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A very interesting title from 2014, & a title match, 1972

Saturday, February 15th, 2020

[ by Charles Cameron — a biker gang as alt-army, a chess board as Cold War battlefield — Night Wolves, and Fischer Spassky ]
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I mentioned the Night Wolves bikers in my post It’s how we / they roll in May 2015, and there have been many reports of their activities elsewhere — but yesterday I was pointed to some videos I hadn’t seen before, and came across this intriguing title on an RT video from Sevastopol, 2014:

Russia: Epic Night Wolves biker rally takes war in Ukraine to the stage

Similar, is this Guardian headline from 2916:

Putin’s Angels: the bikers battling for Russia in Ukraine

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Think about it. Taking a war to the stage — with a couple of rock bands, a light show, plenty of fires, and the Night Wolves themselves making high bike jumps across the stage — may sound like little or nothing, but for the citizens of Sevastopol is’s either w pretty profound warning or a pretty powerful affirmation that the Crimea belongs to Mother Russia.

That’s quite an audience! And read the caption:

This city will come back
Sevastopol will stay Russian

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Note — this is a very short video clip — that Putin rides with the Night Wolves — in Crimea:

Note that Putin‘s bike has the Russian Imperial insignia of a double-headed eagle — on his gas tank!

Note the crown at the very top, and St George slaying the dragon in the center panel.

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If you have 35 minutes, watch this — it’s pretty damn impressive for a show put on by a biker gang:

If you don’t have 35 minutes, just flick through it, catching a sense of the thing. But uit’s well worth watching in full, so perhaps you can find time to come back and watch it later.

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The title of this post claims that “Epic Night Wolves biker rally takes war in Ukraine to the stage<" is A very interesting title". Any text which suggests that war can be considered a drama, a game, or a dream -- a subset of reality -- is of inherent interest: think of the impact of the black American athlete Jesse Owens crushing his German opponent to win four gold medals in Hitler's 1936 Summer Olympics!

In this case we have the claim that war can be enacted in a rock and roll and light show. A comparison with warfare as chess may prove illuminating: consider the Telegraph article titled How Bobby Fischer and Boris Spassky became pawns — the title itself is extraordinary, making pawns of two great chess grand masters!

Even before Fischer-Spassky, we are told:

For the USSR, chess had always been a key weapon in the Cold War.

And the match itself? For this, let’s turm to an Irish Times article:

Cold War in Reykjavik as Fischer breaks Soviet defender Spassky

Never before or after has a chess tournament, or perhaps any sporting event, taken on such non-sporting significance. This was not Spassky v Fischer. It was the USSR v US. [ .. ]

The fate of a nation has rarely depended on the result of a sporting endeavour. But that was how the match-up between Fischer and Spassky was portrayed in the lead-up to Reykjavik in 1972.

When he defeated Spassky, we are told, Fischer “was treated as a war hero.” Spassky resigned by telephone– and Fischer? Ever the eccentric —

The audience (about 2,500) burst into rhythmic applause and rose. Fischer, still busying himself at the chessboard, again nodded, looked uncomfortable, glanced at the audience from the corner of his eyes and rushed off.

Dart Boards and Hatred, a DoubleTake

Sunday, December 29th, 2019

[ by Charles Cameron — featuring a comparison between Osama bin Laden and Adam Schiff ]
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From my private collection, now in storage, an image of counter-terrorist hatred:

and a second image:

‘Nothing Less Than a Civil War’: These White Voters on the Far Right See Doom Without Trump

forming together with the first what I call a DoubleTake, in this case featuring a parallelism that’s suggestive.

What do you think?

A very slight play on words

Sunday, December 29th, 2019

[ by Charles Cameron — a DoubleQuote that suggested itself to me today, posted here for your contemplative enjoyment ]
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Stage one was provided by my opening screen, which contained three or four questions against a background of countryside and waterfalls. The question which caught my eye was this one:

I’ve isolated it from a screen grab and placed it in the upper panel of my DoubleQuotes board, leaving the lower panel open for possible answers: Question and Answer, like Call and Response, would seem to be elementary forms of DoubleQuote play, just as DoubleQuotes are the elementary forms of HipBone Game moves, and HipBone Games elementary essays in rendering Hermann Hesse‘s fictional Glass Bead Game playable.

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I then used Google to find the correct answer to our question, and placed it in the lower panel:

That’s my play.

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And why do I trouble you with such a trifle?

Because asking a logophile what the word logophile means is an ouroboros — a serpent that bites its own tail — another of the elementary forms of the HipBone Games:

Best ever game-politics metaphor! — 2.0

Wednesday, May 8th, 2019

[ by Charles Cameron — definitive — I’ve corrected the inset video ]
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Here’s a quick clip from a 1991 news report, refreshed in the news a couple of days ago — IMO, it’s the best ever game-politics metaphor!*****

“I have the best game metaphors, the best — can’t you hear him?

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DoubleQuote!

Buy! Buy! RARE SEALED President Donald Trump VINTAGE Trump Monopoly Collectors Edition:

On the felicities of graph-based game-board design: fifteen

Wednesday, January 30th, 2019

[ by Charles Cameron — surprise, surprise — this isn’t the #15 I expected and predicted ]
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In Two eminently watchable TV series by Hugo Blick I looked at narrative artistry as an approach to understanding complex problems — and I do mean complex, the Israeli-Palestinian and Hutu-Tutsi errh, situations..

Here, we consider artistry of another sort — polyphonic, graphical, yet still clearly artistic in execution ..

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Here’s a drawing from Victor Papanek‘s Notebook — and very notebook it is — courtesy Roelof Pieters:

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Compare the above with this example of Mark Lombardi‘s fine art “conspiracy” graphs from his book, Global Networks:

We’re getting positively calligraphic here, and approaching the scope of one of those Song dynasty scroll paintings that feature (am I right? memory, imagination!) a hermit disappearing into his cave in some obscure not quite corner of the scroll, while thunder wreaks havoc on armies by a river in almost center field..

Speaking of which..

Ah, but we’re straggling away from our topic: On the felicities of graph-based game-board design. The point is that the arts have many inventive ways to approach complexity.

I mean, we could start with Hamlet..

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Earlier in this series:

  • On the felicities of graph-based game-board design: preliminaries
  • On the felicities of graph-based game-board design: two dazzlers
  • On the felicities of graph-based game-board design: three
  • On the felicities of graph-based game-board design: four
  • On the felicities of graph-based game-board design: five
  • On the felicities of graph-based game-board design: six
  • On the felicities of graph-based game-board design: seven
  • On the felicities of graph-based game-board design: eight
  • On the felicities of graph-based game-board design: nine
  • On the felicities of graph-based game-board design: ten
  • On the felicities of graph-based game-board design: eleven
  • On the felicities of graph-based game-board design: twelve
  • On the felicities of graph-based game-board design: thirteen
  • On the felicities of graph-based game-board design: fourteen

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