Introducing myself to ETHOS
[ by Charles Cameron — games and complexity, Joseph Kony, think tanks, need for a new analytic institution ]
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I just introduced myself to the Ethos Network — their motto: Collaboration, Trust, Moderation — a group of mainly UK-based mil, biz & creativ types a good friend pointed me to, partly responding to an earlier conversation about Kony on their platform, partly laying out my own interests…
And with a suggestion thrown in there that we could really use a new analytic setup of some sort, a point I’ll return to.
Here, then, is my introduction as posted there:
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Hello:
A few words of introduction are probably in order, before I dive in…
You might say I live at the intersection of complexity and games, and work at the intersection of religion and violence.
1.
My interest in complexity comes from a sense that the problems facing us contains many diverse and conflicting tensions to be resolved in some sort of continuous, shifting balance, and that we as humans face them with a complexity of our own, the complexity of our individual tensions, preferences, desires, interrests, hopes, fears, assumptions, resistances and so forth.
So both within each one of us, and in groups, we have a situation where many points of view, many voices should if possible be heard, taken into account, adjusted for.
As social beings, we need to let the voices of other stakeholders, other constituencies, other points of view be heard, so that we can move towards win-win balances — I won’t call them solutions — wherever possible.
As humans, we need to let some of our own quieter, slower, deeper voices emerge — and that’s the purpose of inward listening, meditation, taking a break, the Sabbath, sleeping on it, relaxing, reverie — to bring out some of the voices that add insight, to give the aha! time to develop and space to show itself…
And in both cases, it’s the voices that go unheard, the parts of the web of tension unattended to, which can come back and bite us.
So… two things.
One: I am interested in developing ways to map conversations that are many voiced — literally “polyphonic” — such that, as with the music of Bach and Handel (and hey, Dylan and the Band), multiple voices can be heard at once, held in a shifting tension, with conflict arising and moving into resolution as they do when Glenn Gould plays Bach or Eric Clapton jams with Billy Preston… I have games I’ve designed that do this…
Two: I am interested in what we’re not paying attention to, to our blind spots, to the undertows of our own and other cultures, to the stuff we easily dismiss.
Which brings me to…
2.
I am specifically interested in the contribution of religion, of religious emotion, to contemporary violence.
Religious violence is obviously not the only aspect of violence — but materiel is easier to quantify than morale, and all too often we miss religious signals in others (and in those on our own side) which turn out to have been powerful drivers of conflict.
Joseph Kony is the example of “religious violence” that I’ve seen mentioned here, and given my interest in jihad — I’d been tracking jihadist groups since before the turn of the millennium — he popped up on my screen and claimed some real estate in my attention in May 2005, when I downloaded DFID Media Fellow Maya Deighton’s report in the then-DFID journal, Developments, in which she wrote:
The rebels’ leader is a religious fanatic called Joseph Kony, who hides out for most of the time in southern Sudan.
Kony manages to combine a heady blend of occultism, born-again Christianity, and most recently, a much-proclaimed conversion to Islam, with his campaign of terror and child abduction.
At about the same time, I dowloaded a Chalcedon Foundation file containing Lee Duigon’s piece, “Uganda’s War with ‘the Devil’” — Chalcedon is the late “dominionist” theologian Roussas John Rushdoony’s outfit, and preaches the imposition of the full Old Testament law of Moses, stoning of adulterers included, in the United States (and ultimately the world) — hence my interest.
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