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Some New Old Books

Saturday, July 28th, 2012

 

Arakcheev: grand vizier of the Russian Empire by Michael Jenkins

Time Of Stalin, The: Portrait Of A Tyranny by Anton Antonov-Ovseenko

I just returned from a short vacation in Door County and was able to squeeze in some time to browse some of their independent and used bookstores. One in Ellison Bay had an unusually good Russian and Soviet collection and I picked up a few titles. Naturally, it would have been even cheaper on Amazon, but the used and rare bookstore is an experience for a serious reader, not just a transaction. Supporting their existence and preserving the tacit knowledge about books, authors and publishers of that niche market is worth a few extra dollars.

Count Alexei Andreievich Arakcheev was a somewhat terrifying figure from early 19th century Tsarist Russia whose career came to personify the out-of-control military authoritarianism nurtured by “the Gatchina system”. Gatchina was the princely estate of the Tsarevitch under Catherine the Great and it was here that military culture was first imported from Prussia and took root in Imperial Russia. While this had the beneficial effect of stimulating modernizing advances in Russian artillery, the Gatchina system also inculcated a zealous love of  “paradomania” in the Tsars and their army officers who served there – a fetish for obsessive detail in the minutia of barracks square drill, the ritualistic mummery of military insignia and a sadistic excess of harsh disciplinary measures for discipline’s sake.

Arakcheev, a parvenu who climbed into the ranks of the aristocracy through the Petrine state service nobility, embodied both aspects of the Gatchina system and combined it with the fanaticism of a totalitarian bureaucrat. He was loathed by the powerful families of  high boyar-descended nobility, but Arakcheev’s dog-like loyalty to the mad Emperor Paul I and the quixotic Tsar Alexander I made Arakcheev an invaluable figure who was part fixer, part chief of staff, friend and confidant to the supreme Autocrat.

I had not expected that Arakcheev would have a biography in English and skimming this one tells me that Jenkins is writing from an overly sympathetic POV for a historical figure who really merits very little empathy. While no Beria or Himmler and a more than competent artillery general and military reformer, Arakcheev was an intolerant man of violent temper, given to casually arbitrary brutalities that were shocking even by the standards of  Tsarist Russia. He presided over a disastrous experiment in agrarian military socialism that foreshadowed Soviet collective farms that intruded into the most intimate aspects of the lives of peasants and soldiers alike and combined all the disadvantages of serfdom with military service.

Anton Antonov-Ovseenko is the son of an Old Bolshevik executed by Stalin during the Great Terror, Vladimir Antonov-Ovseenko, and a former inmate of Stalin’s Gulag himself. Given that his father had been an ally of Trotskii and Tukhachevskii, it is something of a minor miracle that the author survived to write a denunciation of his family’s great tormentor. Many other Soviet citizens of his generation, with tangential or purely imaginary connections to Stalin’s enemies vanished without a trace, unlettered and unremembered.

Despite being a professional historian, Antonov-Ovseenko’s The Time of Stalin belongs grouped with the dissident/defector literature of the likes of Kravchenko, Solzhenitsyn, Penkovskii, Amalrik, Kalugin, Chambers, Djilas, Pacepa, Voslenskii and many others. This book is less a work of objective history than an impassioned testimony of an eyewitness to horrific crimes or a memoir. Even from a casual thumbing through, one can see that there are valuable nuggets here but a critical eye is required of the reader. Stalin is admittedly one of the greatest monsters in all history but he was not superman, but a conductor of an orchestra of repression and democide.

Many hands lent themselves, often eagerly and more often fearfully, to carrying out Stalin’s will.

Guest Post: Shlok Vaidya Reviews Kill Decision by Daniel Suarez

Saturday, July 21st, 2012

Shlok Vaidya is a longtime friend of zenpundit.com and is a consultant on technology and security issues, including terrorism and the Naxalite insurgency. When I heard that Shlok had received a coveted advance copy of the latest novel by Daniel Suarez, I cordially invited him to cross-post his review here. Vaidya blogs on books, technology, warfare and resilient communities at Shloky.com.

REVIEW: KILL DECISION BY DANIEL SUAREZ

by Shlok Vaidya

Kill Decision is startlingly real. And equally plausible.

Suited masters of perception playing games with reality while skipping scotch in Crystal City. D.C.’s incestuous relationship between big defense business and… everyone else. Nameless, compartmentalized operators fighting through the night in cesspools loosely labeled as countries. Drones raining from the skies.

For those familiar with the constellation of clandestine units, private military contractors, and information warriors that comprise much of America’s counter-terrorism capacity, this book will feel very, very real.

(If you’re not up to speed, I heartily recommend Marc Ambinder’s The Command as a quick/cheap/quality introduction to that world.)

But Kill Decision takes that reality a step forward. In a way that perhaps cements Suarez’s position as the best near-future fiction author of the post-9/11 era. He folds in equal parts science, warfare, and informed futurism to take today’s sleek drones to their logical conclusion. The results will gnaw on your brain like a swarm of gnats, for weeks after you read the book.

This is possible, of course, due in large part to his foundation in John Robb’s work (something Suarez graciously mentions in his acknowledgements). Readers of Brave New War and Global Guerrillas will find themselves nodding along.

Kill Decision is that real, yet, like Suarez’s Freedom and Daemon, it’s also a lot of fun. Great action sequences that just scream MAKE A MOVIE. Compelling characters. Quality narrative. It’s all in here.

Grab it today if you want to see tomorrow.

 

Book Review: Thucydides:The Reinvention of History by Donald Kagan

Thursday, July 5th, 2012

Thucydides: The Reinvention of History by Donald Kagan 

Donald Kagan, who has been a professor of history and classics at Yale University almost as long as I have been alive has written a provocative book about Thucydides that challenges both conventional scholarly wisdom regarding the man who shares the title of “The Father of History” and the purpose of the book Thucydides meant to be “a possession forever”, The Peloponnesian War. In Kagan’s interpretation, Thucydides is the father of historical revisionism whose careful methodology furthered a political agenda: to defend the record of the Periclean state in Athens, where democracy was moderated by the wise statesmanship of the old aristocratic elite; and lay the blame for the downfall of Athens at Spartan hands on the vulgar hubris of radical democracy of mob and demagogue.

Thucydides is tightly focused argument about Thucydidean omissions, juxtapositions and treatment of sources and bias in his analytical rendering of military events and debates in the Assembly, not a comprehensive examination of  The Peloponnesian War. Specifically, the treatment of Pericles and Nicias (whom Kagan argues Thucydides favors and whom Kagan blames for failures of strategy and execution, especially the latter) vs. that he meted out to Cleon, Alcibiades and Demosthenes. Kagan criticizes Thucydides for the deliberate omission of speeches of Periclean opponents in debates where he  had been present and purporting to know the thoughts of actors where definitely had been absent, in exile; of faulty military analysis of the situation of the Spartan garrison besieged on Sphacteria due to personal enmity with Cleon and of the original expedition to Syracuse, because of favortism toward Nicias.

On Nicias in particular, a fellow aristocrat in favor of strategic restraint whom Kagan ascribes blame for the disaster in Sicily, did Thucydides seek a radical revision of the contemporary Athenian opinion. It was Thucydides belief that the post-Periclean democracy was a reckless, superstitious and greedy mob that led him, Kagan argues, to craft his narrative as an apologia for the inept statesmanship and incompetent generalship of Nicias that brought Athens to utter ruin in Sicily. Kagan’s accusations of bias on Thucydides part are more persuasive than his contention that the original expedition to Syracuse of sixty ships was a justifiable and sensible endeavor.

Kagan’s charges against Thucydides indirectly raise the larger question of politics in postwar Athens. A democracy shorn of it’s empire, long walls and fleet, defeated in external war but triumphant in brutal civil strife over it’s internal oligarchic enemies, was in all likelihood a dangerous place. Xenophon felt as a follower of Socrates, who had been associated with the reviled Alcibiades and Critias, that it was politic to leave Athens for his march upcountry under the banner of Cyrus. Socrates was unjustly put to death by the democratic faction. Writing from retirement in the luxury of a distant estate was a wiser option for a man of Thucydides’ opinions in that era than a return to the political fray in Athens and in part, would explain his supposed “revisionism”.

Strongly recommended.

Book Review: Turning Pro by Steven Pressfield

Monday, June 11th, 2012

Turning Pro by Steven Pressfield 

Steven Pressfield has a new nonfiction book and a new publishing company and both are vehicles for the same message.

[Full disclosure: I consider Steve a friend and this early review was made possible by his sending me a review copy and the “lunch pail manifestoBlack Irish lunchbox pictured above. OTOH, I get many review copies from publishers and PR folks and if the book they send is terrible, or just not well suited for ZP readers, I won’t review it]

First, Turning Pro is the latest sequence of a series of books that explore the mindset of the authentic creator or artist, following The War of Art and Do the Work and their struggle with what Steve terms “Resistance”, the internal psychological force that insidiously undermines our will to complete creative works (or…start them) and fulfill our life’s dreams. In the War of Art, one turned “pro” when one acquired for the first time, the mindset required to successfully battle resistance instead of supinely giving in. Turning Pro naturally expands on that aspect of Pressfield’s creative philosophy.

I say “philosophy” because that is what it is. Many of Steve’s novels are set in the ancient world of classical civilization and I know that  he has done a great deal of reading in ancient history, philosophy and literature. Before the moderns and post-moderns, philosophy asked fundamental questions and students of most schools of philosophy were seeking how to live a good life, with “good” usually meaning “virtuous” in the sense of a life that is authentic, noble or honorable. We see this in particular with Socrates, the Stoics and those influenced by them such as Xenophon, Epictetus,  Cicero and Marcus Aurelius, all of whom were concerned with philosophy as a practical way of life and not as an abstract exercise. My impression is that this has left a mark on Pressfield’s view of life.  This is not to say that Steve is writing advice from the perspective of book-learning – far from it; he makes clear his long education in the school of hard knocks, but I think the books and the knocks have been mutually reinforcing.

For example, here is Epictetus from the  The Enchiridion:

….Aiming therefore at such great things, remember that you must not allow yourself to be carried, even with a slight tendency, towards the attainment of lesser things. Instead, you must entirely quit some things and for the present postpone the rest. But if you would both have these great things, along with power and riches, then you will not gain even the latter, because you aim at the former too: but you will absolutely fail of the former, by which alone happiness and freedom are achieved. 

And here is Steve from Turning Pro:

My shadow career (I’ve had more than one) was driving tractor-trailers.

In my late twenties and early thirties, I drove trucks for a living….What I was really doing was running away from writing. Driving trucks was for me a shadow version of writing, because being a truck driver was, in my imagination, powerful and manly (just as I imagined being a writer would be). It was interesting: it was never boring. It was a career I could take pride in, an occupation that felt right to me….

….Of course this was all self-delusion.

The road was taking me nowhere.

I wasn’t writing books. I wasn’t facing my demons. I was spectating at life through the movie screen of a cab-over windshield, while every mile I traveled only carried me farther away from where I needed to go and from who I needed to become.

This is one of the major themes of Steve’s nonfiction work – the need to conquer resistance, ignore distractions, eschew indirect approaches and confront head-on what you need to do and fear to try. To take the risk and dive into the deep end of the pool without rationalizing procrastination. Easy to say, but difficult for all of us to do and Steve breaks his advice in Turning Pro into digestible vignettes that separate the world of the aspiring amateur from the polished professional, the apprentice from the master. Turning Pro can be read in one sitting or read again and again until you gain the habit of “the Professional Mindset”.

A second theme, maybe a meta-theme in Turning Pro is also present in Black Irish Books, which Steve has launched in partnership with Shawn Coyne, Steve’s co-blogger and the publisher of The War of Art, has to do with what might be called “craftsmanship as an identity”. This is probably not quite the right description, but there is an essence of nostalgia for America’s boom years of WWI to the early sixties when a man’s job was substantially his identity and his hard work  provided not only a rising standard of living for his family, but a psychological anchor and sense of pride. Something generally considered worthy of admiration.  An era I recall dimly from my earliest years of childhood in a bungalow neighborhood in Chicago where this way of life was still the norm.

Black Irish Books has a “lunch pail manifesto” authored by Coyne:

The retro lunch pail and towering thermos on the cover of Steven Pressfield’s Turning Pro are in honor of some legendary Pros.

Back in the analog days when the economy relied on blue collar muscle to build the modern world, Steelworkers gave everything they had to get that work done. In three shifts, twenty four hours a day, three hundred and sixty five days a year, hard-hatted men with lunch pails swinging from their gnarled hands passed through mill gates in Aliquippa, Baltimore, Bethlehem, Braddock, Buffalo, Chicago, Clairton, Cleveland, Gary, Homestead, Lehigh, McKeesport, Pittsburgh, Pueblo, Tuscaloosa, Steubenville, Weirton, and Youngstown among many other cities.

Without those fully stocked lunch pails, these men would never have made it through a single shift.  Let alone a double.

They couldn’t duck out and drive to a fast food joint for lunch. Their Chevy Impalas were in the rank and file parking lot, five football fields away from the shop floor. Sweat-soaked and exhausted after four hours in 100+ degree heat, they had to shed twenty pounds of flame retardant asbestos clothing just to take their twenty-minute break.

What kept them going for the second half of their shifts were the two or three chipped ham sandwiches, the couple chunks of cheese, the extra donuts from breakfast and the quarter piece slab of peach pie jammed inside their pails. And, of course, a huge thermos of coffee.

Wives spent the tail end of their evenings packing their guys’ pails. The best cold cuts and treats always went to dad.  It was a sacred thing for a kid to see a scarred hard hat and a full lunch pail on the kitchen counter. That helmet and pail represented the indispensable tools of her father’s work—the armor to enter his chosen profession and the fuel to get him back home….

This is a theme that strikes a jarring contrast with America’s melancholy zeitgeist – an economy that is stagnant and in danger of cratering, elites who look out for a quick buck and an upcoming generation of cheerful smartphone experts with helicopter parents who expect huge rewards for just showing up.  The stark, black, industrial lunch box is an artifact of the world of Nelson Algren or Studs Terkel but it is also a symbol of skilled labor, hard work, excellence and productivity, of a simpler but more muscularly dynamic time while the boxing glove denotes a pugnacious stance toward adversity or resistance.

Are you ready for Turning Pro?

Book Review: The Snake Eaters by Owen West

Friday, June 8th, 2012

The Snake Eaters by Owen West 

Owen West, commodities trader, novelist and USMC Major in the Reserves has written a remarkable book in his war story of counterinsurgency in Khalidiya, a decaying rural town in the deadly Anbar province, heartland of Iraq’s Sunni insurgency. A success story for COIN, but also a very cautionary tale of the transformation of the Iraqi Brigade 3-1, from a dispirited, ill-equipped, poorly led unit distrusted and ignored by it’s American “partner” battalion and under siege by a hostile population into a self-confident, elite, combat force, “the Snake-Eaters”, feared by insurgents and respected by townspeople – and of their American advisors of Team Outcast who struggled to broker this transformation.

After reading The Snake-Eaters and reflecting, the book speaks to readers at different levels.

For the casual reader,  West has a narrative with no shortage of colorful characters – the inexperienced jundis, “Hater”, the grim Major Roberson, Colonel Troster, “Captain Bomb”, “Private Crazy”,  the treacherous police chief Shalal, the Superfriends, the beloved Doc Blakley, the indomitible Major Mohammed, Sheikh Abbas, the no-nonsense Huss, “Ogre” McCarthy, the Sadiqiya Sniper and some advisors who were “strange by any measure”.

The chronically undermanned, underesourced handful of  Team Outcast advisors in might resemble a Middle-eastern version of The Magnificent Seven, except that unlike Yul Brynner, Colonel Troster arrived in Khalidiya only to find Calvera and his bandits in control of the town, completely invisible and supported by a community that was implacably hostile:

….To protect a fellow Sunni was the duty of every Khalidiyan. Even if they didn’t love AQI, they were socially connected to and literally enriched by, the local insurgency. In the same way small Texas towns follow their football teams, everybody in Khalidiya knew an active resistance fighter and kept score. The Americans promised security but had brought a hurricane of damage. They passed through Khalidiya in their armored trucks like tourists on glass bottomed boats admiring exotic fish.

The Khalidiya sheikhs, a title loosely used in Anbar for any man with influence, implored the AQI fighters to remain cautious. If they paraded in their black balaclavas too prominently in town, mugging for pictures on al Jazeera, they would draw the attention of Marine headquarters in nearby Fallujah. It was best to inflict some casualties on each American unit that rotated through the area – enough to keep Americans on the defensive but not so many that the Marines would mass their forces and crush the city, as they had done to Fallujah in 2004.

The 3-1 of the New Iraqi Army in Khalidiya bore scant resemblance to a unit of the mighty, Soviet equipped, legions with which Saddam Hussein had daunted his neighbors, held off Iran for ten years of bloody combat or sacked and pillaged Kuwait. Or even the shadow version of Saddam’s Army, decimated by American arms  and hollowed out by a decade of UN sanctions after the Gulf War. West describes the Iraqi soldiers initially as a mendicant mob of ill-fed, untrained, Shia jundis without heavy arms, patrolling as seldom as possible, with beat-up Nissan junkers and a pray and spray shooting reaction to the frequent IED blasts that injured and killed them with regularity.

Like any underdog story, with much suffering and lessons learned counted in the lives of men, the American advisors bond with their Iraqi charges through a herculean effort at non-stop  patrolling of  Khalidiya’s bomb and sniper-ridden streets. Training Iraqis in aggressive tactics while learning Iraqi mores from them, the 3-1 evolves up into the Snake-Eaters, winning over the townspeople of Khalidiya and demoralizing, defeating and driving away the insurgents and gaining the respect of their American mentors. This is the level at which most readers will enjoy and be impressed with The Snake -Eaters.

A second level of reading will be for defense intellectuals, policy wonks, COIN and CT theorists, military historians and other academics. Despite West writing with tactful restraint, avoiding directly criticizing senior brass or national civilian leadership by name, The Snake-Eaters is, in it’s own way, an incredibly damning indictment by virtue of empirical observations of the conditions and restrictions under which Team Outcast labored, driving home the disconnect between leaders, indifferent bureaucrats or FOBbits and the men waging COIN on the ground.  Only in the last chapters, when West himself appears in the narrative, does the author permit himself something approaching real and embittered criticism of the Alice-in-Wonderland myopia that sometimes prevailed during the Iraq War:

“If he does this again, I will end his life! Dhafer threatened. “I will burn his house down!”

It was an empty threat. Every day in Iraq, troops encountered suspected insurgents who had previously been arrested. When I first joined the team, I had read Troster’s after-action report excoriating the “ridiculous evidentiary justice system” that “had no place in a wartime environment”. Most detainees were let go because their crimes could not be proved to the satisfaction of corrupt Iraqi judges, or to US military lawyers. We didn’t have prisoners of war in Iraq, only criminal suspects entitled to many of the same rights as in the States. Most detainees were set free within a few months. The advisors called it “catch and release”.

That’s an excellent of example of policy sabotaging strategy and undoing tactical success for transient to nonexistent political benefits for those in comfortable, clean offices far, far away from the crack of rifle fire and the cries of wounded men.

In his Epilogue, West is even more frank regarding counterinsurgency and respect for his efforts in Khalidiya and in the writing of this book require excerpting it here:

While writing this book over the past four years, I’ve tried to figure out how much influence an advisor team really has on it’s unit., and whether institutional expectations match those limitations. I have again read the field manuals taught in our Army and Marine schools where we train advisors. The manuals have an upbeat, culturally correct tone, suggesting that our soldiers and Marines will succeed as advisors based on their tact and sensitivity. The manuals need drastic revision: they are misleading a generation of advisors.

That the recent conference at Leavenworth on the COIN rewrite has been an insular affair may not bode well for the acceptance of critical, empirically-based, views of COIN being offered by Major West.

The final level of reading is one to which West alludes several times in the text, but one in which I cannot share, is that of the soldier or marine who was “outside the wire”. For those men, there is a poignancy in the stories of the figures portrayed in The Snake Eaters that goes beyond mere words, which West bluntly states comes with a sense of despair at the lack of comprehension in the civilian world. Perhaps these feelings of isolation are also shared by veterans of earlier wars, when they speak of Kasserine Pass, the Bulge,  Chosin or Khe Sanh; or perhaps not, as every war is horrible in it’s own way. But if we cannot understand these shades of grief and meaning that West indicates are harbored in our veterans, the rest of us can at least acknowledge them and respect it.

The Snake-Eaters is an important book that delivers a microcosm of the COIN war in Iraq, gritty and unromanticized, as experienced by jundis, marines, soldiers and Iraqis in sweltering and crumbling Khalidiya. It is a success story but it is where the phrase “winning ugly” comes to mind; dedication and valor, stubborness and cunning, pitted against dolorous bureaucracy and savage insurgency.

Strongly recommended.


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