How is history made — songs, dreams, and sermons included?

  • The shifting registers in which Obama spoke—by which I mean “black” versus “white” modes of speech — and the accompanying deliberate shifts in shadings of the word we.
  • The start-to-end framing of his remarks as religious, and explicitly Christian, and often African American Christian, which allowed him to present political points in an unexpected way.
  • Amazing Grace now takes the place of Strange Fruit, and a President that of a poet and a singer — much has changed, yet much remains.

    **

    My own Prior Art on prognostication:

    Recently, in Simply so much.. 02 here on Zenpundit, I pondered the nature of foresight in terms of a Marine Corps forecast:

    I’m thinking of Lise Meitner as I view the Marine Corps’ ambitiously titled Security Environment Forecast 2030-2045. Who would have thought in 1919 that Hahn, Meitner and Strassmann in 1935 would begin a program that resulted in 1939 in her 1939 paper Disintegration of Uranium by Neutrons: A New Type of Nuclear Reaction — which in turn led to Moe Berg‘s attending a lecture by Heisenberg, the Trinity test at Alamagordo, and Hiroshima and Nagasaki?

    And yet the period from 1919 (Treaty of Versailles) to 1939 (fission theorized) is only 20 years, and from 1919 to 1945 (nuclear warfare) is 26 years — equivalents, respectively, to the periods from 2015 (today) to 2035 (a third of the way into the USMC’s period of prediction) and 2041 (still within the UMSC timeline).

    That’s my attempt at a sober assessment of how difficult it is to “see ahead”.

    **

    My Art of Future Warfare story, War in Heaven, is set — as the contest rules required — in 2090.

    By twenty-ninety, in my fanciful hypothesis, we may well have learned how to choose which timeline we want to live along in a “manyworld” of constantly branching possibilities – “words are many, worlds are many more, if possible” I wrote, and supplied portals to worlds secular, magical, religious and fictitious:

    Forty some years from now, in the wake of John Hardy Elk’s vision and its definitive corroboration “in the external” by physicists at the CERN Diffraction Lab, Shamanism is overturning “the Enlightenment” as the preferred intellectual basis for inquiry. With its gestalt understanding of the interconnectedness not only of space and time but of chance and will, context and perspective, self and other, the Shamanic method of burrowing into deep external space “in the internal” has proven more powerful, faster, and – yes — way more creative than what are now known as the old “heavy lifting” methods of transport.

    With schools of Tibetan, Navaho, Benedictine and other forms of contemplative instruction now rapidly surpassing CalTech as the educational venues of choice, and Oxford morphing back towards its earlier life in which theology was Queen of the Sciences, a great many talented explorers have now visited realms considered impossibly “far away” even a decade earlier, the “digital” has fallen away at a time when communication between the like-minded is achieved telepathically, and “radiance bombs” vie with “dark bombs” in the end-of-century duels scattered across many galaxies in which “white” and “black” magics compete — under the law, some would say theory, of the Conservation of Moral Balance.

    Who knows? Who can really say?

    **

    And then there was the ChicagoBoyz Afghanistan 2050 RoundTable. Introducing the RoundTable, Lexington Green noted:

    40 years is the period from Fort Sumter to the Death of Victoria, from the Death of Victoria to Pearl Harbor, from Pearl Harbor to the inauguration of Ronald Reagan. It is a big chunk of history. It is enough time to gain perspective.

    The event, then, was pitched five years past the Marines’ forecast, though still forty years short of my War in Heaven. And once again, though more explicitly this time, I relied on the branching worlds idea.. Here, though, I attempted –- not unlike a circus performer astride two horses -– to bring together the physical and moral universes:

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