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Archive for August, 2016

Sunday reprise: of trees and books

Monday, August 8th, 2016

[ by Charles Cameron — a brief essay on the Umbertification of texts ]
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There’s an engaging page in the Oxford Dictionaries site called When is a book a tree? which deals, among other things, with the question of whether the origins of the word book and beech are the same.

In this post, I’d like to quote you a paragraph about books, and several about trees — specifically, in England’s Epping Forest — considering how what you learn about might interestingly relate to the other — trees to books and books to trees.

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Of books:

A paragraph from Rebecca Solnit‘s The Faraway Nearby via Maria Popova‘s Brain Pickings

I disappeared into books when I was very young, disappeared into them like someone running into the woods. What surprised and still surprises me is that there was another side to the forest of stories and the solitude, that I came out that other side and met people there. Writers are solitaries by vocation and necessity. I sometimes think the test is not so much talent, which is not as rare as people think, but purpose or vocation, which manifests in part as the ability to endure a lot of solitude and keep working. Before writers are writers they are readers, living in books, through books, in the lives of others that are also the heads of others, in that act that is so intimate and yet so alone.

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Of woods:

Selected paragraphs from The Secrets of the Wood Wide Web:

In this way, individual plants are joined to one another by an underground hyphal network: a dazzlingly complex and collaborative structure that has become known as the Wood Wide Web.

All of these trees will have mycorrhizal fungi growing into their roots. You could imagine the fungi themselves as forming a massive underground tree, or as a cobweb of fine filaments, acting as a sort of prosthesis to the trees, a further root system, extending outwards into the soil, acquiring nutrients and floating them back to the plants, as the plants fix carbon in their leaves and send sugar to their roots, and out into the fungi. And this is all happening right under our feet.

The implications of the Wood Wide Web far exceed this basic exchange of goods between plant and fungi, however. The fungal network also allows plants to distribute resources—sugar, nitrogen, and phosphorus—between one another. A dying tree might divest itself of its resources to the benefit of the community, for example, or a young seedling in a heavily shaded understory might be supported with extra resources by its stronger neighbors.

The revelation of the Wood Wide Web’s existence, and the increased understanding of its functions, raises big questions—about where species begin and end? about whether a forest might be better imagined as a single super-organism, rather than a grouping of independent individualistic ones? and about what trading, sharing, or even friendship might mean among plants.

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Trees and books, libraries and forests — interleave them.

Monastic drums

Monday, August 8th, 2016

[ by Charles Cameron — sounds resounding, Romania and Korea ]
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Romanian Orthodox:

Korean Buddhist:

Hope as slogan, hope as navigation

Sunday, August 7th, 2016

[ by Charles Cameron — a visual DoubleQuote on the difference between artist and politician ]
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As you may have gathered, I’m an admirer of the artist Alyce Santoro‘s work, and yesterday I came across her Existential Navigational Chart, with its little note in the bottom left corner:

Soundings in the Unfathomable at Mean Low Water (MLW)

In any case, it reminded me of the enormous difference between a political slogan and an artist’s insight.

Obama‘s HOPE (upper panel, below) was a lure, an appeal to an ideal in the sea of practical politics — and opinions are divided as to how well he managed to fulfill that one-word promise:

Tablet DQ 600 hope and hope islands

Alyce‘s navigational mapping of area surrounding the the Hope Islands (lower panel, above) on the other hand, is both more fanciful and more realistic — a wonderful combination if you think about it. Notice the nuance she manages to pack into her map, with Inner Hope Island, Little Hope Island, Hope Island, and on southwards to Lost Hope Island, False Hope Island, and Hope Ledge — and all so close to both Little Despair Island, and Love Rocks —

Who, truly alive, has not been stranded on one or more of those islands, nor dashed against Love Rocks?

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You can download a print quality, high resolution file of Alyce’s chart without cost, or click through to her Philosoprop shop to purchase a signed copy.

Sunday surprise: Damages and House of Cards

Sunday, August 7th, 2016

[ by Charles Cameron — two opening credit sequeces that rhyme, also sheep & starlings ]
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As you know, I’m interested in twinnings of various sorts — the sound twinnings we call rhyme, visual twinnings in films we call graphic match, the contrapuntal twinnings of melody in canons and fugues, the twinnings when history “rhymes” — oh, and the ever popular plagiarism. Recently I’ve been watching the TV show Damages — an old friend is in it — and having the eerie feeling every time the opening credits rolled that they were just like the opening credits from House of Cards. So I thought I’d look them up, and see if they’d been put together by the same team.

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Damages:

House of Cards:

I didn’t get as far as finding out who put them together, but I did run across a blog post by Alicatte from 2013 titled House of Cards Opening: Deja Damages which more than amply vindicated my far less detailed intuition.

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And while it’s still Sunday, let’s take a look at another couple of videos that have some twinning to them. A friend of mine, Bob Crosby — ecological engineer par excellence — of Biorealis, posted them on a private group with the fake names I’ll give you above each one:

An aerial view of the American electorate being herded by corporate media pundits…

and:

An EEG video of neurons forming a thought...

Have fun..

Wikileaks weak on graphics

Sunday, August 7th, 2016

[ by Charles Cameron — interested in close, not far-fetched, analogies ]
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A while back in 2011, Aaron Zelin picked up on a tweet by Aaron Weisburd and retweeted:

the cover of Inspire 5 is remarkably similar to a wikileaks logo, e.g. http://goo.gl/2wibr coincidence I’m sure…

I posted about it here on Zenpundit, and to me eye the match does have something to be said for it:

wikileaks inspire

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But c’mon, baby.

I was reading through today’s pretty harsh Intercept piece, What Julian Assange’s War on Hillary Clinton Says About WikiLeaks — amazing, considering the origins of the Intercept in the work of Glenn Greenwald and Laura Poitras — and came across another purported similarity, this one claimed by Assange himself.

Only this one really just doesn’t work at all:

wikileaks clinton

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Did Assange invent arrows?

I’m sorry, but that’s just ridiculous.

In any case, Hilary got it from Netflix, where they’re airing the Glenn Close series Damages, with John Goodman playing Howard T Erickson, the boss of High Star, a private security firm..

clinton damages

Case closed.


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