Temperature and ocean levels go up. Whole world regions dry out. Hundreds of millions will have to leave, migrate, millions will fight wars, no end being in sight. Can we go on listening as usual to Buxtehude, Bach, Beethoven, Brahms, Bruch, Bruckner?
and at last Teeth — with the Ligeti from the late ’70s as context, the stunning Roomful Of Teeth plays Caroline Shaw‘s Pulitzer-winning Partita:
Music, it would seem, is the chosen placement of sounds, random or chosen, from the field of all sounds, in some form or container within which they may bounce and reverberate.
Note that under this definition, the barnyard’s sounds may sound (Ligeti, children’s rhymes), as may silence..
the words of operas and masses..
Note too, that under this definition, plays and poetry are a subset of music, also.
[ by Charles Cameron — logic, the arts, and technology offer an Easter, resurrection corrective, philosophically speaking, to the ruin of the cathedral of Notre Dame ]
For the terrible fire that consumed so much of Notre Dame de Paris this week, grief is great. Here, I wish to recall some of the ways in which the essence of the great cathedral has been saved.
Above, Piero della Francesca‘s Madonna della Misericordia. Our Lady of Mercy, for whom the cathedral was named, continues to shelter us all..
Perhaps the most extraordinary, as well as the most abstract, form of Notre Dame to survive fire, war, and the French Revolutionary idea — to replace Mary with the goddess Reason enthroned in her place — is the logic embedded in the theology that accompanied its building and — lex orandi, lex credendi — the worship within it, for which purpose it was designed and built
The American philosopher CS Peirce was among the first to propose a kinship between Gothic architecture and the logic of the Paris schoolmen:
Art felt the spirit of a new age, and there could hardly be a greater change than from the highly ornate round-arched architecture of the twelfth century to the comparatively simple Gothic of the thirteenth. Indeed, if any one wishes to know what a scholastic commentary is like, and what the tone of thought in it is, he has only to contemplate a Gothic cathedral. The first quality of either is a religious devotion, truly heroic. One feels that the men who did these works did really believe in religion as we believe in nothing. We cannot easily understand how Thomas Aquinas can speculate so much on the nature of angels, and whether ten thousand of them could dance on a needle’s point. But it was simply because he held them for real. If they are real, why are they not more interesting than the bewildering varieties of insects which naturalists study; or why should the orbits of double stars attract more attention than spiritual intelligences?
Erwin Panofsky‘s work, Gothic Architecture and Scholasticism, is the central presentation of the parallels. Pierre Bourdieu, who translated Panofsky into French, characterizes the work:
The parallelism between the development of Gothic art and the development of scholastic thought in the period between about 1130–1140 and about 1270 cannot be brought out unless one “brackets off phenomenal appearances” and seeks the hidden analogies between the principles of logical organization of Scholasticism and the principles of construction of Gothic architecture. This methodological choice is dictated by the intention of establishing more than a vague “parallelism” or discontinuous, fragmentary “influences”. Renouncing the semblances of proof which satisfy intuitionists or the reassuring but reductive circumstantial proofs which delight positivists, Panofsky is led to identify the historical convergence which provides the object of his research with a hidden principle, a habitus or “habit-forming force”.
How could Notre-Dame be burning? How could Notre-Dame, which had survived for eight centuries—survived plague and wars of religion, survived the French Revolution, survived the Nazis—be falling? Notre-Dame, the heart of Paris, not only a Catholic site but the preeminent symbol of European cultural consciousness, the heart of France, the kilometer zero from which all its farthest villages are measured—how could this majestic structure collapse so fast
— Oh, ruin, from the Latin ruere, meaning to fall.. John Milton, Paradise Lost:
Heaven ruining from Heaven, and would have fled
Viollet-le-Duc‘s 19th century spire, in this archaic sense of the word, ruined.
Fortunately, a few years back the entire structure was mapped with ferocious accuracy by Vassar professor Andrew Tallon, using advanced laser photography to capture detail — wear and tear included, to an accuracy of a tenth of an inch:
Now, with the building having sustained untold but very substantial damage, the data that Tallon and Blaer created could be an invaluable aid to whoever is charged with rebuilding the structure. Ochsendorf described the data as “essential for capturing [the structure] as built geometry.” (He added, however, that the cathedral, no matter what happens now, “is irreplaceable, of course.”)
Tallon and Blaer’s laser data consist of 1 billion data points, structured as “point clouds,” which software can render into images of the three-dimensional space. Stitch them together, inside and out, map the photographs onto the precise 3-D models, and you have a full digital re-creation of incredible detail and resolution.
Professor Tallon died less than six months ago, in November 2018, age 49. If you’re looking for another Easter parallel, Tallon may be metaphysically resurrected with the promised rebuilding of the cathedral he so loved and diligently studied.
It appears that the great Rosace Nord (north rose window) survived the fire —
By far the greatest blessing – a miracle – is that the Rosace Nord has survived. The South and West windows were very extensively restored in the 18th and 19th century, but the North Rose Window has stood basically unchanged for 800 years, the glass is the 13th century original.
To close with a blaze..
In January of this year, Olivier Latry, titular organist of Notre Dame, made what is very likely the final recordings of music on the cathedral’s great organ, for a recording which was released in March, just weeks before the terrible fire. The organ, as built by Aristide Cavaillé-Coll in the nineteenth century, houses some 8,000 pipes; it seems the fire has left it largely intact, though with damage to its electrical systems and wind-chest.
Olivier Latry plays Johann Sebastian Bach‘s Toccata and Fugue in D minor, BWV 565 on the Cavaillé-Coll organ of Notre-Dame de Paris::
[ by Charles Cameron — continuing my miscellaneous collections, with metaphor, paradox &c a specialty ]
Two recent headers caught my eye:
You can see why I like those two — there’s something very attractive about the way those headlines double back on themselves.Writers know this self-referential form — the serpent biting it’s tail, or ouroboros — I’ve been suggesting for some time that it’s also a useful heuristic marker of matter of special interest, worth particular attention by intel, natsec and geopolitical analysts.
Okay, another item — a double number his time — for the collections series:
This is from about a week ago, I think, and belongs in my war as metaphor category.
Robert Louis Stevenson once wrote, or perhaps said, “The world is so full of a number of things, I ‘m sure we should all be as happy as kings.” I’m that happy, I have to admit, though I’ve no idea whether kings themselves are — hey, given that Shakespeare himself wrote “Uneasy lies the head that wears a crown…”
Gov. Northam‘s predicament is one I won’t comment on, but Rev Al Sharpton had a few comments I found worth noting:
This (KKK outfit) is a terrorist uniform .. a terrorist, racist outfit ..
You’ve got to be consistent if you’re going to take a moral stand ..
Clan robe is a terr– Clan represents lynchings, murder, bloodshed; there’s no way to act like you didn’t understand ..
When Sharpton didn’t feel the Northam had sufficiently plumbed the depths of black dismay at the confluence of KKK and blackface on his page, the Rev — at least to my ear — put considerable emphasis on the concept of terrorism — the KKK as home-grown, native-born, internal, domestic, normal, pretty much, right-wing terrorists.
And they’re still around:
Anyway, I’ll continue dropping visuals in here, and relegate most of my text collections to this and other comments sections.
[ by Charles Cameron — bulldozers and trains, more ]
Watersheds are natural divisions of landmasses, long predating human presence upon the earth. Borders by contrast are a human invention — a fact that is nowhere more evident than in the borders known as the Durand Line, separating Afghanistan from Pakistan, and the Sykes-Picot agreement, which divided up the Ottoman Empire into British, French and Russian spheres of influence. Durand, Sykes and Picot were respectively British, British and French gentlemen. In fact, make that a DoubleQuote (mini):
And while Pakistan recognizes the Durand line as an international border, Afghanistan does not. ISIS, disliked the Sykes-Picot line dividing Iraq and Syria enough to bulldoze it (upper panel, below)..
And then there’s the Haskell Free Library and Opera House (lower panel, above)..
The library is a relic of a time when Americans and Canadians, residents say, could cross the border with simply a nod and a wave at border agents. It was the gift of a local family in the early 1900s to serve the nearby Canadian and American communities.
“What we are so proud of is that we do have a library that is accessed by one single door,” said Susan Granfors, a former library board member. “You don’t need your passport. You park on your side, I’ll park on my side, but we’re all going to walk in the same door.”
But after the Sept. 11, 2001, attacks, the northern border hardened, and the law enforcement presence in the area is immediately visible. And in September, a Canadian man was sentenced to 51 months in prison for smuggling more than 100 guns into Canada, some of them through the Haskell library.
Still, inside the building itself — decorated with wood paneling, stained-glass windows and, on the Canadian side, a moose head — the old ways mostly prevail. Patrons and staff freely cross the international boundary, marked with a thin, flaking black line extending across the brightly decorated children’s reading room and the main hallway.
The Library — and Opera House!! — then, erases a border more or less, in a friendly manner, while ISIS erasesd another with force. In bith cases, we can sense a distrust of or distaste for artificial separations.
Those who are willing to make creative leaps from political geography to the wisdom of the far Orient will recognize the imagery of Pu, the Uncarved Block in Lao Tze‘s Tao Te Ching — representing wood in its natural, uncarved state, end thus the whole, of which all entities are seeming parts, separated only by naming.
G Spencer Brown addresses the same distinction in his book, The Laws of Form — described appropriately enough by Wikipedia as “straddles the boundary between mathematics and philosophy” — between what Brown terms the Unmarked state, “which is simply nothing, the void, or the un-expressable infinite represented by a blank space.. No distinction has been made”, and the Marked State, in which one or more distinctions (Marks) have been made:
In Spencer-Brown’s inimitable and enigmatic fashion, the Mark symbolizes the root of cognition, i.e., the dualistic Mark indicates the capability of differentiating a “this” from “everything else but this.”
Spencer Brown notes that a Mark denotes the drawing of a “distinction”, and can be thought of as signifying the following, all at once:
The act of drawing a boundary around something, thus separating it from everything else;
That which becomes distinct from everything by drawing the boundary;
Crossing from one side of the boundary to the other.
All three ways imply an action on the part of the cognitive entity (e.g., person) making the distinction.
Brown notes, wryly perhaps
As LoF puts it:
“The first command:
Draw a distinction
can well be expressed in such ways as:
Let there be a distinction,
Find a distinction,See a distinction,
Describe a distinction,
Define a distinction,<
Let a distinction be drawn.”
My own DoubleQuotes format both draws distinctions (being binary) and erases them by asserting parallelisms between them (unifying or uncarving, unmarking them).
Could fragmentation within the Far-Right contribute to increasingly extreme responses to Islamist terrorism? There is increasing evidence of instrumental responses from some of the most extreme groups, which seek to encourage the strategic use of violence.
Reciprocal radicalisation, or cumulative extremism, is a concept that suggests extremist groups become more extreme in response to each other’s activity. This means a group may frame violence as justified or necessary because they perceive an opposing group as extreme. Identifying how to respond to such a dynamic has become increasingly important, as terrorist threats from both Far-Right and Islamist groups increase, alongside increased hate crime and group membership.
The nature of siloing would encourage a focus on ISIS violence alone, a terrorism subset of natsec foreign policy, or on alt-right violence alone, a terrorism subset of natsec interior policy, thus remaining blind to the possibility that the two comprise a whole system, with systemic interactions between the two. The UK Centre for Research and Evidence on Security Threats report whose header and intro paragraph I’m quoting here is dealing with a pattern in that system, huzzah.
Such patterns — true reciprocity, which is a form of mirroring, and the kind of escalating reciprocity described here, which is more like an echo chamber with built-in feedback loop, are significant both because they cross-pollinate silos, in a system-friendly way, but also because they offer hints of a pattern language of forms that can be watched for and cataloged.
Speaking of mirroring — other readings of mine recently have brought to my attention the intersection of two “hot” fields of study — mirror neurons as a biological substrate for much in human behavior, including our propensity of violence, and Rene Girard’s mimetics as a psychological substrate for much in human nature, including our propensity of violence..
Zenpundit is a blog dedicated to exploring the intersections of foreign policy, history, military theory, national security,strategic thinking, futurism, cognition and a number of other esoteric pursuits.