maverick, to develop (in fact) a culture that embraces the maverick.

Miscik addresses that issue, too: “She also warned the audience that a single spate of change is not enough; an organization will always have to change again.”

Or as Sinclair has it in Thinking and Writing (op. cit., p. 9):

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