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Some chyrons &c as my chyrons series draws towards a close..

Wednesday, May 1st, 2019

[ by Charles Cameron — this post has been lingering while I’ve been slowly adding elements, and with some Bach now firmly in place I think it’s past time to drop it into the slip-stream ]
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This one’s priceless in a Matrioshka, Through the Looking Glass kind of way:

Can the Actor Who Ruled Ukraine on TV Do It in Real Life?

File it under life imitates art?

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I’m tired of chasing chyrons. If I see stunners, I may bring them here, but I’ll be concentrating on other things.

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I was surprised to overhear the words “perfect sacrifice” in a baseball commentary my room-mate was attendinmg to, but apparently the phrase fits in the context of bunts – what those are, I still don’t know – as well as they do in the context of the Eucharistic liturgy, often considered, eg by Pope John Paul II , as a perfect sacrifice of praise..

What can I say? My ears perked up.

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Three levels of beauty for your illumination:

Lidia Ksiazkiewicz

Lidia Ksiazkiewicz at her instrument:

Lidia Ksiazkiewicz plays Bach’s Fantasia in G major, BWV 572, on the great organ of Laon cathedral in 2012:

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This one’s an almost ouroboros — Chris Matthews on Hardball:

The Democrats don’t know how to play hardball>>

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From the poets — Walt Whitman:

both in and out of the game, and watching

Life, the game, yes. And Shakespeare:

The southern wind
Doth play the trumpet to his purposes,
And by his hollow whistling in the leaves
Foretells a tempest and a blustering day.

Marvelous. Those unexpected words can break through the strands of conventional thought that spin their deadly shroud about us every day.

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“IT’S GOING TO BE A GUERRILLA WAR”: THE SANDERS LEFT OPENS FIRE ON BIDEN

Within a few hours of Joe Biden’s official presidential announcement, the Justice Democrats, the progressive group behind Alexandria Ocasio-Cortez’s rise to power, brought out the flamethrower.

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So as you see, this is the sort of amount that would have made the first quarter of a chyrons series post a couple of weeks ago, and today it’s all I’ve collected in a week or so. I’m really cutting back on this game, and will be concentrating on other areas..

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Let’s close here with this trio:

That’s the rough number.

That’s just this last week.

And here’s the exact figure, if there’s no margin of error, which seems unlikely..

I’m leaving some terrorism screen-grabs for a later post.

Sunday surprise, the wind bloweth

Monday, September 17th, 2018

[ by Charles Cameron — when inspiration is in the air — Sister Rosetta and Kathleen Raine ]
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Two very different artworks, each beginning with an attempt to express where inspiration comes from.

My friend and sometime mentor Kathleen Raine‘s great poem, Invocation:

Invocation:

There is a poem on the way,
There is a poem all round me,
The poem is in the near future,
The poem is in the upper air
Above the foggy atmosphere
It hovers, a spirit
That I would make incarnate.
Let my body sweat
Let snakes torment my breast
My eyes be blind, ears deaf, hands distraught
Mouth parched, uterus cut out,
Belly slashed, back lashed,
Tongue slivered into thongs of leather
Rain stones inserted in my breasts,
Head severed,

If only the lips may speak,
If only the god will come.

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Compare the early gospeller Sister Rosetta Tharpe‘s Music in the air:

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Sister Rosetta sings, Up above my head / music in the air, and Kathleen Raine elaborates, “There is a poem all round me, / The poem is in the near future, / The poem is in the upper air”.. I could go on to describe how Kathleen’s prayer then builds, in rhythm, rhyme, and agony, her description of what she would offer in sacrifice if the divine wind should answer her prayer with a poem — the poem we are in fact reading — and there’s surely no need for me to express further the joy that Sister Rosetta’s song itself invokes and embodies

But I would like to note that commonality between them — of the inspiration waiting, for Kathleen “in the upper air”, for Rosetta, “above my head” — and to say that “upper” and “above” here indicate a metaphorical rather than a physical dimension..

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And “The wind bloweth where it listeth, and thou hearest the sound thereof, but canst not tell whence it cometh, and whither it goeth: so is every one that is born of the Spirit.”

In this verse, the word for wind and spirit, pneuma, is also the word for breath — wind outside as part of the weather, inner wind as breath, and inspiration (literally, in-breathing) as what the inner wind carries with it — while the verb form, blow, is also related.

Thus we may read the verse as meaning “wind blows where it wants, and nobody can tell where it comes from, or where it will go next” — or “breath breathes of its own accord, and no-one knows where it comes from or when it will cease” — or “inspiration cannot be forced, it touches down and takes off at its own pleasure, not at our command”..

Like grace, it floats in possibility space, alighting at will, ever spontaneous, unmerited, never to be predicted.. Fortunate Sister Rosetta, fortunate Kathleen to have been visited.

Sunday surprise: Eucharist above, below and beyond

Sunday, July 15th, 2018

[ by Charles Cameron — have you time to spare for a little beauty? ]
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Prof Emily Steiner of the University of Pennsylvania posted this image, which she described as of the “Stunning mosaics in the apse of S. Maria in Trastevere, attributed to Pietro Cavallini (c.1240-1330)”:

Dr Steiner attributed the photo to “the talented @pdecherney” — her colleague at U PEnn, Dr Peter Decherney.

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When I first saw this image, only the top half was visible on my screen, a fine, and I’m no expert, possibly world renowned, and yes, as Dr Steiner says, stunning mosaic of Christos Pantokrator, Christ the ruler of the universe if I’m not mistaken — and again, I’m no expert, and willing to take instruction.

But stunning, yes. Christ, a mosaic, stunning. Art at the service of praise, beauty as a window on the divine, .

And then, perhaps an hour later, but lapses of time are mended in this realm, I saw the whole image, sized to fit my screen.

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And thus the bottom half —

— with, brightly lit, even moreso if it were possible than the Christ in mosaic above it is, a small table — an altar, with three priests, and more in the wings, celebrating what looks to be the Eucharist — thought I suppose it might also be Vespers — and again, some expert could say whether the central celebrant is, by his zucchetto or skullcap, a cardinal, bishop, or maybe monsignor.

No matter the celebrant’s rank, he is, as celebrant, at the vanishing point — both the central point of attention photographically, and the point where the priest acts in the person of Christ, in persona Christi, thus himself, his persona, vanishing at the vanishing point.

Do this in memory of me, Christ said to his disciples at the Last Supper before his crucifixion, in words of sacrifice, previsioning his body about to be broken on the cross the next day — and down the centuries priests have broken bread as he did, speaking his words in his place, Take, eat, this is my body.

In the consecration, with these wrds, bread and wine become invisibly the body and blood of Christ, which we may remember, digest and allow to transform us.

It is this which makes the celebration of the Eucharist, in Catholic terms, “the source and summit of the Christian life”.

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And then, between this focus on the priest celebrant below, and the Christ all-ruling above, there is a mysterious relationship, each reflecting the other as in duet of mirrors — above, below and I invite you to envision, beyond.

Taking us, to switch religious traditions.. into the upper room with that one and self-same Christ

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Eucharist: literally, thanksgiving!

May your Sunday bring you cause for such thanksgiving..

Human Sacrifice South of the Border?

Wednesday, July 26th, 2017

[Mark Safranski / “zen“]

John P. Sullivan and Dr. Robert Bunker at Small Wars Journal analyze a narco prison riot in Mexico that had to be put down by Mexican troops that reportedly involved prisoners sacrificed in a Santa Muerte ritual.

Mexican Cartel Strategic Note No. 23: Prison Riot and Massacre in Acapulco, Guerrero; Attack Allegedly During Santa Muerte Ritual

Analysis:
This prison riot and resulting massacre is one of the most serious disturbances in a Mexican prison since the February 2016 riot at Monterrey’s Topo Chico prison.  That incident, which involved a battle between Los Zetas and the Gulf Cartel, left at least 52 dead and 12 injured.[4] Mexico’s prisons are volatile, plagued by corruption, and under minimal control by state authorities.[5] This lack of control leads to inmate self-governance (autogobierno).  According to one account, 60% of Mexican correctional facilities function under self-governance.[6] 

In this incident taking place at the Acapulco jail or Cereso (Centro de Readaptación Social),[7] rival gangs battling for control led to a massacre with several persons (up to five, depending upon reports) beheaded.[8] The guards reportedly did not intervene and may have participated in or facilitated the violence.[9] The massacre reportedly occurred during inmate rituals in veneration of Santa Muerte.[10] Prison officials have not confirmed those reports.[11] 

Guerrero’s governor supports the ritual aspect, noting that the majority of the dead were found in front of Santa Muerte coins which is indicative of ritual participation:

“Es difícil encontrar en los medios mexicanos más referencias concretas al aspecto ritual de la masacre. En Bajo Palabra leemos que el gobernador del estado de Guerrero, Héctor Astudillo Flores, ha descartado la riña como motivo, aunque fuera la primera línea de investigación, y ha afirmado que la mayoría de muertos fueron encontrados frente a una imagen de la Santa Muerte con monedas encima, por lo que consideran que se trataría de un ritual.”[12] 

….The actual role the veneration or worship of Santa Muerte played in this riot is unknown. The limited news imagery of the decapitated and slaughtered prisoners does not provide enough forensic evidence to suggest that any form of elaborate ritual took place.  If such a hasty sacrificial ritual had been conducted, it may have been undertaken simply for narcoterrorist purposes in order to terrify the opposing drug gang with the future threat of ‘human sacrifice’ being directed at their membership.  This explanation would be devoid of any form of an underlying spiritual basis and can simply be viewed as an extreme component of narco psychological operations (PSYOPS) being waged by one drug gang against another.  On the other hand, this incident may be eventually confirmed as an act of mass human sacrifice derived from the new information now emerging:

Read the rest here.

The juxtaposition of extreme violence and religious context is a potent combination in terms of imaginative symbolism because it harkens back to the human sacrifices of Bronze Age paganism. This action may have been secular violence meant to terrify cartel rivals but the repeated association with religious cult ritual – in this case, the Mexican folk worship of “Saint Death” – blurs the lines between criminal irregular violence and religion. This tactic is also a calling card of ISIS as well as the narc0-cartels.

For more on irregular violence and cult practices, see this post as well as for a longer treatment,  Blood Sacrifices: Violent Non-State Actors and Dark Magico-Religious Activities edited by Robert Bunker (and featuring chapters by Charles Cameron and myself).

Will Trump ever drain the Sinkhole?

Saturday, May 27th, 2017

[ by Charles Cameron — if hell exists — and we’re easily persuaded it does — best believe in paradise, too ]
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Bryan Alexander of Infocult headed his report, Earth opens campaign against Trump. Bryan has been following sinkholes around the globe for some time now, and has also been keeping a wary eye on Donald Trump, so the correlation wouldn’t surprise him, and he leaped to causation, with or without good reason.

Let’s take a look, first, at the hole itself:

It’s black, as though part of the world had been redacted for security reasons.

Sinkoles are not uncommon in Florida, and frequently feast on human habitations:

The City of Palm Beech is calm and carries on:

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It takes the Washington Post to put the event in truly cross-disiplinary perspective, titling its article on the topic brilliantly:

Indeed they did. Oliver Willis had the best reading of the Sign:

The orb in question is the Saudi counterterrorism orb:

Bothing to do with Saruman, I assure you. But take a look at those eyes..

And FWIW, tthe orb’s direct impact on the pavement in Palm Beach is confirmed by Chad Fondiller:

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Some, like Conchita Leeflang, read the Sign more mundanely in terms of Trump‘s own rhetoric:

That’s clever, but it doesn’t really explain this photo of the sinkhole alt-event now, does it?

What does that orb have to do with counterterrorism, BTW?

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