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Daveed Gartenstein-Ross in Foreign Affairs, my oblique analysis

Sunday, March 5th, 2017

[ by Charles Cameron — in which Gartenstein-Ross reminds me of Albrecht Dürer ]
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Daveed speaks:

Daveed is worth reading and heeding, especially when he says he’s written something of particular consequence — so read his Foreign Affairs piece.

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My topic is triggered by a single sentence in Daveed’s piece, and is orthogonal to his. Daveed writes:

These spaces included both literal ungoverned territory and discursive spaces

In the overall flow of Daveed’s piece that’s a simple introductory remark, an observation of fact. From my point of view, though, there’s more to it than that — it’s a disjunction & conjunction of the two realms of geography and cognition, matter and mind, or “outer and inner space” if you will. And that’s something always worth noting.

In fact, Daveed’s comment reminds me of Albrecht Dürer and his illustrations of Saint Michael Fighting the Dragon, from The Apocalypse:

Here, the supernatural sits comfortably above (Latin: super) the natural.

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The physical-metaphysical (body-mind; outer-inner; objective-subjective) disjunction & conjunction is recognizable in Descartes, and takes contemporary form as the so-called hard problem in consciousness. It’s significant that the “war in heaven” of Durer’s vision no longer fills the skies in our contemporary images of war, though heaven and hell are no less with us than before..

And so I note that, en passant, Daveed has alluded to what is perhaps the great schism of our time, that between visionary and factual truths.

Kathleen Raine, poet — and mentor of my youthful self:

Fact is not the truth of myth; myth is the truth of fact.

Witness her distress as we abandon truth of myth shining “above” truth of fact, for truth of fact alone:

Chemistry dissolves the goddess in the alembic,
Venus the white queen, the universal matrix,
Down to molecular hexagons and carbon-chains,

John of Patmos, the alchemists, Durer, Blake, Jung, Raine, have the richer vision.

Sunday surprise – Ballad of The Skeletons

Sunday, February 26th, 2017

[ by Charles Cameron — Ginsberg, McCartney & Philip Glass! ]
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I’m not a huge Ginsberg fan, but this seems like a wholesome follow up to yesterdays post 6,000 years and still together — written by Ginsberg in the run up to the United States presidential election of 1996, and touching on several themes of continuing interest today.

You can follow along the text here, and read-all-about-it in ‘The Ballad of the Skeletons’: Allen Ginsberg’s 1996 Collaboration with Philip Glass and Paul McCartney.

Hey, I’m not a great fan of McCartney either, but the pair of them together seems like an oxymoron.

Shahbaz Qalandar shrine bombing DoubleQuote

Saturday, February 18th, 2017

[ by Charles Cameron — qawwali vs bombing — tragic though this week’s deaths are, music, poetry, and devotion transcend death ]
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I thought this horrific announcement:

deserved a response of a very different order:

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That’s it, that’s my response.

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By way of background:

Lal Shahbaz Qalandar of Sehwan, whose shrine in Pakistan was bombed this week, was an Ismaili Shiite poet-mystic, perhaps best understood via his poetry. Shehram Mokhtar in a Master’s thesis on Qalandar writes:

His title of Shahbaz (royal falcon) is associated with him because of the mystical and spiritual heights he attained. This is reflected in his own poetry: “I am the royal falcon, that has no (fixed) place i.e. I am always in flight; I cannot be contained in any place; I am the phoenix, that cannot be restrained in any symbol or form” (Qazi, 1971, p. 26).

Further:

The third title associated with saint’s name is Qalandar. Muhammad Hussain bin Khalaf Tabrizi, the writer of a famous Persian dictionary defines Qalandar as someone “so much spiritualized that he is free from social and customary inhibitions and taboos” (Mohammad, 1978, p.7). Many other references have used terms like, “intoxicated in spirituality” to define the term Qalandar. The title of Qalandar has been associated with three saints, Lal Shahbaz, saint Bu Ali Sharfuddin of Panipat and a female saint Rabia Basri (Mohammad, 1978).

A taste of his poetry gives a taste of the man:

I am burning with Divine love every moment.
Sometimes I roll in the dust,
And sometimes I dance on thorns.
I have become notorious in your love.
I beseech you to come to me!
I am not afraid of the disrepute,
To dance in every bazaar.

Lal Shahbaz Qalandar is both transgressive – a frequently overused term, yet entirely applicable in this instance – and transcendent.

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It’s not always easy to get a fix on Sufi poet-saints. Consider this tale of Kabir, a Muslim from Varanasi, who obtained initiation from the Hindu saint Ramanand:

One of the most loved legends associated with Kabir is told of his funeral. Kabir’s disciples disputed over his body, the Muslims wanting to claim the body for burial, the Hindus wanting to cremate the body. Kabir appeared to the arguing disciples and told them to lift the burial shroud. When they did so, they found fragrant flowers where the body had rested. The flowers were divided, and the Muslims buried the flowers while the Hindus reverently committed them to fire.

Shahbaz Qalandar’s death seems similarly shrouded in mystery – so much so that the quai-authoritative Wikipedia entry for him reports both “Died: 19 February 1275 (aged 98-99) and “Lal Shahbaz lived a celibate life and died in the year 1300 at the age of 151. “

It is his death – considered as his marriage with the divine beloved – that is celebrated at the three-day urs (literally: marriage) festival, attended yearly in Sehwan by upwards of a half-million devotees, at which the divine love is glimpsed through a dance – the dhamaal – similar in function to, though not the same as, the sama dance of the dervish order order founded by Qalandar’s contemporary, Jalaluddin Rumi. The dancers’ characteristic experience is one of divine intoxication, mast.

It was Qalandar’s shrine / tomb that was the site of the IS-claimed bombing this week.

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With appreciation & and hat-tip to Omar Ali, and condolences — also to Husain Haqqani, Raza Rumi, Pundita, and all those who live, work and or pray for a peaceable Pakistan.

DoubleQuoting Blake on Guinea and Sun

Thursday, October 20th, 2016

[ by Charles Cameron — an appendix to The importance of Albrecht Dürer ]
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On two separate occasions Blake compares a guinea (a coin worth one pound and one shilling) and the sun:

blaketo-the-eyes-of-a-miser

In the quote above, we see things as they appear “to the eyes of a miser”, while in that below, we see them through the eyes of the Poet:

blake-when-the-sun-rises

Blake continues that second quote, by saying “I question not my Corporeal or Vegetative Eye any more than I would Question a Window concerning a Sight: I look thro it & not with it.” Hence my distinguishing between “as they appear” in the miser’s eyes and “through” the poet’s eyes..

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The two quotes, taken together, freshly demonstrate the gulf between the two views so forcefully expressed in the second — the topic of my earlier post, The importance of Albrecht Dürer

The importance of Albrecht Dürer in grokking ISIS

Thursday, October 20th, 2016

[ by Charles Cameron — because the world of the jihadists resembles Dürer’s more than it does our own? ]
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It’s extraordinary the insight that an appreciative acquaintance with Albrecht Dürer provides, in attempting to understand ISIS not just theoretically but imaginatively, and thus viscerally.

Under the title ISIL Boasts: America will go down to defeat in the Streets of Mosul Juan Cole blogs [emphasis mine]:

AFP is reporting that a news agency linked to Daesh (ISIS, ISIL), “A`maq,” is carrying a video of a Daesh fighter who swears that he and his colleagues will inflict a decisive defeat on the US in Iraq, as the guerrillas spread through the streets of the city. He addresses the camera saying, “As for you, America, we promise you that which our honored elders promised you, God bless them, such as Abu Mus`ab (al-Zarqawi) and Abu `Umar and Abu Hamza [etc.].”

The threats don’t make any sense. The US does not have infantry combat troops at the front lines, and is mainly intervening with fighter jets and bombers. If you are a small guerrilla group, you really cannot match that firepower. There is no obvious way in which Daesh could inflict harm on the US in Mosul.

How about a non-obvious way?

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For the apocalyptic true believers of ISIS, these verses (ayat, which also refers to “signs”) from the Qur’an ring true today:

When thou saidst to the believers, ‘Is it not enough for you that your Lord should reinforce you with three thousand angels sent down upon you? Yea; if you are patient and godfearing, and the foe come against you instantly, your Lord will reinforce you with five thousand swooping angels.’

Qur’an 3.124-25

We may have lost sight of the angels, and for that matter the dragon, the horsemen, the “woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars” and the “Lamb which is in the midst of the throne” — in our western mostly post-Christian tradition, but John of Patmos and Albrecht Durer saw them, in what we now think of as “the sky”, familiarly known in their days as “the heavens”.

But is that our clarity or our blindness?

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If we are to understand ISIS, we need an analytic framework which doesn’t automatically exclude angels from its purview — as I argued somewhat more broadly in my essay The Dark Sacred: The Significance of Sacramental Analysis in Robert Bunker‘s Blood Sacrifices [Kindle, $3.99].

We are dealing with a subset of that culture wherein poetry is as highly valued as it is lowly valued in our own — as Shahab Ahmad tells us in What is Islam, “the poetical discourses of Muslim societies” are “the form of speech regarded as the highest register of human self-expression and social communication.”

And we are easily blind to such things. Thomas Hegghammer, in his Paul Wilkinson Memorial Lecture at the University of St. Andrews, Why Terrorists Weep: The Socio-Cultural Practices of Jihadi Militants, writes:

It took me a long time to even notice these things. I’ve studied jihadi groups for almost fifteen years, and for the first ten, I was addressing standard questions, like, how did group A evolve, what has ideologue B written, who joins movement C, etc. The thing is, when you study one type of group for a while, you take certain things for granted. I knew that these groups were weeping and reading poetry, but it didn’t really register – it was background noise to me, stuff I needed to shove aside to get to the hard information about people and events.

Hegghammer goes on to comment that “soft” activities — he names weeping, reading and reciting poetry, dreaming — “pose a big social science puzzle, in that they defy expectations of utility-maximising behaviour.”

We tend to the “utility-maximizing” end of a philosophical spectrum (running, as per my example above, from “heaven” to “sky”) but they do not.

Oh, no. They do not.

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To understand the poetics of jihad, and thus the passions it arouses, we must first glimpse the visionary faculty that is implicit in our own so easily disregarded poetry.

Thus William Blake, in his A Vision of the Last Judgment:

“What,” it will be Questioned, “When the Sun rises, do you not see a round Disk of fire somewhat like a Guinea?” O no no, I see an Innumerable company of the Heavenly host crying “Holy Holy Holy is the Lord God Almighty.” I question not my Corporeal or Vegetative Eye any more than I would Question a Window concerning a Sight: I look thro it & not with it.


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