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[ by Charles Cameron — one for those who follow apocalyptic strands in RL and media, one for those who follow Vimalakirti, Heraclitus and the Glass Bead Game — recommended ]
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Tim Furnish reviews the Netflix series, Messiah:

An Iraqi Refugee Trained in Illusion Who Works Miracles — Christ or Anti? Masih or Dajjal? That’s the situation posed by the Netflix series, Messiah, and it’s presented with sufficient subtlety that the answer’s not as obvious as it may seem from that quick condensation — and indeed, at the end of the series, there’s still sufficient ambiguity to keep you guessing, and the producers in line for a renewed contract and second series..

It’s not quite subtle enough to please our friend Tim Furnish, however, who gives a fine overview of the series, then takes the details of eschatological hadith and Biblical writings a step further into accuracy, and thus depth. His opening paragraphs:

“One man’s messiah is another man’s heretic.” That’s the opening line of my first book on Islamic messianic figures. It’s also an apt summary of Netflix’s excellent new show Messiah. Its 10-episode first season was released on Jan. 1. Let’s hope it gets renewed. We need to know how this story of a charismatic Middle Eastern miracle worker, who not only attracts Christians, Muslims and Jews but sways the U.S. President, plays out. Here’s a brief (as possible) summary.

A Modern-Day Messiah?

A long-haired, thinly bearded man appears in Damascus and accurately predicts the destruction of besieging ISIS forces. Many Palestinians there follow him into the desert, believing him to be al-Masih, “The Messiah.” He leads them to the Israeli border. The movement gets on the CIA’s radar screen. The group reaches the Israeli border, and al-Masih crosses. He’s arrested and interrogated by a Shin Bet agent, about whom he knows personal details. He then disappears from prison (later we find out the prison guard let him go, believing him the Messiah) and reappears on the Temple Mount. In a confrontation near the Dome of the Rock, Israeli soldiers shoot a young boy — whom al-Masih heals. He then disappears again, showing up soon after in Dilley, Texas. He is caught on cell phone cameras stopping a tornado about to destroy the Baptist church. This goes viral and many flock to the town. The church pastor believes him to be Jesus returned and becomes his spokesman and handler.

Well there’s plenty more, obviously, and I highly recommend Tim’s commentary — they should have hired him as a consultant.

To read more, go to Netflix’s Messiah Reviewed: Who’s Your Messiah Now?

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Very different indeed is JustKnecht‘s exquisite weaving of ideas around Basho, Vimalakirti and a whiff of Chick Corea in his Notes on a winter journey to the interior, subtitled (and subtled) “on a treadmill facing north” — the reference is to Basho‘s Narrow Road to the Deep North which you really ought to know already.

And that’s a bit of a point. You really ought to know already: Basho and Vimalakirti, Heraclitus and Tamsin Lorraine, heaven and earth, and as it is in heaven, so it already and always is on earth, for as above, so below.

For myself, I know each of these with glancing blows, while JustKnecht knows each in depths I cannot match. Reading the whole is, for me, a sustained flight in the Absolute as viewed through thr world’s cultures, with butterflies a particular point of reference — and a long-tailed bired in seven syllables that’s almost an angel — or an apsara?. — ah, peacocks, too.

In any case, an education — and a delight.

Late afternoon, cooling down after a hard run in the condo gym, Herbie Hancock’s Butterfly breezes onto my playlist. We breathe together deeply, and I don’t know whether it is I dreaming that I am the bass clarinet, or the bass clarinet dreaming that it is I.

The music and the vision fades, and I’m sitting in my armchair doing mental exercise. From high school trombonists and collegiate level cello students to elite athletes and surgeons, cognitive rehearsal in the absence of physical movement has been shown to improve physical performance. In the same way, listening to one of my 5K run playlists gives me a perfectly good workout without the inconvenience of even moving a muscle.

Reade more: Notes on a winter journey to the interior — ah yes, the interior!

Thank you: I bow .

[ reposted from BrownPundits — by Charles Cameron — few things in life are as delightful as finding kinships of mind and heart ]
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Brilliant, IMO — and hopefully of use to Ali Minai, Mike Sellers and others in the field of artificial intelligence — here the Loom is, as JustKnecht presents it on Medium:

9 categories can be used to classify how forms, meanings and the connections between them change, develop and evolve in relation to each other. Put anything at the top left of this table, then:

re-express the idea of it in a different form (horizontal movement towards the right of the loom, e.g. from Mercury the Roman god to Greek Hermes and Egyptian Thoth), or else

reinterpret that particular form with a different idea (vertical movement towards the bottom of the loom, e.g. from Mercury as god to the metal or planet of exactly the same name), or

vary both the form and the meaning (with ideas and forms both contrasting towards the bottom right of the loom, e.g. follow Mercury into the domain of trees, according to standard tables of correspondence in European culture, to the fast-growing hazel — hazel groves often being associated with gateways to the underworld, and Mercury himself being a guide to the underworld).

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Further readings:

JustKnecht, The Loom of Form and Meaning

JustKnecht, The Loom of Verbal Reasoning

JustKnecht, Rattlesnake Games – Introduction and Example

JustKnecht, Connecting forms to contexts in Rattlesnake Games

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JustKnecht‘s Loom would be a powerful tool by which to analyze many uses of my DoubleQuotes format.

My own HipBone Games, like JustKnecht‘s Rattlesnake Games, are inspired by Hermann Hesse‘s Glass Bead Game as described in his novel of that name — and there’s enough kinship between them that Derek Robinson‘s comments on my own games and Ai may be of use, mutatis mutandis, in setting a context for Rattlesnake Games, too:

Derek Robinson, HipBone Games, AI and the rest

[ by Charles Cameron — with enough joy here for all lovers of classical music, herpetology and the national pastime — but I’m stunned by one most curious herpetology-Bach crossover in particular — and more ]
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Here’s a fine DoubleQuote:

I gave you the snake first, in about as amusing a context as I could find: Now here’s the serpentine windings of a Bach melody, as tracked by musical-graphics maestro Stephen Malinowski::

The music is Bach’s Cantata 140 (Wachet auf, ruft uns die Stimme), performed by members of the Netherlands Bach Society (s part of their All of Bach project.

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I think of the vaulted arches of Hermann Hesse’shundred gated cathedral of mind as places where science / technology and the arts / humanities map closely to one another — my locus classicus being the analogy between van Gogh‘s night sky and von Karman‘s vortex street, with which by now you are likely all familiar..

Far more unexpected, yet incredibly rich, it seems to me, is this close correspondence between music and snake. Does this suggest any further explorations to anyone? Ali Minai, anything this suggests for AI? Anyone?

Ada Lovelace‘s vision of the applicability of the Jacquard loom’s punched cards to Charles Babbage‘s engine is another instance, at the apex of an arch, I think — and it’s interesting to note that Lady Lovelace speculated that Babbage‘s machine

might act upon other things besides number… the Engine might compose elaborate and scientific pieces of music of any degree of complexity or extent

Howzzat? as we cry out in cricket.
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[ by Charles Cameron — I’m no longer captivated by chyrons, it seems — and for the next week weeks, it’ll be glass bead games at BrownPundits and my extended examination of advertising as magic here ]
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Mind-stuff.. mind-stuff that grabs my attention is what I’ll deliver here

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Baghdadi — not meditating — contemplating, perhaps — more mayhem?

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Another pattern to follow:

It was unclear whether the increase was the result of a shift of Taliban tactics, or just the greatly increased tempo of the war this year, as both sides pushed to improve their positions at the negotiating table.

Taliban Train Sights on Aid Groups, an Ominous Turn in Afghanistan

One thinks — I tend to think — of negotiations as leaning away from warfare and violence and towards peace and reconciliation. My pattern language now needs to encompass negotiations as warfare and violence inducing as well as peace and reconciliation leaning.

For an analytic mind, boggling; for on the ground negotiators, something to bear in mind

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It’s like our scattered space debris, mind-stuff.

As Patanjali says: Yogas Chitta Vritti Nirodha — Great Silence quiets the mind-stuff..

Ah, well..

I’ll do a post on religions that offer analytic methods shortly..

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And on that topic —

I have always wondered — I haven’t been here always, but wot the hell, Archie, as Mehitabel would say — always wondered about the parallelism between koans, ie case law precedents in Chan and Zen Buddhist tradition, and case law precedents in Western jurisprudence>

Now my wish gets new life, as I read Jason Giannetti, Koan and Case Law:

The Zen koan comes from the Chinese kung-an, meaning a “public case,” as in a legal matter brought before a judge. There are numerous ways in which these koan could be related to law cases. Very straightforwardly, these are public records, the recorded sayings of the early Chan masters that have been passed down and commented upon, just as there may be public legal cases that have authority as precedent and have been commented upon. The koan encounter could be understood as a judgement by a master upon a student based upon the student’s understanding of the “case.” A third way in which the connection could be understood is that the koan tests the student’s understanding of the Dharma. Dharma has many meanings in Buddhism, but one of those meanings is “law.”

Wheee thanks, Jason!

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Nancy Pelosi’s “self-impeachable” is both a wonderful ouroboros and nonsense — a contradiction in terms. Trump’s “investigating the investigators” is far more (semantically) interesting. It’s a bit like that card game where you call out “War” or “Snap when you see both cards are the same..

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I’m keeping an eye out for security implications of climate chamnge, also “climate migrants” which may well become quite a phenomenon:

DoD, FY 2014 Climate Change Adaptation Roadmap

DoD, National Security Implications of Climate-related Risks and a Changing Climate

World Bank, Groundswell: Preparing for Internal Climate Migration

Climate & Security, Activities of Agencies to Address Potential Impact on Global Migration

DoD, Report on Effects of a Changing Climate to the Department of Defense

Climate & Security, U.S. GAO Issues 2 Reports in 2 Months Covering Climate and Security

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To wrap up:

I was looking for an ilklustration to go with my weaponized thoughts post, To weaponize metaphors.. thoughts as clothes, clothes as thoughts, and I finally — too late — came across this:

I certainly think that pic could be interpreted as illustrating the assembling and disassembling of thoughts (2nd Amendment, Don’t Tread on Me, Safety First etc) as a function of weaponizing them.

It comes from an (is it?) anti-gun (as if one can be pro- or anti- gun rather than pro- or anti- certain kinds of access) piece titled Thought Experiment: What might the world be like if there were no guns?.

But a thought experiment? That’s a refreshing change from arguments pro- or con!

[ by Charles Cameron — Dell ad challenges magic, Couliano shows advertising is magic (in the Renaissance sense) — intro to a series on TV commercials ]
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Continuing the series we began with Advertising series 01: Music..

Dell intro:

Dell Technologies, not having much historical insight into either magic or advertising, pits magic against tech and suggests that tech wins, hands down..

I take that as a personal affront..

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Ioan Couliano:

The late, esteemed scholar Ioan Couliano, in contrast to Dell, shows in his great book Eros and Magic in the Renaissance that magic, as practiced in the Renaissance, is precisely what advertising is up to today..

Renaissance magic, according to Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent.

That’s from the cover of Couliano‘s book, and the remainder of this post will track eros from simple erotic desire — mostly from the male perspective? — to the mystical ascent in response to the divine beloved..

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Desire, the universal lure:

The lure of the erotic will peel your money from your wallet in various skillful ways:

Sandals

What is love? Love is advertising. Love — didn’t the Beatles mention this? — is all you need.

Nugenix:

What is love? It is nod-nod, wink-wink..

You wanna go more overt still?

For that (beer) you’d best be in Rio..

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And then there’s the broader sense of desire:

Wanting it all:

But that’s just the desire for food — easily satisfied, even here in these United States..

But wanting the world, in the cultural appropriation sense? That’s a more subtle desire, and Las Vegas aims to satisfy it by bringing analogs of Venice, the Pyramids, whatever, to a single easily accessible location:

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But wait..

All of these inevitably fall short of what interests me: the desire to be acquainted with the ludus globi or game of the world, which Couliano describes:

The ludus globi is the supreme mystical game, the game the Titans made Dionysus play in order to seize him and put him to death. From the ashes of the Titans struck down by the lightning of Zeus, arose mankind, a race guilty without having sinned because of the deicide of its ancestors. But, since the Titans had incorporated part of the god, men also inherited a spark from the murdered child, the divine child whose game is the metaphor of the ages: ?Aion is a child who plays checkers: the sovereignty of a child!

and the desire for the mystical ascent, not infrequently expressed in erotic terms:

In Mecca in 1201, he composes a Diwan dedicated to Nezam (Harmony), daughter of an Imam nobleman of Persian origin, Zahir ibn Rostam. Entitled The Interpreter of Burning Desires, the
Diwan’s prologue contains these intimate confessions:

Now this sheik had a daughter, a slender and willowy adolescent who attracted the attention of anyone who saw her, whose presence alone was the embellishment of public meetings and struck with amazement all who looked upon her. Her name was Nezam (Harmonia) and her surname ?Eye of the Sun and of Beauty” [?ayn al?Shams wa’Z-Baha? .[Scholarly and pious, with experience of the spiritual and mystical life, she personified the venerable antiquity of the Holy Land and the innocent youth of the prophet’s great city. The magic of her glance, the grace of her conversation, was so enchanting that if she happened to be prolix her speech was filled with references; if concise, a marvel of eloquence; holding forth on a subject, clear and lucid. . . . Were it not for petty minds eager for scandal and inclined to slander, I would here comment on the beauty that God lavished on her body as well as on her soul, which was a garden of generosity. .. .

Plato in The Symposium:

Love is simply the name for the desire and pursuit of the whole.