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[ by Charles Cameron — there’s this word, multi-tasking, but multi-listening would be more useful and to the point — counterpoint, that is ]
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We know that in general, binocular vision allows us to see an additional depth dimension not available to a single eye — but that’s when both eyes are looking at the same object. Now — after a quick F Scott Fitzgerald refresher — this:

Sources:

F Scott Fitzgerald, The Crack-Up

Anna Antinori et al, Seeing it both ways: Openness to experience and binocular rivalry

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The F Scott Fitzgerald quote you’ll probably recognize, but the one about more “open” personalities being better able to “see” two opposing images — red shown to one eye, green to the other — merging into one more complex image is intriguing, to say the least..

We already know instinctively how to listen to several voices when we listen to music — but when two speaking voices are in conflict, or talking right past each other, or one’s going big picture and the other deviles in the details.. let alone when there are three opinions to be heard, or four, or seventeen..

Below, you’ll find Joni Mitchell singing Don Juan’s Reckless Daughter with lyrics that keep bridging gaps “between yes and no .. altitude and flesh .. some duality .. fire and rain” and summed up in the lines “the eagle and the serpent are at war in me, the serpent fighting for blind desire, the eagle for clarity”. Listening to Joni sing, we can hear her powerful voice and the poetry of her lyrics, her guitar, and at the very least underneath both the driving bass of Jaco Pastorius — three “voices” simultaneously.

Below, too, I’ve posted Bach‘s A minor Fugue, BWV 904 — with the brilliant graphical scoring of Stephen Malinowski — and again, it’s possible to follow two or even three voices, particularly with the assistance of the graphical score.

Now, at a geopolitical conference, or a discussion of Presidency and impeachment, or a board meeting — or on the inside of your skull — how many voices can you hold in tension, in counterpoint, or bring into harmony and concord?

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The Joni:

The JSB:

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Enjoy!!

[ by Charles Cameron — selected from among the very best of Dylan, Bach, and Joni ]
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I don’t think I’ve ever posted either of these two pieces here on Zenpundit, but in my mind they’re the rock Passacaglia par excellence and the similarly towering classical exemplar — and if you’re exclusively classical in temperament, you may not know Bob Dylan‘s masterful Sad Eyed Lady of the Lowlands:

while if you’re straight rock in taste and experience, may I introduce Bach‘s Passacaglia, certainly one of his greatest organ works, here played by Ton Koopman:

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Okay, that’s the classical and rock compare and contrast — here’s Bob Dylan‘s peer — and there aren’t that many — Joni Mitchell, with her wonderful Don Juan’s Reckless Daughter:

— and that’s a bonus..