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Jihad culture: its music, poetry, rituals and dreams

Monday, September 12th, 2011

[  by Charles Cameron – jihadist studies, Hegghammer, culture and influence ]

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It is the evening of the tenth anniversary: the day is almost over.

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In an engaging interview with Abu Muqawama posted today, terrorism and violent Islamism expert Thomas Hegghammer discusses his new project about jihad culture, or “the things jihadis do when they don’t fight”.

It is inspired by the observation that militants in the underground spend a lot of time doing things that appear to serve no immediate military purpose, like singing songs, reciting poetry, or discussing dreams. They also do unexpected things like weep on a regular basis, notably when reciting the Qur’an. The infamous Abu Mus‘ab al-Zarqawi, for example, was known among fellow militants as both “the butcher” (al-dhabbah) and “a weeper” (baki). All this “soft matter” of jihadism remains virtually unstudied; one reason, I think, is that it has been considered less consequential than the hard stuff of terror, such as attacks, resources, organizational structures and the like. My hypothesis is that jihad culture is not inconsequential at all; instead I think it may shed important new light on the processes by which jihadi groups recruit, exercise organizational control and make tactical decisions. I am sure that the military men and women reading this blog will find all this rather intuitive, because they have experienced the important role of music and rituals in their own organization.

As a first step in the inquiry, I am currently working with a great team of scholars on an edited volume that will explore various dimensions of jihad culture. I have recruited subject specialists – including a musicologist, an Arabic poetry expert, and an anthropologist of dreams – to help document and decipher al-Qaida’s internal culture.

I hope the book will cover miracle stories and the odor of sanctity, too…

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Hegghammer is co-author of the forthcoming Meccan Rebellion (Amal 2011), which I very much hope to review here on Zenpundit, and which is likely to be the definitive work on the Mahdist takeover of the Grand Mosque in Mecca in 1979.

Needless to say, I’m delighted at the news of Hegghammer’s upcoming project.

The imagery of religion and war

Friday, September 9th, 2011

[ by Charles Cameron — graphical analysis, selling bibles to teenage boys, tge Mass in time of war ]

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Following on from my post on the work of Al Farrow, and leading towards a series of posts on ritual and ceremonial, I’d like to show you two very different images at the overlap of war and religion.

The first shows two different covers of the books of Joshua, Judges, Ruth, I & II Samuel, I & II Kings, Ezra and Nehemiah, as featured in a “biblezine” edition of the New Century Version of the Bible pitched at teenage testosterone.

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Each of will have our own sense of whether that’s fun, stupid,  Biblical, unBiblical, enticing, disgusting or simply uninteresting — but whatever your aesthetic and/or belief-based response, there’s a powerful lesson there in the choice of subtitles:

how unstoppable warriors got so awesome…
courage and faith wins the battle…
how to impress the girls!
how to take on giants!
women that seduce…
tons more random cool stuff lists…

I’m not a fan of this kind of thing myself, but I picked up a copy when I saw one at the thrift the other day — the one with Men of the Sword on the cover — and as someone who has done a fair amount of copy-editing in my day, was surprised to see “courage and faith wins the battle” (sic) had slipped past the editorial eyes at Nelson Books

The New Testament in the same series is a bit better — the cover still features “dynamic stories of daring men” –but the, ahem, romantic element has been toned down a bit, with the catch phrase “class act: how to attract godly girls” replacing the Old Testament’s “how to impress the girls”.

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Okay, I’m not as young as I once was, and maybe I’ve been mean enough at the expense of these people who want to market the Bible as though it was an invitation to warfare washed down with sex.

The other image I found recently comes a great deal closer to my own taste, and will serve as an excellent introduction to the idea of religious ceremonial as an oasis of peace in time of war:

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Again, I suppose there may be some who will find the idea of religious ritual boring and irrelevant rather than beautiful — but it is its capacity to move us at a deep level — even (and perhaps particularly) when high tides of  circumstance and emotion are breaking over us — that I wish to focus on and, to the extent that it is possible, explore and explain in  some upcoming posts.

In my view, it was this kind of beauty, verging on the austere and the timeless, rather than the snazzy and faddish “impress the girls — draw in the kids” kind, that Pope Benedict XVI had in mind when he said:

Like the rest of Christian Revelation, the liturgy is inherently linked to beauty: it is veritatis splendor. The liturgy is a radiant expression of the paschal mystery, in which Christ draws us to himself and calls us to communion. As Saint Bonaventure would say, in Jesus we contemplate beauty and splendor at their source.

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I am not a Catholic, though my sympathies run in that direction, and my examples of ceremonial will not be drawn only from Catholic or Christian sources — part of what i want to explore is the universal quality of ritual as a powerful source of motivation and inspiration, while another aspect has to do with the interweaving of military, religious and state symbols, but the point I would most like to make in each case is the profound impact that such symbols and rituals can have on the receptive heart.

I hope to touch on a wide range of ritual expressions, from the Requiem for a departed princely Habsburg to the Lakota sweat lodge, and from to the fire-walking ceremonial of the Mt Takei monks of Japan to the Spanish bull-fight, with a close look at the ritual surrounding coronation in my own British tradition.

For those who would like to peer deeper into these matters, I would suggest these four books:

Victor Turner, The Ritual Process
Geoffrey Wainwright, Eucharist and Eschatology
William Cavanaugh, Torture and Eucharist
Josepha Zulaika, Basque Violence: Metaphor and sacrament

The first explains “how ritual works” from an anthropological point of view, the second deals with the purposeful interweaving, accomplished within ritual, of time with the timeless, the third with the way in which sacramental transcendence is the very antithesis of torture, and the fourth with the impact of a sacramental sensibility within terrorism.

Each one is a masterpiece of intelligence and profound feeling.

Historical footnotes to game theory

Sunday, August 21st, 2011

[ by Charles Cameron — philosophy, psychology, history, game theory, dilemma, commons cooperation, analogy, 9/11 ]

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I have an interest in game theory that is much like my interest in music: I can’t play, but I can whistle. And so it is that I’ve substituted curiosity about the history of the thing, and whatever analogical patterns I can discern there, for any actual ability at the thing itself.

Somewhere in my analogy-collector’s mind, then, I have these two quotes, cut from the living tissue of their writer’s thoughts, and prepped fpor contemplation. I find them, in retrospect, quite remarkable.

Jean-Jacques Rousseau, in On the Inequality among Mankind, wrote:

Such was the manner in which men might have insensibly acquired some gross idea of their mutual engagements and the advantage of fulfilling them, but this only as far as their present and sensible interest required; for as to foresight they were utter strangers to it, and far from troubling their heads about a distant futurity, they scarce thought of the day following. Was a deer to be taken? Every one saw that to succeed he must faithfully stand to his post; but suppose a hare to have slipped by within reach of any one of them, it is not to be doubted but he pursued it without scruple, and when he had seized his prey never reproached himself with having made his companions miss theirs.

And David Hume, in A Treatise of Human Nature:

Your corn is ripe today; mine will be so tomorrow. ‘Tis profitable for us both that I shou’d labour with you today, and that you shou’d aid me tomorrow. I have no kindness for you, and know that you have as little for me. I will not, therefore, take any pains on your account; and should I labour with you on my account, I know I shou’d be disappointed, and that I shou’d in vain depend upon your gratitude. Here then I leave you to labour alone: You treat me in the same manner. The seasons change; and both of us lose our harvests for want of mutual confidence and security.

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Those two, I believe, are fairly well known – I was delighted the other day to run across a third sample for my collection. William James, in The Will to Believe, writes:

Wherever a desired result is achieved by the co-operation of many independent persons, its existence as a fact is a pure consequence of the precursive faith in one another of those immediately concerned. A government, an army, a commercial system, a ship, a college, an athletic team, all exist on this condition, without which not only is nothing achieved, but nothing is even attempted. A whole train of passengers (individually brave enough) will be looted by a few highwaymen, simply because the latter can count on one another, while each passenger fears that if he makes a movement of resistance, he will be shot before any one else backs him up. If we believed that the whole car-full would rise at once with us, we should each severally rise, and train-robbing would never even be attempted.

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The first two quotes are of interest as showing the forms that an idea which will later be mathematized can take.  They are, if you like, precursors of game theoretic constructs, although neither Hume nor Rousseau appears to be mentioned in von Neumann and Morgenstern‘s Theory of Games and Economic Behavior.

The third, I think, is even more interesting..  Consider the eerie and heroic “fulfillment” of that third paragraph if read “as prophecy” – in this account from the 9/11 Commission Report of the events on United Flight 93:

During at least five of the passengers’ phone calls, information was shared about the attacks that had occurred earlier that morning at the World Trade Center. Five calls described the intent of passengers and surviving crew members to revolt against the hijackers. According to one call, they voted on whether to rush the terrorists in an attempt to retake the plane. They decided, and acted. At 9:57, the passenger assault began. Several passengers had terminated phone calls with loved ones in order to join the revolt. One of the callers ended her message as follows:

“Everyone’s running up to first class. I’ve got to go. Bye.” The cockpit voice recorder captured the sounds of the passenger assault muffled by the intervening cockpit door.

Yesterday’s highwayman is today’s hijacker, yesterday’s train is today’s plane…

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If there’s anything to be learned here, it’s not a novel way of protecting trains or aircraft from passengers of malicious intent —

It’s that there’s a subtle thread running from something akin to instinct that’s also close to unspoken common sense, surfacing for a moment in the writings of thoughtful individuals, leading on occasion to the formulation of exact mathematical principles — but also (i) available, (ii) in the human repertoire, (iii) to be acted upon, (iv) cooperatively, (v) as required, (vi) via the medium of human common interest, (vii) which provides the resultant trust.

Which may in turn offer some reason for hope — for a humanity in various forms of communal distress…

Formats for civil online debate II — inspired by Hesse’s Bead Game

Tuesday, August 16th, 2011

[ by Charles Cameron — hypertext, rhetoric, glass bead games, civility ]

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My second attempt at a format for online debate is, as I said, a variant on the “Dart Board” sometimes used for playing my HipBone Games (see, for instance, my solo game War is Sexy, says Dawn).

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The idea here would be to format a blog post and series of 7 comments by a Querent (the one with the Question) who may also be the Umpire — both roles would be issue-neutral — a Proponent who would propose and support a thesis, and an Antagonist who would oppose it.And I should add, right at the outset, that this is a formal process for the named participants — as a white tie debate at the Oxford Union is a formal process — no matter how raucus the kibitzers may get, and accordingly requires a day or two between moves to allow for consideration, research and preparation.
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The Querent makes the first move in the first position on the board, giving it short move title (short enough to be typed on the board graphic in the space currently occupied by the word “issue‘) and a paragraph or so of move content setting forth concisely the issue to be discussed — ideally via an issue neutral anecdote or quote. After each move, the Querent (or a graphically inclined observer) would ideally update and post the game board after inserting the relevant move title.

[ Those who are not among the named participants may of course kibitz at any time… ]

The Proponent next carefully chooses a pithy quote or anecdote, gives it a move title (as above), and posts the move title, the chosen move content (the anecdote or quote selected), the link claimed (setting forth concisely the nature of his or her argument as it relates to the move content of the Querent‘s issue), and if she or he so chooses, a comment (the comments in a HipBone Game are intended for meta-conversations among the various players).

The Antagonist then similarly chooses an anecdote or quote, and posts move title, move content, links claimed — in this case, showing the links with both the issue as stated at position 1 in the Querent’s move, and the thesis as stated in position 2 in the Proponent’s move — and a comment if so desired.

Okay, that’s thesis and antithesis, the Umpire then posts a move title, some move content and links claimed to all three positions in play, with a comment if so desired, in the fourth position (labeled synthesis).

The rule is that whenever playing in a position which links via a board line to one or more previous moves, the links claimed must include explanations of how the move relates to those previous moves.

The Antagonist plays next in position 5 — playing move title, move content, links claimed, comment — providing an instance with which to dispute the thesis, and linking as per the rule just stated to the thesis proposed at position 2 — only!

Since position 5 is only connected to position 2 of those positions in play, no other links should be claimed.

Similarly, the protagonist then plays in position 6, a move which I’ve called the “prothetical” instance without a clue as to whether prothetical is a real word — tho’ I like it — linking only to the antithesis in position 2, which it seeks to refute.

Move 7 is by far the trickiest of the game, and is made by the Umpire, who now has to provide move content that synthesizes the game thus far, explaining links claimed to positions 2, 3, 4, 5 and 6 (ie to the original thesis, antithesis and synthesis, but moving the synthesis to encompass also the two instances)…

But the Umpire can take consolation in the fact that in the final move 8, the Querent gets to raise afresh those questions which remain — now that both sides have had their say, and the Umpire has attempted reconcile them.

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Three quotes, the first one on debate:

Harmony among conflicting viewpoints, not the victory of one of them, should be the ultimate goal…

— from Bizell & Herzberg, The Rhetorical Tradition, as quoted here

The second moving from debate to dialog:

One way of helping to free these serious blocks in communication would be to carry out discussions in a spirit of free dialogue. Key features of such a dialogue is for each person to be able to hold several points of view, in a sort of active suspension, while treating the ideas of others with something of the care and attention that are given to his or her own. Each participant is not called on to accept or reject particular points of view; rather he or she should attempt to come to understanding of what they mean.

David Bohm, Science Order and Creativity, p 86

And the third, from Buddhist Madhyamika philosophy, moving into the contemplative realm where all answers are seen as the stepping off points for open questions:

I wanted to use one word in Tibetan that I’ve found very useful for myself… and this is the word zöpa.. this translates usually as patience or endurance or tolerance, but there’s this very subtle translation of zöpa, which is the ability to tolerate emptiness basically, which is another ways of saying the ability to tolerate that things don’t exist in one way, that things are so full and infinite and leave you so speechless, and so undefinably grand – and these are just descriptive words, but you have to use some words to communicate, I guess — the ability bear that, that fullness, like we’ve been talking about, not turning away, not turning away.

Elizabeth Mattis-Namgyel, in (if I recall) a Shambhala-sponsored retreat video

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A blank Dart board, downloadable for your convenience:

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New Book: Storming the World Stage by Stephen Tankel

Monday, August 15th, 2011

Storming the World Stage: The Story of Lashkar-e-Taiba by Stephen Tankel

I returned from Texas yesterday to find on my doorstep, a review copy of Storming the World Stage: The Story of Lashkar-e-Taiba by Carnegie scholar Stephen Tankel.  Mirv Irvine of CNAS describes it thusly:

…one of the definitive accounts of Lashkar’s rise as well as the 2008 Mumbai attacks, and his book should be the go-to-guide for those looking to understand Pakistan’s reliance on proxies against India and its attached baggage

Moreover, my co-blogger and expert on esoteric religious militancy, Charles Cameron has already expressed book envy of this review copy and covets it. Heh. With such strong endorsements, I am moving it to the top of the pile for immediate reading.


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