[ by Charles Cameron — a DoubleQuote that suggested itself to me today, posted here for your contemplative enjoyment ]
Stage one was provided by my opening screen, which contained three or four questions against a background of countryside and waterfalls. The question which caught my eye was this one:
I’ve isolated it from a screen grab and placed it in the upper panel of my DoubleQuotes board, leaving the lower panel open for possible answers: Question and Answer, like Call and Response, would seem to be elementary forms of DoubleQuote play, just as DoubleQuotes are the elementary forms of HipBone Game moves, and HipBone Games elementary essays in rendering Hermann Hesse‘s fictional Glass Bead Game playable.
I then used Google to find the correct answer to our question, and placed it in the lower panel:
That’s my play.
And why do I trouble you with such a trifle?
Because asking a logophile what the word logophile means is an ouroboros — a serpent that bites its own tail — another of the elementary forms of the HipBone Games:
Here, we consider artistry of another sort — polyphonic, graphical, yet still clearly artistic in execution ..
Here’s a drawing from Victor Papanek‘s Notebook — and very notebook it is — courtesy Roelof Pieters:
Compare the above with this example of Mark Lombardi‘s fine art “conspiracy” graphs from his book, Global Networks:
We’re getting positively calligraphic here, and approaching the scope of one of those Song dynasty scroll paintings that feature (am I right? memory, imagination!) a hermit disappearing into his cave in some obscure not quite corner of the scroll, while thunder wreaks havoc on armies by a river in almost center field..
Speaking of which..
Ah, but we’re straggling away from our topic: On the felicities of graph-based game-board design. The point is that the arts have many inventive ways to approach complexity.
[ by Charles Cameron — the Trinity and National Security, Game Boards and Mathematics, Japanese wave patterns, Maestro Harding on the interconnectedness of “all branches of human knowledge and curiosity, not just music” — plus Blues Clues at the tail end ]
Not only have the last couple of days been riotous in Washington, with more news to track than I have eyes to see, but today, still reeling under the weight of Mattis‘ resignation, McConnell‘s statement in support and other matters, I found myself with a richesse of board-game and graph-related delights.
Followers of this searies will be familiar with the Trinitarian diagram juxtaposed here with its equivalents from classical Kabballah and Oronce Fine:
That little triptych is from my religion and games avenues of interest, but of course I’m also interested in matters of national security, as befits Zenpundit, the strategy & creativity blog. You can imagine my surprise and delight, then, in coming across a natsec version of the trinity diagram, in a tweet from Jon Askonas.
Here’s my comparison:
My own attention was first drawn to the Trinitarian diagram as a result of reading Margaret Masterman‘s brilliant cross-disciplinary work, “Theism as a Scientific Hypothesis”, which ran in four parts in a somewhat obscure and difficult to find journal, Theoria to Theory, Vol 1, 1-4, 1966-67.
And finally, here’s an ugraded version of the other DQ of mine that seeks to bridge the arts and sciences — featuring Hokusai‘s celebrated woodblock print, The Great Wave off Kanagawa (upper panel, below) and Jakob aka nikozy92‘s fractal wave, which I’ve flipped horizontally to make its parallel with the Hokusai clearer (lower panel) — Jakob‘s is a much improved version of a fractal wave compared with the one I’d been using until today:
That brings me to the Met’s marvelous offering, to which J Scott Shipman graciously pointed me:
Finally, I’ve been delighted today to run across a couple of vdeos of my nephew, Maestro Daniel Harding, conducting the Swedish Radio Symphony Orchestra some years back in programs exploring the interplay of mathematics and other disciplines and music:
Daniel is not working the graph-based angle that my games explore, but his thinking here is pleasantly congruous with my own. His work with the SRSO has, he says in the first video here, “to do with all branches of human knowledge and curiosity, not just music — because everything is connected”.
You can’t get much closer in spirit to Hesse‘s Glass Bead Game than that!
Zenpundit is a blog dedicated to exploring the intersections of foreign policy, history, military theory, national security,strategic thinking, futurism, cognition and a number of other esoteric pursuits.