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Earlier this year, milblogs had much discussion regarding “toxic leaders” – so-called “leaders” who in command epitomized a bullying, negative, destructive, egocentric, “boss from hell” that compromised missions, institutional values, morality and sometimes the law with their behaviors. This a phenomena plaguing more than just in the US military; a best-selling business book, The No Asshole Rule by Stanford professor Robert I. Sutton , even attempted to quantify the negative economic impact of psychopathic or antisocial personalities on their organizations and concluded the best strategy was to systematically not hire these people in the first place (Steve Jobs, incidentally, was identified by Sutton as the extremely rare asshole who created significantly more value for an organization than he destroyed in the damage he did to the people around him).

I came across an intriguing discussion of pyschopathology on TED that takes a number of surprising twists that puts “toxic” personalities in a different perspective than fixed categories.

[ by Charles Cameron — I pretty much follow the people I follow because I learn from them, and that builds trust and friendship ]
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Exum nails it.

I mean, I can well imagine there are some phony “experts” on terrorism out there, but Glenn Greenwald hasn’t done his homework and misfires. Let me explain.

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I don’t know about you, but I sometimes think the words that someone ends a book with are kinda significant. They’re the ones that give you the impression the author wants to leave you with. That’s partly why I go on and on at such length about the final hundred pages of Abu Musab al-Suri‘s Treatise being devoted to an exposition of apocalyptic hadith with strategic application.

So when Daveed Gartenstein-Ross writes an entire book arguing that al-Qaida’s strategy is to defeat the US by draining its economy – fair enough, given that bin Laden himself said he was continuing a policy of “bleeding America to the point of bankruptcy” – it should come as no surprise when Gartenstein-Ross closes his book with the following words:

When we are facing a crushing national debt, the interest payments for which are projected to eclipse our current defense budget by 2019, we cannot afford to overreact to every terrorist threat and to intervene in every conflict.

The course to maintaining American power in the twenty-first century begins with conserving our resources. And this must be as true of our counterterrorism and military efforts as it is of any other segment of the federal budget.

Likewise, when someone writes a 30-page analysis of the FBI’s infiltration of the Patriot movement, as JM Berger did in his report on PATCON for the New America Foundation, it’s hard to imagine that he’s solely concerned with Islamic terror. Indeed, Berger was researching the “Aryan Republican Army” at least as far back as 2006, when he posted Richard Guthrie’s Suicide: New Details Of ‘Aryan’ Bank Robber And OKBOMB Suspect’s Death In Prison; more recently, he published a piece about the Turner Diaries and today’s Patriot movement in the Daily Beast in June of this year.

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It’s curious, then, and sad, that these are the two people that Glenn Greenwald specifically picks out by name and photograph to attack in his final, ill-informed piece for Salon, The sham “terrorism expert” industry, writing:

Gartenstein-Ross’ entire lucrative career as a “terrorism expert” desperately depends on the perpetuation of the Islamic Terror threat.

of the fellow who wrote:

we cannot afford to overreact to every terrorist threat

and similarly:

he spends his time doing things like shrieking about the Towering Menace of Anwar al-Awlaki and generally hopping on whatever Muslim-Terrorism-is-a-Grave-Danger train that comes along.

about the fellow who has been tracking many forms of US native terror – including all those mentioned in his piece, A Nation of Spies and Snitches in Foreign Policy in May of this year:

And it isn’t just about Muslims, or even terrorism. In recent months, informants and undercover agents have played a key role in criminal cases involving anarchists in Ohio associated with the Occupy movement and right-wing extremists in Georgia, Arizona, and Michigan

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Greenwald has gotten this same sort of thing wrong at least once before, when he pilloried Will McCants. Greenwald had written:

I had a somewhat lengthy debate on Twitter last night about the Awlaki assassination with several people often identified as “Terrorism experts” — such as Will McCants and Aaron Zelin — and they and others (such as Andrew Exum and Robert Farley) objected rather vigorously when I said I found the entire concept of “Terrorism expert” to be invalid, as it is a honorific typically assigned due to ideology and interests served rather than actual expertise.

Ouch.

Exum neatly skewered him that time, too, albeit at greater length, writing:

Second, let me consider the case of my friend Will McCants, who Greenwald very much picked on in his Twitter feed along with Aaron Zelin (who I do not know well but who seems really smart in his own right). Greenwald is correct that the decade after the September 11th attacks created all kinds of incentives for self-proclaimed terrorism “experts” to rise to the fore, hawking their “expertise” and opinions on both the consulting market as well as in the mainstream media. Too often, this expertise has been ignorant or barely concealed Islamophobia. Ironically, though, one of the scholars who has done the most to condemn what he calls “CT hucksters” is Will McCants. Will is one of the more rigorously credentialed scholars studying violent Islamist extremist groups as well as being one of the most careful. Will fell into a study of terrorism after doing a Ph.D. in Near Eastern Studies at Princeton. He had no initial academic training in strategic studies or military affairs as far as I know, but his Arabic and understanding of the intellectual currents of political Islam made him ideal to work on al-Qaeda as a case study. And just like I started a dissertation on Hizballah with a background in Middle Eastern Studies and boned up on the theories related to small wars and insurgencies as I went along, so too did Will with respect to terrorism as a phenomenon. At the end of the day, Will is best described as an Arabist, perhaps, but if he is not a bona fide terrorism expert as well — again, no scare quotes necessary this time — I don’t know who is.

History may not repeat, but Greenwald seems to.

The equivalent skewering this time around can be found in Foreign Affairs — in Dan Trombly‘s What’s Glenn Greenwald’s Problem?

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[ Saving grace note: I don’t think it quite admits me to the clique, but I’ve exchanged emails or tweets with all four of the people Greenwald mentioned with less than due diligence, and consider each of them “virtual acquaintances” and in some cases “friends” ]

[ by Charles Cameron — mapping, holding two worldviews in mind at one time, a conductor’s score, complexity thinking ]
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About a year ago, the Atlantic reported that the Library of Congress had been given a map of the flat earth, designed according to Biblical principles — yet showing knowledge of the border between the United States and Canada…

Thanks to a post from Jason Wells, I saw it today.

The view that the earth is flat is one worldview, of course, and no longer the prevailing one. As Nicholas Jackson noted at the Atlantic:

The interesting thing about the map is that it was created about 120 years ago by Orlando Ferguson, then a practicing physician in Hot Springs [South Dakota]. This is more than 500 years after most educated people gave up on the idea of the Earth as flat and accepted the spherical viewpoint first expressed by the Ancient Greeks.

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It is, however, possible to hold two worldviews in mind at the same time. John Donne manages it in the first line of his extraordinary poem, written at a time when the two views were clashing:

At the round earths imagin’d corners, blow

AT the round earths imagin’d corners, blow
Your trumpets, Angells, and arise, arise
From death, you numberlesse infinities
Of soules, and to your scattred bodies goe,
All whom the flood did, and fire shall o’erthrow,
All whom warre, dearth, age, agues, tyrannies,
Despaire, law, chance, hath slaine, and you whose eyes,
Shall behold God, and never tast deaths woe.
But let them sleepe, Lord, and mee mourne a space,
For, if above all these, my sinnes abound,
‘Tis late to aske abundance of thy grace,
When wee are there; here on this lowly ground,
Teach mee how to repent; for that’s as good
As if thou’hadst seal’d my pardon, with thy blood.

Donne accomplishes the task of holding two worldviews in mind at one time with four simple words: “round earths imagin’d corners”.

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I don’t know how many melodic “lines of thought” the mind can hold in counterpoint at once. I do know it’s an important cognitive skill for us to cultivate. A classical conductor must surely be able to hold as many lines as there are in this page of Olivier Messaien‘s Oiseaux:

As I pointed out in a recent comment here, “somewhere above three and before eleven there’s a point — Miller’s ‘magical number seven, plus or minus two‘ where the human mind can’t hold any more detail, so that’s a cut-off of sorts.”

Well, Messaien clearly imagines the conductor’s mind can follow more than eleven paths…

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And then there’s Bob Milne.

I’ll let the Philosophy Compass take it from here:

Bob is predominantly known for his piano concerts of Ragtime and Bogie-Woogie music – and was given the moniker of ‘National Treasure’ by the United States Library of Congress. It was at one of these concerts that drew the attention of Penn State neuroscientist Kerstin Bettermann. At his concerts, Bob often carries on conversations, telling stories and jokes, while simultaneously modulating key signatures over the polyrhythmic Ragtime music. In their broadcast, Radiolab discusses with Dr. Bettermann why this is so surprising.

Language use and musical competency often use the same neural resources: the prototypical language areas in the left hemisphere of the brain, and the working memory circuit that keeps information available and rapidly accessible for a short-period of time. Our ability to use language and engage with music should, on most models of the brain, be competing for these neural resources and interfere with one another. Not so with Bob – he appears to be able to tackle both tasks with ease. Further, while most people can approach this kind of competency in multi-tasking, it usually involves many learning trials, a process of sedimenting the learning into what psychologists call procedural memory, which may have its roots in a different brain region, the cerebellum. But Bob can hear a tune just once, and play it back with commentary.

But that’s not all Bob can do.

In their interview, Dr. Bettermann heard Bob claim something extraordinary. He claims not only to be able to hear a symphony in his head, but that he normally does this with two symphonies simultaneously. Where most individuals would only hear a cacophonous mess – Bob claimed he could dial the relative volume of either symphony up or down, and could zoom in or out of individual instrumentations. To return to the considerations above, Bob further states on the Radiolab website that he does this while driving – another procedural memory task and presumable source of interference. But when Dr. Bettermann challenged him, Bob reluctantly claimed that he could probably do the same (not while driving, mind you) with four simultaneous symphonies.

The claim is something like this: Bob states that he can hold and listen to four symphonies with different keys, instrumentation, tempo and style in his working memory at the same time. And what is stunning is that when they put Bob into an fMRI machine, they verified his claim. Bob could be stopped at any time during his imaginative trip through the four simultaneous symphonies, and hum out the exact phrase that the original recording would be on. Remarkable.

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This in turn takes us back to that point Edward Said made, which gave me the basic concept for my Said Sympohony (must get back to that soon):

When you think about it, when you think about Jew and Palestinian not separately, but as part of a symphony, there is something magnificently imposing about it. A very rich, also very tragic, also in many ways desperate history of extremes — opposites in the Hegelian sense — that is yet to receive its due. So what you are faced with is a kind of sublime grandeur of a series of tragedies, of losses, of sacrifices, of pain that would take the brain of a Bach to figure out. It would require the imagination of someone like Edmund Burke to fathom.

Edward W. Said, Power, Politics, and Culture, p. 447 — from the section titled “My Right of Return,” consisting of an interview with Ari Shavit from Ha’aretz Magazine, August 18, 2000.

I asked in a post yesterday how good we now are at modeling or simulating ideas in the “war of ideas” — just for a moment, suppose we could think through all complex geopolitical issues in this polyphonic, contrapuntal way…

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Okay, you deserve a reward for faithful reading if you’ve come this far with me. Here’s the incomparable Richard Burton reading Donne’s poem — the text is up above, if you want to follow along:

[ by Charles Cameron — a stray thought, endlessly ricocheting — with a friendly wink to @khanserai ]
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chessboard by Ji Lee

In the long run, winning the War on Terror means winning the battle of ideas. Ideas can transform the embittered and disillusioned either into murderers willing to kill innocents, or into free peoples living harmoniously in a diverse society.

So. More than five years have passed.

Look, I’m sorry to be so blunt… but how good are we now at modeling, simulating and / or gaming ideas?

[ by Charles Cameron — importance of the ratio form (“this is to that as thus is to so”) as a bridge between domains and silos, creative leaps, the glass bead game, and finally, Chittick’s joke about camels, sex and translations from the Arabic ]
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I retweeted this tweet of Andrew Exum‘s to my friend Paul Pilkington because I know he’s working on a project to find out what “this is to that” is to some other “this is to that” — across a wide swathe of human culture.

Note particularly that Exum is using this formal device to illuminate, to give insight, in an area of importance to analysts, strategic thinkers and decision makers.

I’m also retweeting Exum to Paul because I believe Paul’s simple experiment, based as it is on his reading of Hermann Hesse‘s Glass Bead Game, has the capacity to build an architecture of thought (a) crossing all disciplines and (b) spanning the trivial with the profound.

I’m doing something similar with Cath Styles in our Sembl games project — but this time I want to concentrate on Paul’s approach, and since there are four moving parts in an a is to be as c is to d configuration, I’m calling this post Numbers by the numbers: four — number three will just have to wait a while.

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To get a sense of what Paul is up to, we can go to his Twitter Project page, which describes the fourth in a series of books he’s writing — and also follow him on Twitter, where he posts as Just Knecht.

Two of Paul’s recent tweets express his sense of the task pretty incisively:

The whole of language is the holding up of one unlike thing to compare, contrast and connect with another

Curating is a matter juxtaposition of work against work, artist against artist, place against place – A.Searle on Documenta 13, The Guardian

On his Twitter Project Page, he tells us:

Each tweet is an individual Glass Bead Game move, which is a comparison (metaphor, simile or analogy) across different areas, and may be either a statement or a question.

In question form, these are not unlike analogy questions from SAT tests with an additional dimension of general knowledge, cultural invention and intellectual playfulness. The basic challenge is to work out the relationship between two terms in one context, and apply it in another. Sometimes a tweet will extend an analogy further, which would be the beginning of forming a larger game from an individual move.

Some of the most interesting moves do not have right or wrong answers. Some have canonical or original answers, but they’re not necessarily right. In fact, very often I will post something I’ve picked up from elsewhere which I would love to see improved on, challenged, or at least better explained by others.

He then poses some of the sorts of questions that intrigue him:

Who is the J.H.Prynne of contemporary dance? Like Prynne in contemporary poetry they need to have been ‘out there’ right at the edge of theory and practice for some time, and also deeply steeped in tradition at the same time. Merce Cunningham? Suggestions welcome … And Heston Blumethal or Ferran Adrià might be the Prynne of cookery. But what about the Prynne of contemporary warfare?

What is the equivalent of sonata form in architecture? Goethe and Hegel both said ‘architecture is frozen music’ but neither really explained what they meant. If it is, then is there an architectural equivalent in Western architecture of the key structural form in Western art music? Suggestions welcome …

So, Zenpundit readers — who is the JH Prynne of contemporary warfare?

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Not so long ago, in Numbers by the numbers: one, I posted a series of self-referential tweets that I’d collected over the last month or two — here I’d like to present some of Paul’s recent tweets:

Let’s start with one that’s a foreign policy insight, arguably as significant to day as it was when Vance first said it:

16 Jul @justknecht
“The Strait of Hormuz is the jugular vein of the West” (Cyrus Vance)

If these tweets can be timeless, they can also be timely:

4 Jul @justknecht
The Higgs boson is the quantum of the Higgs field, just as the photon is the quantum of the electromagnetic field

As they accumulate over time, they can build a conceptual “mesh” that engages an entire field — in this case, recent classical music — while linking it to a variety of other areas:

16 Jul @justknecht
“Boulez’ Derive 2 sounds like birthday cakes ought to” – Philip Clark, Gramophone

22 Jun @justknecht
Wagner was a beautiful sunset that was mistaken for a dawn – Claude Debussy, quoted by Geoffrey Norris in Gramophone

30 May @justknecht
Fauré’s Theme and Variations (no. 9) is like an evening star falling slowly from the sky – Bryce Morrison cites Alfred Cortot in Gramophone

11 May @justknecht
Kraftwerk is the Warhol of pop music – The New Yorker

There’s profundity here:

9 Jun @justknecht
“Space is to place as eternity is to time.” – Joseph Joubert

This could be, as Paul says, “the beginning of forming a larger game from an individual move” — that quote in itself could plausibly be the keystone of an architecture bridging science with religion…

There are historical parallels to consider:

31 May @justknecht
Robert Burton : Oxford :: Jeremy Prynne :: Cambridge

Catty remarks by Nobel laureates:

21 May @justknecht
“Thinking is to humans as swimming is to cats” (Nobel laureate Daniel Kahneman)

Near-tautologies:

21 May @justknecht
Macon Telegraph: Recipes are to food as blueprints are to buildings.

And, ooh, exotic forms of slander!

18 May @justknecht
“[Your daughter] has lovers as numerous as the striking of tablas on Palm Sunday” – Arabic satire by Abu Nawas, 756 – 813 AD

Once again, it’s form that generates insight, not content. Get used to form, play around with it, and content will leap out at you from the page, from the screen.

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I’m no Arabist myself, but ah! that last quote reminds me irresistibly of the difficulties faced by translators from the Arabic, as recounted by William Chittick in The Self-disclosure of God: Principles of Ibn Al-‘Arabi’s Cosmology (SUNY Press, 1998, pp. xxxv-xxvi.)

An old joke among orientalists tells us that every Arabic word has four meanings: It means what it means, then it means the opposite of what it means, then it has something to do with sex, and finally it designates something to do with a camel …. The rational mind tends to push the meaning of a word away from experience to ‘what it means’ but the imaginal mind finds the self-disclosure of the Real in the sex and the camel … it is in the world’s concrete realities that God is found, not in its abstractions.

I’d been looking for an excuse to post that quote on Zenpundit — now I’ve found it!