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[ by Charles Cameron — one for those who follow apocalyptic strands in RL and media, one for those who follow Vimalakirti, Heraclitus and the Glass Bead Game — recommended ]
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Tim Furnish reviews the Netflix series, Messiah:

An Iraqi Refugee Trained in Illusion Who Works Miracles — Christ or Anti? Masih or Dajjal? That’s the situation posed by the Netflix series, Messiah, and it’s presented with sufficient subtlety that the answer’s not as obvious as it may seem from that quick condensation — and indeed, at the end of the series, there’s still sufficient ambiguity to keep you guessing, and the producers in line for a renewed contract and second series..

It’s not quite subtle enough to please our friend Tim Furnish, however, who gives a fine overview of the series, then takes the details of eschatological hadith and Biblical writings a step further into accuracy, and thus depth. His opening paragraphs:

“One man’s messiah is another man’s heretic.” That’s the opening line of my first book on Islamic messianic figures. It’s also an apt summary of Netflix’s excellent new show Messiah. Its 10-episode first season was released on Jan. 1. Let’s hope it gets renewed. We need to know how this story of a charismatic Middle Eastern miracle worker, who not only attracts Christians, Muslims and Jews but sways the U.S. President, plays out. Here’s a brief (as possible) summary.

A Modern-Day Messiah?

A long-haired, thinly bearded man appears in Damascus and accurately predicts the destruction of besieging ISIS forces. Many Palestinians there follow him into the desert, believing him to be al-Masih, “The Messiah.” He leads them to the Israeli border. The movement gets on the CIA’s radar screen. The group reaches the Israeli border, and al-Masih crosses. He’s arrested and interrogated by a Shin Bet agent, about whom he knows personal details. He then disappears from prison (later we find out the prison guard let him go, believing him the Messiah) and reappears on the Temple Mount. In a confrontation near the Dome of the Rock, Israeli soldiers shoot a young boy — whom al-Masih heals. He then disappears again, showing up soon after in Dilley, Texas. He is caught on cell phone cameras stopping a tornado about to destroy the Baptist church. This goes viral and many flock to the town. The church pastor believes him to be Jesus returned and becomes his spokesman and handler.

Well there’s plenty more, obviously, and I highly recommend Tim’s commentary — they should have hired him as a consultant.

To read more, go to Netflix’s Messiah Reviewed: Who’s Your Messiah Now?

**

Very different indeed is JustKnecht‘s exquisite weaving of ideas around Basho, Vimalakirti and a whiff of Chick Corea in his Notes on a winter journey to the interior, subtitled (and subtled) “on a treadmill facing north” — the reference is to Basho‘s Narrow Road to the Deep North which you really ought to know already.

And that’s a bit of a point. You really ought to know already: Basho and Vimalakirti, Heraclitus and Tamsin Lorraine, heaven and earth, and as it is in heaven, so it already and always is on earth, for as above, so below.

For myself, I know each of these with glancing blows, while JustKnecht knows each in depths I cannot match. Reading the whole is, for me, a sustained flight in the Absolute as viewed through thr world’s cultures, with butterflies a particular point of reference — and a long-tailed bired in seven syllables that’s almost an angel — or an apsara?. — ah, peacocks, too.

In any case, an education — and a delight.

Late afternoon, cooling down after a hard run in the condo gym, Herbie Hancock’s Butterfly breezes onto my playlist. We breathe together deeply, and I don’t know whether it is I dreaming that I am the bass clarinet, or the bass clarinet dreaming that it is I.

The music and the vision fades, and I’m sitting in my armchair doing mental exercise. From high school trombonists and collegiate level cello students to elite athletes and surgeons, cognitive rehearsal in the absence of physical movement has been shown to improve physical performance. In the same way, listening to one of my 5K run playlists gives me a perfectly good workout without the inconvenience of even moving a muscle.

Reade more: Notes on a winter journey to the interior — ah yes, the interior!

Thank you: I bow .

[ by Charles Cameron — cross-posted at BrownPundits — Zhuangzi, a light-hearted philosopher dancing to his own laughter, illuminated by CC Tsai ]
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Zhuangzi: The Way of Nature
translated by Brian Bruya, illustrated by CC Tsai
Princeton University Press, 2019
US $ 22.95

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You may be acquainted with the yin-yang symbol — or as it’s more properly called, the Tai-chih or Taiji — but here’s CC Tsai‘s version, with dragon:

That’s the style of CC Tsai‘s illustrations, which — rather than Brian Bruya‘s translations — are the featured aspect of this version of the Zhuangzi: it also encapsulates the essence of Zhuangzi‘s thought.

Here’s the comic book version of a very comic work of profound, non-invasive philosophy.

**

Zhuangzi is a Taoist, one who would allow the arising and fading away of things in their natural order, with as little thought-commentyary, let alone intervention, as piossible — given the human tendency to go round and round in circles even while sitting still — Laozi‘s Tao Te Ching is the simple and direct exposition of this way of approaching and appreciating life, while Zhuangzi presents the same appreciation in the formm of quizzical tales and (naturally, absent) morals..

Ah. Thus the seagull, Laozi tells Confucius, who came to discuss benevolence and righteousness, doesn’t get white by soaping yup and washing itself, nor does the crow get black by dipping itself in ink: benevolence, similarly, is not a matter of soap and water — it simply arises where it arises.

You get the feeling Laozi wouldn’t mind having left it at the seagulls doing what they do, and likewise with the crows — but Confucius dropped by and asked about benevolence and righteousness, and Laozi responded as was only benevolent and polite..

**

My favorite story in all of Chuang Tzu / Zhuangzi is the story of Lord Wen-hui’s cook Ting, who taught him the natural way of things while cutting up an ox. In Burton Watson‘s translation:

Cook Ting was cutting up an ox for Lord Wen-hui. At every touch of his hand, every heave of his shoulder, every move of his feet, every thrust of his knee – zip! zoop! He slithered the knife along with a zing, and all was in perfect rhythm, as though he were performing the dance of the Mulberry Grove or keeping time to the Ching-shou music.

“Ah, this is marvelous!” said Lord Wen-hui. “Imagine skill reaching such heights!”

Cook Ting laid down his knife and replied, “What I care about is the Way, which goes beyond skill. When I first began cutting up oxen, all I could see was the ox itself. After three years I no longer saw the whole ox. And now – now I go at it by spirit and don’t look with my eyes. Perception and understanding have come to a stop and spirit moves where it wants. I go along with the natural makeup, strike in the big hollows, guide the knife through the big openings, and follow things as they are. So I never touch the smallest ligament or tendon, much less a main joint.

“A good cook changes his knife once a year-because he cuts. A mediocre cook changes his knife once a month-because he hacks. I’ve had this knife of mine for nineteen years and I’ve cut up thousands of oxen with it, and yet the blade is as good as though it had just come from the grindstone. There are spaces between the joints, and the blade of the knife has really no thickness. If you insert what has no thickness into such spaces, then there’s plenty of room – more than enough for the blade to play about it. That’s why after nineteen years the blade of my knife is still as good as when it first came from the grindstone.

“However, whenever I come to a complicated place, I size up the difficulties, tell myself to watch out and be careful, keep my eyes on what I’m doing, work very slowly, and move the knife with the greatest subtlety, until – flop! the whole thing comes apart like a clod of earth crumbling to the ground. I stand there holding the knife and look all around me, completely satisfied and reluctant to move on, and then I wipe off the knife and put it away.”

“Excellent!” said Lord Wen-hui. “I have heard the words of Cook Ting and learned how to care for life!”

**

That’s a long-ish quote, but its rollicking good humor will have carried you through it, and I wanted to give you a sense of the Zhuangzi as I have known and loved it — to taste it in comparison with CC Tsai‘s vision / version of the same tale, as represented in a couple of frames from his telling:

**

So now we have Burton Watson‘s “the blade of the knife has really no thickness. If you insert what has no thickness into such spaces, then there’s plenty of room” and Brian Bruya‘s “my knife glides in and out between the bone joints, moving as it pleases: the cow suffers no pain and, in the end, doesn’t even know it’s dead.”

Pretty remarkable, either way — but that’s in English, and who knows what contortions a translator must make to move from Chinese into English? Watson‘s Chuang-tsu is closer to Lao-tsu, if you compare the statement of principle to its embodiment in an anecdote:

Ursula Le Guin‘s translation of the Tao Te Ching is even more succinct:

The immaterial enters the impenetrable..

No wonder cook Ting’s vorpal blade went snicker-snack, to borrow a phrase from Lewis Carroll‘s poem, Jabberwocky. And come to think of it, Lewis Carroll, aka Charles Lutwidge Dodgson, the Christ Church, Oxford logician, may indeed be the English language’s native equivalent of the Chinese Zhuangzi.

**

As I hope I have indicated, Chuang Tzu / Zhuangzi, even in translation, is a writer of enormous charm and insight, and CC Tsai‘s presentation marries the conventions of the comic book with classical Chinese artistry to provide an exemplary introduction to one of the world’s great philosopher-humorists.

Delightful. Warmly recommended.

[ by Charles Cameron — our advertising and magic series continues — the Volkswagen bug in its many transforms! ]
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In our last magic and commercials post, The magic of miniatures, we saw the power of associating the small with the large. Volkswagen seems toi have taken this idea to new levels, with the assistance of toy manufacturers and the film industry.

Let’s start here:

Okay?

Hey boy, c’here!

Remember Chuang-Tsu? Here’s a fragment in Burton Watson’s translation:

Once Chuang Chou dreamt he was a butterfly, a butterfly flitting and fluttering around, happy with himself and doing as he pleased. He didn’t know he was Chuang Chou. Suddenly he woke up and there he was, solid and unmistakable Chuang Chou. But he didn’t know if he was Chuang Chou who had dreamt he was a butterfly, or a butterfly dreaming he was Chuang Chou. Between Chuang Chou and a butterfly there must be some distinction! This is called the Transformation of Things.

This post is all about the transformation of things, eh?

Okay, who’s dreaming here?

There and back again — the mechanics behind the dream:

Mechanized?

Speedy?

Lookee here, it’s love at first sight!

And finally, the film:

As we say in cricket, Howzzat??

[ by Charles Cameron — Trump — Lao and Chuang on their way to the New Year — & Iran ]
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It’s quizzically amusing for someone with basic meditative or comparative religious eyes to read Philip Gordon‘s NYT piece yesterday, How Can Trump Help Iran’s Protesters? Be Quiet.

I, too, want to see the government in Tehran weakened, moderated or even removed. So let me offer Mr. Trump some unsolicited advice: Keep quiet and do nothing.

Ah, quiet. Ah, nothing.

**

Wu-wei, not-doing, is a basic principle of Taoism, the religion or school of philosophy which gave us Lao Tsu, author of the Tao Te Ching, and Chuang Tsu, the master humorist of Chinese philosophy.

Lao Tsu:

Thirty spokes share a single hub; grasp the nothingness at its center to get the use of the wheel.

Clay is fashioned to make a vessel; grasp the nothingness at the center to get the use of the vessel.

Bore windows and doors to create a room; grasp the nothingness of the interior to get the use of the room.

Thus that which is constitutes what is valuable, but that which is not constitutes what is of use

Ah, nothing.

But as that fourth aphorism indicates, wu-wei, nothing doing, is nothing without wei wu-wei, doing-nothing-doing — doing that springs effortlessly from the way of things. What results is true excellence.

Chuang Tsu:

Cook Ding was cutting up an ox for Lord Wenhui. At every touch of his hand, every heave of his shoulder, every move of his feet, every thrust of his knee – whop! whish! He wielded his knife with a whoosh, and always in perfect rhythm, as though he were performing the Dance of the Mulberry Grove or keeping time to the Jingshou music.

“Ah, marvelous!” said Lord Wenhui. “Imagine skill reaching such heights!”

Cook Ding laid down his knife and replied, “What I care about is the Dao, which goes beyond skill. When I first began cutting up oxen, all I could see was the ox itself. After three years I no longer saw the whole ox. And now – now I meet it with my spirit and don’t look with my eyes. Perception and understanding have come to a stop and spirit moves where it wants. I go along with the natural makeup, strike in the big hollows, guide the knife through the big openings, and follow things as they are. So I never touch the smallest ligament or tendon, much less a main joint.

“A good cook changes his knife once a year – because he cuts. A mediocre cook changes his knife once a month – because he hacks. I’ve had this knife of mine for nineteen years and I’ve cut up thousands of oxen with it, and yet the blade is as good as though it had just come from the grindstone. There are spaces between the joints, and the blade of the knife has really no thickness. If you insert what has no thickness into such spaces, then there’s plenty of room – more than enough leeway for the blade to play about. That’s why after nineteen years the blade of my knife is still as good as when it first came from the grindstone.

“However, whenever I come to a complicated place, I size up the difficulties, tell myself to watch out and be careful, keep my eyes on what I’m doing, work very slowly, and move the knife with the greatest subtlety, until … flop! – the whole thing comes apart like a clod of earth crumbling to the ground. I stand with my knife raised and turn to look all around, prancing in place with complete satisfaction. Then I wipe off the knife and put it away.”

“Excellent!” said Lord Wenhui. “I have heard the words of Cook Ding and learned how to nurture life!

Aha! Nothing, doing!

**

And now back to that original question:

How Can Trump Help Iran’s Protesters?

And the resply?

Be Quiet.

Be quiet! And listen, listen. Let the CIA in place just listen.

Hey, Happy New Year!