Because somewhere within us, deep, psychologically speaking, there’s a desire for the consummation of a marriage between what the Chinese term the creative and receptive principles, here represented in an alchemical image by king and queen, silver and gold, sun and moon:
I say alchemy because marriages of hard and soft, above and below, word and flesh, have it in common that they bridge significant metaphysical divides — like the fall of the Berlin wall, to take a political equivalent within living memory — and thus perform a healing work.
‘From the greatness of his wealth of metals and his powers of fire’ Melko constructs a host of ‘beasts like snakes and dragons of irresistible might that should overcreep the Encircling Hills and lap that plain and its fair city in flame and death’. The work of ‘smiths and sorcerers’, these forms violate the boundary between mythical monster and machine, between magic and technology.
That’s a DoubleQuote!
There’s a parallel, if greater, boundary violation Tolkien points us to in his essay On Fairy-Stories, where he writes of the Gospel that “this story has entered History and the primary world; the desire and aspiration of sub-creation has been raised to the fulfillment of Creation” and declares, “Legend and History have met and fused.”
That’s true alchemy here — a sacred marriage, hieros gamos..
“When I saw that, I knew this wasn’t just any flood deposit,” DePalma said. “We weren’t just near the KT boundary—this whole site is the KT boundary!” From surveying and mapping the layers, DePalma hypothesized that a massive inland surge of water flooded a river valley and filled the low-lying area where we now stood, perhaps as a result of the KT-impact tsunami, which had roared across the proto-Gulf and up the Western Interior Seaway. As the water slowed and became slack, it deposited everything that had been caught up in its travels—the heaviest material first, up to whatever was floating on the surface. All of it was quickly entombed and preserved in the muck: dying and dead creatures, both marine and freshwater; plants, seeds, tree trunks, roots, cones, pine needles, flowers, and pollen; shells, bones, teeth, and eggs; tektites, shocked minerals, tiny diamonds, iridium-laden dust, ash, charcoal, and amber-smeared wood. As the sediments settled, blobs of glass rained into the mud, the largest first, then finer and finer bits, until grains sifted down like snow.
“We have the whole KT event preserved in these sediments,” DePalma said. “With this deposit, we can chart what happened the day the Cretaceous died.”
[ by Charles Cameron — James Bond in the Sun Myung-Moon universe? ]
As you know, I’m interested in the intersection of religion and violence, and there can hardly be a more emphatic example of that intersection than a religious ceremonial for the blessing of guns — complete with the personnel of an offshoot of messiah the Rev. Sun Myung-Moon‘s Unification Church (upper image, below, worshipper with crown of bullets):
— and their queenly leader Rev. Yeon Ah Lee-Moon (lower image, above) complete with her weapon of gold.
Ah, guns of gold.
I would love to know the symbolic meaning of a crown of bullets — compare Christ’s crown of thorns — but the symbolism of gold…
Gold corresponds in alchemical symbology to the sun, and silver to the moon, making the original Unification messiah Sun Myung-Moon‘s name a sweet alchemical conjunction of sun and moon, albeit in transcription from the Korean in which the names would no doubt have entirely different valences from their English versions.
Forget the Moon, then — golden weapons are, in a sense the Aztecs might have appreciated, weapons of the sun, and adornments of sunly male royalty.
Consider in this light the golden weapon of cartel boss Ramiro Pozos Gonzalez (upper image, below):
Gold, oh dear, is also the symbolic essence of wealth-as-power, ie for practical cases, money, cash, dosh — and as such, that substance the desire for which is, famously, scripturally, the root of all evil.
Golden guns, in this sense, are desirable precisely in inverse relationship to their owner’s desire for good.
[ by Charles Cameron — featuring SWJ, Uma Thurman, and an outbreak of sheer alchemy – !! — on MSNBC ]
Poetry is irrepressible.
Often confused with things people print with broken lines, poetry is a view on things, an angle oblique to reality revealing an archipelago of plausible, interesting deeper meanings, not behind but within the everyday.
Under that definion, poetry is irrepressible, while the broken line stuff is failing, almost dead, precisely because it so oftten lacks authentic poetry.
Here, then, are three examples of the elements of poetry visible emerging from the dense forests of the prosaic, as the Mayan temples emerge from the Guatemalan forest in this National Geographic image:
vegetation and the night can come to be seen part of the enemy, a similar view can emerge concerning civilians
So: “the night can come to be seen part of the enemy” — true in terms of personal experiences of war (we’re talking Vietnam here) no doubt, but also mythic in its resonance, in a way that’s inseparable from its practical, field reality: night as darkness, the unknown, mystery, terror, all providing a cloak for sudden attack.
Bringing the moon and the sun together always makes me happy.
From Ari Melber on The Beat yesterday, at 47.12 almost at the very end of this clip:
Sheer alchemy, out of the Tube, out of nowhere! Bringing the sun and moon together is the conjunctio, subject of Carl Jung‘s last major work, Mysterium Coniunctionis, and symbolized by the union of sun andd moon, king and queen, gold and silver:
The middle image, showing the coniunctio, is from the Rosarium Philosophorum (1550): Jolande Jacobi describes it thus in her book The Psychology of C.G. Jung:
The alchemical conception of one of the stages of the coniunctio. Here the ‘king’ and the ‘queen,’ who may be taken as Sol and his sister Luna, appear as symbols of the primordial psychic opposites, masculine and feminine. Their ‘marriage’ is meant primarily in the spiritual sense, as is clear not only by the words of the middle band spiritus est qui vivificat, but also by the dove as symbol of the spirit, and according to the ancients, amor coniugalis. The primordial opposites confront one another in their naked, unfalsified truth and essence, without conventional covering; the difference between them is evident and ‘essential;’ it can be bridged in fruitful union only through the intermediary of the spirit symbol, the dove, the ‘unifier’ which intervenes from ‘above.’ The branches held to form the cross, the flores mercurii, and the flower hanging down from the dove’s beak—all these symbols of the process of growth illustrate the common effort of man and woman in the living work of the coniunctio.
For Ari Melber, out of the blue, to come up with this expression of his “happiness” at “bringing the moon and the sun together” is a stunning instance of the breaking though of the prime symbol of sheer alchemy into an MSNBC news program — in the midst of the Trump / Mueller controversy!
Zenpundit is a blog dedicated to exploring the intersections of foreign policy, history, military theory, national security,strategic thinking, futurism, cognition and a number of other esoteric pursuits.